Le grand imprésario

The acting is rather flat. The musical numbers are what are worth watching. The singing and dancing are wonderful. It is too bad this movie was made before great sound systems.

Schmaltzy as it is, this biopic about the legendary classical music impresario Sol Hurok and the many singers he introduced and represented to music audiences is worth every lengthy moment because of the voices and music it contains. Among the treats: Jan Peerce's magnificent operatic voice emanating from the handsome face of Hollywood actor Byron Palmer, the great Ezio Pinza portraying the great Feodor Chaliapin, violin great Isaac Stern as Eugene Ysaye, gifted opera singer Roberta Peters as Elsa Valdine, and Tamara Toumanova as ballet superstar Anna Pavlova. Holding it all together in non-singing roles are David Wayne as Hurok, in probably the best role of his acting career, and Anne Bancroft as his devoted wife, in a role that barely gave a clue about what was to come in "The Miracle Worker" and "The Graduate."

I was very young when I saw this movie eons ago but what I recall most was the beautiful music in it which steered me in the direction of appreciating classical/operatic music ever after. Ezio Pinza was a favorite, a marvellous voice; the Dying Swan dance of Toumanova I still remember. An amusing, insignificant memory was of David Wayne, as Sol Hurok, who makes quite a scene after picking up the bill and remonstrates on the high cost of dining out with friends. Funny how the little things seem to stick in one's mind half a lifetime later. It would be just great to be able to see it again. Maybe I'll write a letter to Santa and ask him to send this one to me, pronto! ;-)

I adore opera and classical music in general, and after seeing Ezio Pinza singing "the Coronation Scene" from "Boris Godunov" featured on the documentary "The Art of Singing:Golden Voices of the Twentieth Century" I told myself I must see it. The result is a flawed but very underrated musical biopic based on the life and career of impresario Sol Hurok.

The story I do admit is a little schmaltzy and occasionally uninteresting, the script sometimes feels a little cobbled together and the film does start off a little slow. But the performances, production values and especially the music more than make up for any misgivings.

The film is in general beautifully shot, the cinematography is very nice and the sets and costumes in especially "the Coronation Scene" are colourful and lavish. The music is extraordinarily delightful, one review summed it up perfectly, it really is a treasure trove. "Boris Godunov" and "Faust" are operatic masterpieces, and "The Dying Swan" was close to heart-rending.

I for one liked the performances. David Wayne may initially be an unlikely choice for Sol Hurok, who as an impresario had exceptional talent, but he still manages to do something special with the role. The scene with him causing a scene about the big dinner bill was quite amusing. Anne Bancroft is lovely as Emma Hurok, and Isaac Stern plays with sensitivity as violinist Eugene Ysaye. Tamara Toumanova dances with real grace as the legendary Anna Pavlova, and Roberta Peters and Jan Peerce sing beautifully.

My favourite though was Ezio Pinza's Chaliapin. Pinza was a wonderful bass, evident in Don Giovanni, with a rich noble voice and imposing stage presence. He sure had a lot to live up to, as Chaliapin quite rightly was a singing legend, who along with Boris Christoff is considered the definitive Boris Godunov. Pinza sang and acted beautifully, his singing as always was sublime in such a demanding and dramatic role.

Overall, this is a very good and underrated film. 8/10 Bethany Cox

I am disappointed that there does not seem to be any videos available of this film. About 15 years ago, it was possible to get a long-play record of the soundtrack, but, sadly, I was too late to buy a copy, because it was deleted from the catalogues. I have requested the showing of the film on British TV, but the reply is - there is no print available. What a shame that this film is a memory only. Someone must know where a print is kept or can be restored.