Sombrero

Paying mind to the ever growing South American market MGM made this trilogy of love stories in Mexico of the romances of three guys from the same small village. Sombrero is kind of like Three On A Match or if you will a film from a rival studio that came out around the same time, 20th Century Fox's Three Coins In The Fountain.

Vittorio Gassman is the son of Walter Hampden the local Ben Cartwright of the area and he's married to Nina Foch in a loveless union. It was one of those arranged deals, Gassman really loves Yvonne DeCarlo a poor peasant girl, they've had a thing going since they were kids. He's got himself some bad news, one of those unnamed Hollywood diseases that might make him go any time. Sounds awfully like an aneurysm.

Incidentally Foch got a career role in this one and the best performance in the film. The woman really spits fire in this part.

Rick Jason falls for Cyd Charisse the sister of matador Jose Greco who treats her like a possession. Some serious hints of unrequited incest here. Charisse longs to break free and love the guy who's a happy go lucky sort who sells candy at the Corrida. The gypsies provide a solution.

The comedy comes from Ricardo Montalban and his pursuit of Thomas Gomez's pride and joy Pier Angeli. Gomez is from a neighboring village and they've got a feud with where Montalban comes from. Nobody from that place is marrying his little sugarplum. There are some chase scenes rivaling the Keystone Cops.

A nice trilogy of romances from Mexico with a great ensemble cast for Sombrero.

What were MGM thinking of in making this film ? The opening proudly proclaims how thankful the studio is in letting them make it in Mexico, but what on earth did the Mexicans make of the end product ? Hysteria runs throughout the film culminating with a completely mad dance on the top of a mountain. Three interlinking love stories try to make sense of this nonsense and despite a cast of fine actors no one really has a chance to shine. Only Rick Jason ( see him preferably if you can in ' The Wayward Bus ' ) gives what I call a performance, and poor Vittorio Gassmann lags a little behind. As for the women it is a total waste. Cyd Charisse dances one of her worst dances ( in choreographic terms ) and fights with bad dialogue. Pier Angeli is underused and so is Yvonne de Carlo. Nina Foch has a truly nasty scene with a blind man who is dying and melodrama of the worst sort comes to the fore. I am not surprised it was a flop. I hope the Mexicans asked for their money back at the cinemas. A disgrace to film making. A 4 for the actors who presumably had to attend the premiere.

Somewhat of an oddity, really. Wake-up from your afternoon siesta and enjoy this movie. And not to be missed. Made in Mexico with guts, gusto and gringos. While South-of-the-Border, Hollywood worships at the altar of the magical and(sometimes) hokey movie musical. And wins. The picture may cause some viewers to fall into a world of confusion. Whirlpool effect: three bachelors fall in-and-out of love with four beautiful girls. The odd lady out in this game of musical chairs: Yvonne Decarlo. Why? Jeolousy. The other women feel threatened by the sexy creature("Maria") down by the river. Decarlo's character does provide an unusual story wrinkle: she informs her ailing suitor, who loves and wishes to marry her, that she will not marry him. Her noble gesture is a selfless act. But not practical. The film's photography of the Mexican countryside reveals streams of priceless visuals. A modern hospital pops up to great effect. Ricardo Montalban has top billing and delivers an amiable and confident performance. But the other two male leads more than hold their own against the studio's choice. One fellow has a strange prop, a tray of trinkets, which he hauls from the village to the city. In addition, he has an uncanny feel for the opposite sex. Cyd Charise falls under his influence. She sings and dances up a storm in a rainfall. Miss Decarlo's song, "You Belong to My Heart," was cut from the finished print and can only be seen at TCM's web site. A good movie to catch late at night. Trust me. Health!

Gave this a a 10 just because it was worth it to see how beautiful Mexico was. And let's face it, for Hollywood to film on location in Mexico the 50s is a rarity . The fact that Metro even bankrolled a movie set in Mexico is a wonder. Also this is probably the only film to my knowledge where Mexican actor Ricardo Montalban actually portrayed a Mexican instead of the what Hollywood considered the "acceptable" Latin lover, eg. an Argentinian polo player I.e. European.

A bizarre but thoroughly entertaining tamale pie of a movie focusing on the lives of various peasants in a Mexican village. Typical of Hollywood films in the '50s, there are several anglo actors playing Mexicans, but at least Ricardo Montalban (playing Pepe Gonzales!) is the real thing. And he's got charm TO BURN! As difficult as it is to believe, Rick Jason is possibly more handsome than Montalban - and certainly taller at 6'4". In his autobiography, Jason mentions that Montalban became concerned during the filming when Jason seemed to be stealing the scenes in the rushes.

I don't recall seeing so many beautiful stars assembled for a single film: Pier Angeli, Yvonne De Carlo, Cyd Charisse, Vittorio Gassman. Wow! That's reason enough for tuning in, but there's other stuff to treasure as well, such as the flamenco dance by Jose Greco, which is as spectacularly good as the dance number with Cyd Charisse is spectacularly bad.