Le roi de la pagaille

I saw this on UK TV today for the first time in many years and was reminded of the great enjoyment that Norman Wisdom has always provided. This movie now seems very dated and full of the flavour of early 50's Britain.

I'll always remember the 'pill swallowing' sequence and we always used it as a joke with our own kids when they had to take pills and struggled.

Seeing it again I became aware of a number of throw-away lines with sexual connotations that now seem quite modern.

The movie is firmly rooted in the British class system - but here the 'common' working man takes the p*** out of all the establishment figures and institiutions AND wins good in the end AND gets his girl.

No wonder Norman Wisdom was such a hero in Russia and Albania (apparently)!

See this movie if you haven't already .. enjoy it for what it is and what it represented.

Norman Wisdom's brand of comedy is an acquired taste; for those unfamiliar with his particular shtick, he's basically the British counterpart to Jerry Lewis - with all that it entails! I had watched a few of his films over the years but it'd been some time since then, so I decided to rent a 12-DVD Box Set (on Region 2) available from my local outlet - which, actually, I did mainly for my father's sake who used to lap his films up...and is already halfway into the collection as I write this!

Anyway, his debut feature is pleasant enough and is actually considered by many to be his best vehicle (though still featuring a couple of sentimental songs). In itself, simple-minded but occasionally inventive (particularly the window-dressing 'competition', the "sale day" rush and the climactic rounding-up of the bad guys) and with a premise that's seen service in countless 'comedian' films - Charlie Chaplin's short THE FLOORWALKER (1917) and again later in MODERN TIMES (1936), Harold Lloyd's SAFETY LAST (1923), The Marx Bros.' THE BIG STORE (1941) and Jerry Lewis himself in WHO'S MINDING THE STORE? (1963). Here the star is nicely abetted by Jerry Desmonde as his flustered boss (often serving as the brunt of Wisdom's accident-prone gags) and Margaret Rutherford as a charming elderly shoplifter.

This is Norman Wisdom's first full feature, and it starts off well, with a pretty funny comedy and romantic drama, Norman wants to do it all, increase his standing in the company, get the girl and foil the robbers with a lot of comedy and singing on the way, they are trying to do a lot in one film, but it succeeds, to some extent, maybe they took on too much, so its not great, but it is still a good and funny film.

Jerry Desmonde is Norman's straight man and is very good, he did a few with Norman and this is why, because Norman really bounces off him well,

The love interest is played by Lana Morris and she is very pretty and acts well, another beauty is Moira Lister, but she is a bit of a baddie, but very good, Megs Jenkins plays Normans buddy in the stockroom, she is neglected, a good actor. and Eddie Leslie plays the smarmy bad guy ok. Other noted actors who were in this were Joan Sims in an early role, several years before she became a star in Carry On's, Cyril Chamberlain, Ian Wilson and Esma Cannon who was also in the Carry On films amongst other good films and Margaret Rutherord (Miss Marple).

Eddie Leslie's last film was The Early Bird, another with Norman he passed away in 1975 aged 71. Megs Jenkins retired in 1990 and passed away in 1998 aged 81, Moira Lister acted until she died aged 84 in 2007. Lana Morris did another with Norman, she also retired in 1990 but died from a heart attack in 1998 aged 68. Jerry Desmonde did 6 more films with Norman, but committed suicide in 1967 after his wife died, he was only 58. Norman outlived them all, he had a long life, lately on the Isle of Man, passing away in 2010 aged 95, they will all be sadly missed.

Not least for this:- in the opening scene where Norman (on his bike) leans on Jerry Desmonde's big fancy car, who attempts to swat Norman's hand off with his glove but Norman keeps moving it, and the Window dressing scene where they end up breaking all the crockery, extremely funny. worth the price of admission just for those.

I grew up watching this film, and his others, and even though I'd class The Square Peg as my favourite, I'd class trouble in store as one of the best. Watching it as an adult I still adore the innocent, sweet humour, but I also loved the more feeling side of it when he started singing. Performances vary a little it's fair to say, for me though the best of them is Margaret Rutherford, she is absolutely joyous as the eccentric, but slightly adorable thief. Her spree is a terrific scene, so funny, as is the the window display scene.

I had forgotten how nimble and fit Wisdom was, such a talented all rounder, he dazzles here.

I adore this film, and not just for the sake of nostalgia, 9/10.

Though now slightly over fifty years old, Sir Norman's film debut remains one of his very best movies. 'Trouble In Store' finds the clown in top form, as a stock room worker who wishes to move up in the world and marry the girl of his dreams. Whether roller-skating behind a fast moving bus or crooning his biggest hit (and signature tune) 'Don't Laugh At Me', Norman demonstrates the charisma that made him such a major box office attraction.

Backing Norman is the fantastic Margaret Rutherford, who in only a handful of scenes steals the picture (and everything else!) as an elderly shoplifter. The very lovely Lana Morris also scores as the object of Sir Norman's affections. Lana comes across in this picture so well that it is a real pity that she did not have a better movie career.

Highlights range from Wisdom's window dressing 'duel' with Michael Ward, a very catchy duet with Lana (Norman once again showing us his great singing voice) and a fun Western parody climax. This movie seemed to fly by and is probably Sir Norman's most enjoyable film.