A bored and sheltered princess escapes her guardians and falls in love with an American newsman in Rome.A bored and sheltered princess escapes her guardians and falls in love with an American newsman in Rome.A bored and sheltered princess escapes her guardians and falls in love with an American newsman in Rome.
- Won 3 Oscars
- 11 wins & 20 nominations total
Armando Ambrogi
- Man on Phone
- (uncredited)
Armando Annuale
- Admiral Dancing with Princess
- (uncredited)
Maurizio Arena
- Young Boy with Car
- (uncredited)
Silvio Bagolini
- Undetermined Role
- (uncredited)
Featured reviews
A plot as slender as Audrey Hepburn but oh what magic! If you've never seen this jewel, you're to have one of the best evenings of your week, your month.
Perhaps the key to this movie's success is restraint - in the dialogue, in the music, in the cynicism of Peck and cronies at the movie's beginning. No one gushes - all is understated - but how one feels its power.
I hope everyone has experienced a day such as they - with someone they come to care for - as much as they. It's my wish for the world.
Perhaps the key to this movie's success is restraint - in the dialogue, in the music, in the cynicism of Peck and cronies at the movie's beginning. No one gushes - all is understated - but how one feels its power.
I hope everyone has experienced a day such as they - with someone they come to care for - as much as they. It's my wish for the world.
A comment made by Emma Thompson made me want to see "Roman Holiday" again. Miss Thompson said about Audrey Hepburn "she has no bite" Implying that Miss Hepburn wasn't much of an actress. Well, I don't know what she was talking about or perhaps she doesn't either. To see "Roman Holiday" again in 2017 was a moving and wonderful experience. Audrey Hepburn's performance is as fresh and enchanting as I remembered. Perhaps even more. So I arrived to the conclusion that Miss Thompson is talking about a different kind of acting. When a performance travels in time with the same power, decade after decade, for me that's great film acting. In "Roman Holiday" she took me with her and convinced me, heart and mind, that she was that princess and I loved her. William Wyler, the wonderful director, knew what he was doing - he always did. By introducing us to Audrey Hepburn he reinforced and reinvigorated his own prodigious legacy. I love Emma Thompson as an actress but she's totally wrong about Audrey Hepburn.
I recently caught this little gem of a film on a retro program and it was a trip well worth it. William Wyler was a genius directing throughout his film career. Here he's in top form.
The only way this film could have been conceived was with the charming presence of Audrey Hepburn in her first appearance on a Hollywood film. She is without a doubt, an angel who was sent to this earth to delight the movie audiences in whatever movie she happened to dignify with her appearance in.
Some people have compared Audrey Tatou with the incomparable Audrey Hepburn. Seeing Ms Hepburn in Roman Holiday will certainly change the minds of those comparing fans. Audrey Hepburn was a star's star! She exudes charm, intelligence, elegance, and beauty. Just one look from her could disarm Gregory Peck forever.
The only wrong note of this production was the way the writer, Dalton Trumbo, was treated since he had been blacklisted by the anti-communist faction lead by Sen. McCarthy and company. In the end, Mr. Trumbo was vindicated in having his name recognized as the writer of Roman Holiday.
This film is a feast to the eyes in that glorious cinematography and Rome as a background. This was Hollywood at its best. Gregory Peck and Audrey Hepburn will be forever young any time we take a look at this classic that I'm sure will live and charm its viewers whenever they take a chance to see it for the first time, or like some of us, for another loving look.
The only way this film could have been conceived was with the charming presence of Audrey Hepburn in her first appearance on a Hollywood film. She is without a doubt, an angel who was sent to this earth to delight the movie audiences in whatever movie she happened to dignify with her appearance in.
Some people have compared Audrey Tatou with the incomparable Audrey Hepburn. Seeing Ms Hepburn in Roman Holiday will certainly change the minds of those comparing fans. Audrey Hepburn was a star's star! She exudes charm, intelligence, elegance, and beauty. Just one look from her could disarm Gregory Peck forever.
The only wrong note of this production was the way the writer, Dalton Trumbo, was treated since he had been blacklisted by the anti-communist faction lead by Sen. McCarthy and company. In the end, Mr. Trumbo was vindicated in having his name recognized as the writer of Roman Holiday.
This film is a feast to the eyes in that glorious cinematography and Rome as a background. This was Hollywood at its best. Gregory Peck and Audrey Hepburn will be forever young any time we take a look at this classic that I'm sure will live and charm its viewers whenever they take a chance to see it for the first time, or like some of us, for another loving look.
After Trumbo we decided to watch one of the films of which Dalton Trumbo wrote the screenplay for. Roman Holiday is a 1953 American romantic comedy directed and produced by William Wyler. It stars Gregory Peck as a reporter and Audrey Hepburn as a royal princess out to see Rome on her own. Hepburn won an Academy Award for Best Actress for her performance; the screenplay and costume design also won. It was written by John Dighton and Dalton Trumbo, though with Trumbo on the Hollywood blacklist, he did not receive a credit; instead, Ian McLellan Hunter fronted for him. Trumbo's credit was reinstated when the film was released on DVD in 2003. On December 19, 2011, full credit for Trumbo's work was restored.
