Le crime ne paie pas

The gorgeous Elizabeth Sellars stars in this gripping drama, though IMO wrongly cast she plays the part well in her usual faultless style.

Her father is killed in a heist gone wrong and the criminal is seen by Jean (Elizabeth) but cleverly sets up an alibi which is unable to be faulted by the police. Jean then sets about trying to trap the killer (Edward Underdown) by whoring herself to him, much to the chagrin of Underdown's brother who has innocently supplied the alibi and thinks that Jean is the cat's pajamas.

Cleverly working her way into the confidence of the killer and his cohorts, Jean keeps the police updated on the coming plans of the gang while the brother starts to realise he's been dudded into giving false information.

A wonderful 'B' movie that moves along at a great pace with good acting and direction. The only downside seems to be the casting of some of the players - Edward Underdown and Keiron Moore as brothers? - tends to make one think of 'Twins' with Danny de Vito.

Don't miss it if you get the opportunity. --- 8/ 10.

The 'other' Ian Fleming plays the lovely Elisabeth Sellars' father and Edward Underdown and Keiron Moore are rather unlikely siblings in this talky but well-acted and languidly ruthless little crime drama with the usual atmospheric photography by co-producer Monty Berman and some surprisingly violent action.

A low budget effort with silly complicated plot and storyline about postwar London crooks. Interesting shots of long vanished warehouses and vehicles.

Love interest is between curiously faced Elizabeth Sellars and prematurely aged Edward Underdown who looked old enough to be both her father and his own mother!

Silly shoot out in warehouse filmed in daylight but crook runs to car in dark!

Martic Benson looks very nice with a moustache and he dies very convincingly after the crook shoots him.

Worth watching for the historical street scenes and fashions.

Recoil is one of those British B's I love so much. This one stars Kieron Moore and Elizabeth Sellars.

A woman (Sellars) poses as a crook in order to get evidence against the jewel thief who killed her father.

Pretty good - something about Sellars reminded me of Jackie O, around the eyes.

Good acting, interesting story.

I watched and loved this crime film from UK because of the Kieron Moore's presence and performance. And an early John Gilling's movie is always worth the risk of wasting eighthy five minutes. The typical noir crime film from the fifties UK, which John Gilling was then the specialist, before offfering us later adventure and horror films...Here, the story proposes nothing really exceptional but the result is gritty, rough, with a good ending, which is very important. Not a masterpiece but still rare and worth watching. Kieron Moore was one of my favorite British actor from the fifties seventies era.