Salomé

The reason why you 'd like to sit through this is the four leads:Rita Hayworth ,ideally cast as Salome ,a libidinous Charles Laughton ,a cruel Judith Anderson and a noble Stewart Granger.Plus a stint by Sir Cedric Hardwicke.Plus the director of the best version of "hunchback of Notre -Dame" at his kitchiest.Plus a fabulous dance of the seven veils.Plus gaudy colors and John the Baptist's head of course.

But what remains,eg the essential ,is a really "free' adaptation of the holy writs.The script writers invented a Roman soldier with whom Salome falls in love.BUT what will puzzle the Christians is that Salome dances not to get John's head,but to save him!!!.A happy end which will remind you of your Sunday school days.And that's not all:the plot even involves Pontius Pilate whom Claudius (Granger) urged to become a Christian and to repent so that he would go down in history as a soldier of a brand new religion.Well the man did not wash his hands ,but he did not do what he was told either...which did not prevent him from going down in history anyway..

the first temptation is to criticize it. very hard. and it is the normal reaction. because the film has potential and the right cast. but for director seems be more seductive the easy way. the dance of Rita Hayworth, the sketch of the force of Charles Laughton, Judith Anderson in a role as game of stereotypes. the result - not the best. after decades, it is not a real sin and it is a wise option to see it as piece from a long chain of religious/historical films from the "50. but the case of "Salome" remains different. for the simple motif than it is not an ordinary film from the "50. and only way to discover it out of not inspired solution of script or director vision is ... to imagine it.

Don't bother watching this film for historical accuracy. Watch it instead for entertainment value only and to see why Rita Hayworth was worshipped as a Goddess.

You can almost feel the debauchery oozing out of Charles Laughton's Herod as he oils his way through the film. And Judith Anderson's Queen Herodias is completely over the top, but you can see where she's coming from and that she's a product of her circumstances. Stewart Granger is almost out of place here as he's the only one not seriously hamming it up, but he still does a relatively convincing job as Commander Claudius, improving as the film progresses.

I love this film for the wonderful elocution-lesson delivery of the dialogue and the gloriously artificial colouring which give a lovely fantasy recreation of biblical times: even though bad things happen, they just don't seem that bad. And even after all these years Rita Hayworth's dancing is a vision to behold for men and women alike.

While this film does vary from the biblical storyline, it's worth watching for Rita alone. She's a vision in all her scenes and very good in her part, culminating in her 'Dance of the Seven Veils', which is a treasure. {I only wish it wasn't montaged with the death of the Baptist.} Rita never looked lovelier than she does here and her Jean Louis costumes are all drop-dead gorgeous. Stewart Granger is pretty good, better than usual, he and Rita having good chemistry here. It's well cast, with actors Charles Laughton and Dame Judith Anderson both excellent as King Herod and Queen Herodias. Arnold Moss is slithering as the evil adviser to Queen Herodias, though Alan Badel as John the Baptist seems more like a wild-eyed madman than a holy prophet. Though there are some filler segments that are not up to the rest of the film, still I think it's excellent entertainment.

Banished from Rome by Emperor Tiberius Augustus : Cedric Hardwicke , Salome : Rita Hayworth abandoning her boyfriend : Rex Reason , returns to Jerusalem , there being infatuated by both , a good-looking Roman Centurion : Stewart Granger , and the licentious Herodes : Charles Laughton who is lasciviously after her , while John the Baptist : Alan Badel loses his head .

Spectacular and colorful film , with plenty of some viviv large-scales scenes , certainly , but lacks fidelity to Holy Bible , this is very free and loose rendition based on Ancient Scriptures . Here outstanding Rita Hayworth and her famous dance , as she sinuously shedding her Seven Veils . The best perfomances go to Alan Badel as a fanatic John the Baptist along with Charles Laughton as a lascivious Herodes Antipas and well supported by the usually baddie Judith Anderson as his Queen , Herodias . Including other illustruous secondaries as Sir Cedric Hardwick as emperor Tiberius , Arnold Moss , Maurice Schwarz , Rex Reason, and Basil Sydney as Pontius Pilatos .

It contains a moving and stirring musical score by George Duning , adding some religious and oriental sounds . As well as evocative cinematography in Technicolor by cameraman Charles Lang , though a perfect remastering being really necessary . The picture benefits itself to be shot in location in Israel, though wasted because of no too much exteriors . This Biblic rendition far from faithful to its origin , and according to Columbia Pictures and it was professionally directed by William Dieterle , though it has a few gaps and failures . Dieterle was a good director, making nice films and some masterpieces , as he directed the following ones : "Devil and Daniel Webster" , "Hunchback of Notre Dame" , "Juarez" , "Life of Emile Zola" , "Quick Let's get married" , and his greatest success : "Portrait of Jennie" , among others. Rating : 6/10, acceptable , but neither extraordinary , not notable , but passable . The yarn will appeal to Rita Hayworth , Stewart Granger and Charles Laughton fans .