The DVD sat on my shelf for the longest time and I am so glad I took it out to watch. The screenplay is subtle, filled with nuances that Hepburn and Peck teased them out beautifully. I can hardly detect an air of pretension and emotional manipulation. This is as romantic as it gets between a princess and an everyday man. The ending in the big hall really hits the spot. So much is left unsaid but yet what is said speaks volumes. It never betrays the tone of what the film sets out to be but yet my heart was beating with the full desire of wanting to see the relationship go a certain more familiar way. This is an amazing date movie with oodles of intelligence.
The DVD sat on my shelf for the longest time and I am so glad I took it out to watch. The screenplay is subtle, filled with nuances that Hepburn and Peck teased them out beautifully. I can hardly detect an air of pretension and emotional manipulation. This is as romantic as it gets between a princess and an everyday man. The ending in the big hall really hits the spot. So much is left unsaid but yet what is said speaks volumes. It never betrays the tone of what the film sets out to be but yet my heart was beating with the full desire of wanting to see the relationship go a certain more familiar way. This is an amazing date movie with oodles of intelligence.
With a very nice blend of fantasy and reality, and two very likable stars, "Roman Holiday" is both entertaining and thoughtful. Sometimes it is very funny, and at other times it makes you feel a great sympathy and warmth towards the characters. Audrey Hepburn and Gregory Peck are ideal in the leading roles, and the story is very clever in getting a lot of mileage out of a simple idea without pushing things too far, which makes it quite effective.
The idea of Princess Ann (Audrey) slipping away unnoticed and unrecognized for a day of fun and freedom from responsibility is of course fanciful, but it works for a lot of reasons, not the least of which is Peck's role as a pragmatic newsman. He is a good balance for Hepburn's charm and energy, remaining calm and logical without ever becoming cold or distant. You feel as if you could spend a lot more than a couple of hours in their company. And how could you improve on Eddie Albert's performance as Peck's photographer friend? The movie also adds in the atmosphere of Rome itself, with some creative scenes that make good use of the setting.
There are many fine moments in a story that at times seems almost like a daydream, and then it brings the characters back to reality in a moving way. It's not an easy combination to pull off, but here it all fits together very well, to make the kind of classic worth remembering, and one which you can watch and enjoy more than once.
The idea of Princess Ann (Audrey) slipping away unnoticed and unrecognized for a day of fun and freedom from responsibility is of course fanciful, but it works for a lot of reasons, not the least of which is Peck's role as a pragmatic newsman. He is a good balance for Hepburn's charm and energy, remaining calm and logical without ever becoming cold or distant. You feel as if you could spend a lot more than a couple of hours in their company. And how could you improve on Eddie Albert's performance as Peck's photographer friend? The movie also adds in the atmosphere of Rome itself, with some creative scenes that make good use of the setting.
There are many fine moments in a story that at times seems almost like a daydream, and then it brings the characters back to reality in a moving way. It's not an easy combination to pull off, but here it all fits together very well, to make the kind of classic worth remembering, and one which you can watch and enjoy more than once.
Did you know
- TriviaWhen Gregory Peck came to Italy to shoot the movie, he was privately depressed about his recent separation and imminent divorce from his first wife, Greta Kukkonen. However, during the shoot he met and fell in love with a French-born woman named Veronique Passani, of Italian and Russian parents. Following his divorce, he married her, she became Veronique Peck, and they remained together for the rest of his life.
- GoofsAnn wears a white tie until she sits down on the Spanish steps. The tie is gone and the collar is open when Joe speaks to her on the next shot. When they are stopped at the Palazzo Venezia, Ann is wearing a striped neckerchief and continues to do so for the rest of the evening.
- Quotes
Princess Ann: I have to leave you now. I'm going to that corner there and turn. You must stay in the car and drive away. Promise not to watch me go beyond the corner. Just drive away and leave me as I leave you.
Joe Bradley: All right.
Princess Ann: I don't know how to say goodbye. I can't think of any words.
Joe Bradley: Don't try.
- Alternate versionsThe writing credits on the film originally completely omitted the name of Dalton Trumbo, who was blacklisted at the time, and read: Screenplay by Ian McLellan Hunter and John Dighton Story by Ian McLellan Hunter In 1991, the WGA acknowledged Dalton Trumbo's authorship of the story, granting him a posthumous "Story By" credit. The "Screenplay By" credit however was not changed. In 2011, Tim Hunter (son of Ian McLellan Hunter) wrote a letter to John Wells, president of the WGA, asking on behalf of Christopher Trumbo (Dalton Trumbo's son), who had just passed, to petition for Trumbo to be recognized as author of the screenplay as well. The WGA further revised the credits, which have been corrected on all copies of the film released since then.
- ConnectionsFeatured in The Love Goddesses (1965)
Details
- Release date
- Country of origin
- Languages
- Also known as
- La princesa que quería vivir
- Filming locations
- Cafe Rocca, Via della Rotonda 25, Pantheon, Rome, Lazio, Italy(Mr. Bradley ask Irving the Photoreporter to photograph the Princess at a cafe', today is a fashion store)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,500,000 (estimated)
- Gross worldwide
- $105,424
- Runtime
- 1h 58m(118 min)
- Color
- Aspect ratio
- 1.37 : 1
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