Fais-moi peur

A decade and a half earlier, Bob Hope made "Ghostbreakers"--an amiable little comedy. Now with "Scared Stiff" Martin & Lewis take their stab at remaking the film. As usual, Dean plays a lounge singer, Larry, though his character isn't the usual selfish guy he often played in their films. Jerry plays Myron, a clumsy (what else?) waiter. The pair end up running away from the nightclub where they work for two big reasons--Rosie (Dorothy Malone) keeps making eyes at Larry and her boyfriend is the VERY jealous and dangerous sort AND Larry thinks that he's killed a man! While on the run, they meet up with nice girl Mary (Lizabeth Scott) and they accompany her to an island she just inherited--Lost Island which is off the Cuban coast. Naturally, the place is supposedly haunted and zombies muck about the place.

This one works better than most Martin & Lewis films because horror is a very good theme for comedians of the day. In addition to Hope's "Ghostbreakers", Abbott & Costello had their best film with "Abbott & Costello Meet Frankenstein"....and their other horror outings were better than average. An amiable film worth your time and a decent match to the team's talents.

Cool nightclub singer Larry Todd (Dean Martin) and bumbling busboy friend Myron Mertz (Jerry Lewis) are on the run from the mob and the police. Heiress Mary Carrroll (Lizabeth Scott) helps them escape to Cuba where she had recently inherited a haunted castle on an isolated island.

This Dean and Jerry doing their song and dance and comedy bits. I kinda expected to have more movie at the haunted mansion. Instead, they do take a long while to get there. I guess that this allows them to do more song and dance. The boys are good although not their best. Carmen Miranda does a couple. Sadly, it's her last movie before her premature death.

An authentic recital of these two great showmen in the Fifties. A nightclub showman : Dean Martin , and his colleague , a former botcher waiter : Jerry Lewis freeing a murder charge , going from New York to Cuba accompanying a rich heiress . This beautiful woman is named Mary Carter : Lizabeth Scott who has inherited her family's ancestral mansion on a small island of Cuba and decides to take possession .The three enter at the haunted house to find a lot of surprises as gangsters , ghosts and eventually hunting for a hidden treasure . They are making a spook-tacle of themselves ! They are funnier than ever on the Giant Panoramic Screen with Stereophonic Sound ! .

Fun and attractive comedy with humor , tongue-in-cheek, musical numbers and loads of entertainment and amusement, incliuing final cameos from Bing Crosby , Bob Hope . Close remake of Ghost Breakers 1940 with Paulette Goddard , Bob Hope and Scared stiff 1945 with Jack Haley , Anne Savage, taking parts here of there of these films . It you love Jerry Lewis this is a real vehicle as the extremely funny impersonation of Carmen Miranda , his game with a doppleganger at a mirror , his confrontation with menacing ghosts , zombies , armor, and anything else . This is one of the first and best appearances by the great Jerry Lewis , following a long career full of successes, such as : "3 Ring Circus , Artists and models, Hollywood or bust , Pardners , The Delicate Delinquent , The Geisha Boy , Cinderella , The Bellboy , The Ladies Man, The Nutty Professor , The Disorderly Orderly , The Parsy , The Family Jewels , The Big Mouth , Which Way to the Front ? , The King of Comedy" , and several others .

The motion picture was well directed by George Marshall , providing an amusing and entertaining film. Marshall was a prolific Hollywood professional who had a notable career including a large number of films such as : "Destry rides again , Off limits , Perils of Paulina , Goldwyn Follies , Texas , Pot O'Gold , Pack Up your Troubles , Papa's condition delicate , How the West was won , and some Laurel and Hardy vehicles" , among others . Rating 7/10 . Better than average . The movie will appeal to Jerry Lewis and Dean Martin fans .

I'm a Jerry Lewis fan and I think Bob Hope's «The Ghost Breakers» (1940) was technically way ahead of its time as a funny/scary Old Dark House comedy. This thirteen-years-later remake feels like it was hatched together as a quickie Martin-Lewis vehicle in the «scary» mode (they made four films that year). It reuses the same director (George Marshall), most of the dialogue, most of the situations, most of the special effects, all the stock footage and even one song from the original. The sets have also been recreated and the jokes «updated». If the remake works at all, it is due to the extreme quality and originality of the first film. Comedy writer Norman Lear (of TV fame) did his best in adapting the Bob Hope/Willie Best routine to the particular talents of Dean Martin and Jerry Lewis.

Where the story starts to creak though is in the scary scenes. They have lost their suspense and mystery and that undefinable mix of editing, timing, lighting, photography, acting, pacing and music called «atmosphere», which «The Ghost Breakers» had in spades.

The casting is also lacking: Lizabeth Scott is no Paulette Goddard. She may look good in a bathing suit but her comedy is stilted, her romantic moods are too entranced and her dramatics don't convince. William Ching is no Richard Carlson, Paul Marion is no Anthony Quinn and George Dolenz is no Paul Lukas either. The zombie character is also a special disappointment all its own. Out of a misguided sense of political correctness, the original Black zombie (Noble Johnson) has been replaced by a nondescript White (!) cowboy villain (!!) (Jack Lambert) who actually looks like an ordinary Joe (!!!) without makeup (!!!!) from a distance. His entrance actually causes crickets to start chirping.

All in all, I appreciate this film as a kind of homage to the original, for its numerous Jerry Lewis set pieces, in which he exhibits a supreme self-confidence, and for the Dean Martin songs - despite the near-obscenity of the «Enchilada Man» number (you can imagine but don't ask!)... The less said about the Carmen Miranda numbers the better (this was her last film).

As someone who loves Dean Martin's voice, and always have done, and who finds Jerry Lewis entertaining 'Scared Stiff' intrigued. It was enough for me to see with just one of them, but it's even more so with them together.

'Scared Stiff' has garnered comparisons to 'The Ghost Breakers', the general consensus being that it's inferior to that film. It is agreed that 'The Ghost Breakers' is the better film, funnier, scarier and combines those two elements together a little more strongly. This said, 'Scared Stiff' in no way disgraces it and works well on its own two feet too.

The story does jump around a little, with the shift to the darker and scarier elements slightly abrupt (emphasis on the slightly) and creaks in some parts. As alluring as Lizabeth Scott is, she is also a rather bland presence, not looking entirely comfortable in comedy or romance. The production values, apart from some very atmospheric sets, do betray a rushed production and that it was made in haste.

Conversely, 'Scared Stiff' has many positive elements. Regarding the songs, while not classics or ones that will necessarily stand the test of time, they are still pleasant enough and suit Martin's wonderful singing talents and Carmen Miranda's unique stage presence and such well.

George Marshall's direction is nifty and he and the nicely crafted script neatly combine genuinely funny comedy and suitably eerie and suspenseful chills. Miranda, in her final film, lives up to her nickname as "The Brazilian Bombshell", even if she has been much better before with material that adds more to the story than 'Scared Stiff' does.

Martin and Lewis are a very well matched double act, their talents well-utilised and contrast with each other deftly. Martin effectively plays it straight against Lewis' very kinetic energy (Lewis' impersonation of Miranda is not particularly good but still pretty hilarious, and his scene with Frank Fontaine is a scream).

In conclusion, a fun film that has made be interested in more of Martin/Lewis collaborations. 7/10 Bethany Cox