Le port des passions

Thunder Bay is an anomaly, a pedantic film on a subject seldom dealt with in the movies, the conflict between businessmen, whose ambitions will cause great change in the local landscape, and the locals, who want things to remain as they are. In this case it's oil drillers versus shrimp fisherman in the Louisiana of the early 1950's. The conflict at times seems almost Marxian, with James Stewart's hardheaded, no-nonsense outsider going up against ragin' Cajun Gilbert Roland, a far more charming and sympathetic figure. Rather than shy away from class conflict, the movie confronts the issue repeatedly, in a variety of ways, and builds up a good deal of tension along the way, as Stewart's compulsive, oil drilling loner, increasingly isolated, takes on the entire community.

There's a good deal of fifties sociology here, with the modern, inner-directed Stewart against the tradition-centered fishing people. Neither side understands the other, as one can well see how these local folks would view Stewart as an uncaring and forbidding figure, the embodiment of alien, big city values. On the other hand these people are a rough and tumble lot, uneducated, clannish and utterly without curiosity. It's easy to see how an educated man might look down on them. There's a good deal of action along the way, and some fist-fights. At a time when many Americans still thought of themselves in terms of class, and with the Depression fresh in everyone's minds, it was rather bold of director Anthony Mann to take on this subject from a middle of the road, basically Republican (but not right wing) perspective. In this respect the movie, which came out in the first year of the Eisenhower administration, heralded a new era of compromise, with the promise of better things yet to come. As to which side is right, well, you be the judge. I'm still thinking this over.

"Thunder Bay," strictly a man's picture, may be considered a Western, with boats and oil substituting for horses and guns, on the Gulf Coast off Louisiana...

Stewart and Mann considered as regular partners begun for what they thought were fresh pastures... Stewart is properly tough, wild and laconic as the enthusiastic engineer convinced that oil reserves might lie beneath the Louisiana waters, and Duryea have come up with a drilling platform that resists the fury of even the worst storms... Away they go to find offshore oil, with the encouragement of Jay. C. Flippen willing to ramp up, pumping money on exploration...

The drilling clashes with the plans of shrimp fishermen who are opposing the test on the fishing grounds... It may have an adverse affect on their marine life...

Duryea adds more complications to the action-drama by falling in love with the girlfriend of one of the fishermen, whose sister, Joanne Dru (echoing the sentiments of Janet Leigh in "The Naked Spur") is putting her eyes on Stewart... But the machinations of the two girls seem worthless material against the struggles between the guys, which are actually the main force of the movie...

After several obstacles, violent storms, romantic distrust, and the retraction of magnate Flippen, who has lost faith in the project, all ends wonderfully when Stewart (hard to believe) discovers not only oil but an abundant source of shrimp...

Subsequently the lovers pair off, and the former enemies become allies as they share their beneficial trades...

Photographed in Technicolor, "Thunder Bay" is a well-produced movie, an entertaining piece of film making...

The posted comment about wanting to see the "widescreen" version needs to be addressed.

As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.

It must have looked awful. Count yourself lucky you don't get to see it.

(This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)

The first of two fifties adventure films with heroes called Steve Martin (the second was 'Godzilla' with Raymond Burr)! Shot on location in Morgan City, Louisiana in rich Technicolor (all the better to show off local girl Joanne Dru's vibrant and extremely durable lipstick), this was Jimmy Stewart's first non-western with Anthony Mann; and although easily the least known of their eight films together remains fun.

To 21st Century environmental sensibilities, oil prospectors no longer seem the heroic buccaneering figures they were once portrayed as. The film does acknowledge the disruptive impact Stewart and Duryea have on this sleepy little backwater; as much due simply to being men as oilmen...

What starts off as a cute conman buddy movie turns into an unexpected dual romance as the pals find girls in a small fishing town, and a locals-against-outsiders fight. James Stewart and Dan Duryea, frequent costars, have great chemistry together as friends who are down on their luck. With failures on their resume and nothing but slick tongues, they con their way into a car ride into town, renting a boat for the day, and hosting a business meeting with an important investor - all without paying. Joanne Dru is skeptical, Gilbert Roland is jealous, Marcia Henderson is interested, and Jay C. Flippen believes in their vision: underwater off-shore drilling.

If you like the actual story of the drilling and the local fisherman trying to sabotage their plans, you'll really enjoy Thunder Bay. I was more interested in the love stories, and I was still happy. Dan Duryea usually plays slimy villains, so I can only imagine what a treat it was for him to be the funny comic sidekick with an eye for the ladies. I've never seen him get to smooch someone after exclaiming, "Oh darling!" It's just adorable. If this is the first movie you see of his, you probably won't be able to imagine him playing a bad guy in his other movies.