Les Instruments de musique

I must have seen this half a dozen times in elementary school in the 70s, but had not seen it since. I remember enjoying it, and, as a musician, I have thought of it many times.

I watched this again recently, and it's really a gem, except for the unfortunate racial stereotypes. We see clownish caricatures of Chinese, and we see a quartet of black-faced minstrel players.

The few cringey moments were disappointing, but it was 1953, and sensibilities were different. That doesn't excuse it or explain it, but I'm not going to 'cancel' Disney or even this one film because of it. Who knows how our current society will be judged in 70 years? That said, I understand why this wasn't included in the offerings provided by Disney+.

The animation is refreshingly different than other projects coming out of Disney in the early 50s. The music is great, and it's a great lesson in musical instrument families (even if they did put the piano in the string section).

Watch it. Enjoy it. Remember times were different then. Remember your history and how far we've come, and how far we have to go.

As I said above, I really wanted to hate this film...but I couldn't. The reason I wanted to give this film a savage review is that it represents a style of animation that I hate--the very modern and minimalistic animation that came into vogue in the 1950s and lasted through the 70s. Up until films like TOOT WHISTLE PLUNK AND BOOK and films by (uggh) UPA Studios, animation had been very detailed and higher quality. Gorgeous backgrounds and high frame-rates were the norm in the 40s and into the 50s with studios like Looney Tunes, MGM and Disney. But, with the success of very simplistic UPA films like Gerald McBoing-Boing and Mr. Magoo (beating out traditional films for Oscars AND costing a fraction to make), Disney decided to experiment with this splashier but tremendously easy style of animation. So, for the style of this film and what it represented, I wanted to hate the film.

The problem is that although I disliked the art, I couldn't help but like the film--even though it was quite educational. In fact, now that I finished the film, I am still amazed because I usually watch animation to have fun--not learn things! But, I found that I enjoyed the learning.

The film is about the basic parts of music and how all instruments fall within four broad categories--those that go 'toot', those that whistle, those that are plucked ('plunk') and those that are struck ('boom'). This may seem silly, but it really did make sense and made me understand and appreciate music a lot more. In particular, I learned why horns are all curvy and how a trumpet works--and that's really cool.

Overall, a great film to teach anyone (not just kids) about the fundamentals of music AND it does it in a way that isn't boring. Who would have thought this was possible?!

The other reviewers are correct, this is a great little movie. I remember watching it on a 16mm projector in jr hi music class. I'm glad to have it on DVD (bonus feature on Fantasia 2000) to share with my kids.

I would make one clarification. This movie is not about music history, but rather the principal characteristics of each family of musical instruments.

Toot = Brass Family / Whistle = Woodwind Family / Plunk = String Family / Boom = Percussion Family

This is a great introduction to musical instruments.

We join Professor Owl as he teaches his avian students about where all the music comes from - in other words, the whole TOOT WHISTLE PLUNK AND BOOM of the matter.

This very engaging cartoon gives a lighthearted look at the origin of musical instruments. Using humor as the best tool to teach - in this instance zany cavemen bang home the lessons - it leaves the viewer with several pertinent facts from the fascinating world of musical history.

TOOT WHISTLE PLUNK AND BOOM was the Disney Studio's first foray into stylized, or limited, animation. The result was very successful & the 1953 Oscar for best cartoon was the reward.

It's the professorial owl who is teaching his class all about musical instruments. It's manna from heaven for an animator as the entertainingly crafted lyrical narration (complete with slightly annoying singing) takes us all on a very basic lesson in musical onomatopoeia! It was the cavemen who started, rather monotonically, with a dead cow's horn. Next, for the Egyptians it's a different kind of "King Toot" who wants something altogether more sophisticated. Trumpets, dear reader. What happens when trumpets get beaten up; the curvy bits and varying lengths give it flexibility and huzzah, the horn was born. You've got the drift by now and as the other three principal sections of the orchestra: woodwind, strings (quite excruciatingly at times) and finally percussion get an the treatment this leads us to the synchronised, and thankfully more tuneful, modern orchestra. It's a bit too long, this, but it is still quite good fun as they even manage to squeeze the bagpipes in there. The singing doesn't get any better, though - sorry.