Le pirate des sept mers

1953's "Raiders of the Seven Seas" is a colorful swashbuckler for handsome star John Payne, the second time he was paired with Lon Chaney on the open sea. Where 1949's modern day "Captain China" found the two in brutal opposition, here they are 16th century comrades in plunder once Payne's Barbarossa escapes the Moroccan Sultan's harem and frees the slaves of a passing Spanish ship bound for Tortuga. Once there, Barbarossa is instantly mesmerized by the Governor's beautiful daughter Alita (Donna Reed), taking her prisoner once he appropriates more freed slaves for his growing crew. Her arranged marriage to Captain Salcedo (Gerald Mohr) is compromised by his greed and arrogance, as well as his rivalry with Captain Goiti (Henry Brandon), whose successes earn him a promotion to general. Barbarossa may be a rogue but with John Payne in charge, it's impossible to find anyone to outshine his endearing attempts to woo the stubborn Alita to his side. Lon Chaney's friendly Peg Leg is essentially Barbarossa's first mate, and his shocking murder at Alita's expense leaves her stunned and no longer willing to trust her deceptive fiancee. The various twists and turns make the climax well worth waiting for, and it's one of those rare opportunities to see gorgeous Donna Reed on screen in living color. The script may at first seem formulaic, but with such likable leads it comes off as more than a passing diversion (Chaney would play another sympathetic role in one final seafaring adventure, 1954's "The Black Pirates," opposite Anthony Dexter).

Just watched this obscure pirate flick on Netflix Streaming. Since I've been devoting these summer months-in honor of the recent new "Dallas" series on TNT-to the original cast, regular and recurring, of the first series in order to review their work, on TV and film, in chronological order, this was next on the list with the second Miss Ellie-Donna Reed-in the heroine role opposite that of the hero-John Payne. Payne plays Barbarossa, a pirate who fights the villainous Spainards, one of whom was planned for an arraigned marriage with Ms. Reed. I'll stop there and just say that I found much of the action and dialogue much fast paced but also clear enough for me to understand what and why whatever happens is going on. Also, I liked Lon Chaney Jr.'s supporting performance as sidekick Peg Leg. So on that note, Raiders of the Seven Seas is worth a look if you're interested in these obscure old-time adventures.

An agreeable as well as decent John Payne swashbuckler about the Pirate Barbarossa, a real personage against the Spanish Main. This classic story of romantic adventure come to life enriched by Technicolor photography and adapted rightly to the screen. Since man's earliest venturings upon the oceans ..into the icy breakers of the North.. or the warm waters of the golden gulf have come down wondrous tales of Raiders of the Seven Seas . Barbarossa was one of them , sailing recklessly through the seventeenth Century , from India's Ocean to the Caribbean islands , today he still lives in hundreds of legends . This is one : It begins in Morocco , in the palace of the Sultan , where Barbarossa (John Payne) flees . As Barbarossa takes over a Spànish ship called Santa Margarita and frees a bunch of prisoners and makes them his crew , as his aide Peg-Leg (Lon Chaney) and deputy Renzo (Anthony Caruso) , among others . As a corsair captain and a crew of escaped convicts plundering for loot and revenge . On a raid, he takes as a prize a Spanish countess (Donna Reed) , Alida , governor's daughter . He has fallen in love with her by the time he manages for her ransom by the captain Salcedo (Gerald Mohr) who was to marry her . Meanwhile, Barbarossa goes to Santo Domingo and Turtle Island . Exposing her intended as a liar and a coward , he goes to ask for her hand but she has fled , and Barbarossa believes she is the one who murdered his assistant . Barbarossa encounters dangerous situations while trying retrieve his lover , as he is double-crossed and after that , he attacks La Habana , Cuba , where is the residence of the governor general and his officer , Captain Goiti (Henry Brandon).

Amusing pirate movie , plenty of action , thrills , colorful cinematography and luxurious costumes . Although the story has been told before , tight filmmaking and nice acting win out . Overwhelming battle ships , sword-play and full of villainy , romance , swashbuckler and heroism . The picture is fast-moving , exciting and thrilling right up to the almost balletic climatic confrontation between John Payne and Gerald Mohr . Average-budgeted film by United Artists Pictures , using appropriate ship shots and miniature sets when possible . Nice acting by John Payne as a famous pirate who uses all kind of shrewdness in order to penetrate a well-defended stronghold on La Habana . Payne starred various swashbucklers and classic adventures such as ¨Tripoli¨ with Mauren O'Hara , ¨Captain China¨ by Lewis R. Foster , ¨Caribbean¨ by Edward Ludwig with Arlene Dahl , ¨Crosswinds¨ by Lewis Foster with Rhonda Fleming , among others . ¨Raiders of the seven seas¨ results to be one of John Payne's swashbuckling best though hasn't achieved a classic status . There appears the gorgeous Donna Reed as a hot-tempered countess moll who swoons over Payne ; furthermore , an enjoyable support cast such as Gerald Mohr as Captain Jose Salcedo , Lon Chaney Jr as Peg Leg , Anthony Caruso as Renzo , Henry Brandon as Captain Goiti and Frank DeKova as Captain Romero .

United Artists took advantage of the unused as well as left sets from other A-movies by scripting and shooting a hastily assembled B-picture . This is a good-natured Technicolor romp with glamorous cinematography by Howard Greene and evocative musical score by Paul Sawtell. The motion picture was professionally produced and directed by Sidney Salkow , a craftsman who had already filmed other adventures . He realized all kind of genres such as routine westerns (Sitting Bull , The great Sioux massacre , Pathfinder) , Adventures (Prince of Pirates , Sword of the avenger) , war films , Sci-Fi (The last man on Earth) , Terror (Twice-told tales) and melodramas (City without men) . Salkow first worked for Republic, after joining Universal . At Columbia , he handled , among other assignments, four installments of the popular Lone Wolf series . After 1953, Salkow was primarily active as director of episodic television . Rating : 6 , acceptable pirate movie , entertaining stuff . It will appeal to John Payne and Donna Reed fans .

This hasn't an original bone in it's body, but I love the genre and for the most part this does ok. John Payne is "Barbarossa" who releases a crew of Spanish main sailors then manages to kidnap the feisty "Countess Alida" (Donna Reed) - the daughter of the Governor - whom he initially wishes to hold for ransom. As we all know by now, though, their initial hostility will soon go the way of the dodo and all will be fine in their hammock. There is plenty of action here; just a smidge of chemistry between the two leads; a healthy rivalry between him and her erstwhile fiancée "Capt. Salcedo" (Gerald Mohr) and Lon Chaney Jr adds a bid of mischief as his helper "Peg Leg". Colourful and cheery with just enough swash, buckle and cannon fire (even if the explosions do manage to happen before the guns are actually fired), it's instantly forgettable but I did quite enjoy it.

My fourth trip to the Maltese sexton who's been an avid film buff/collector/projectionist all his life provided me with the opportunity to watch this solid seafaring adventure (albeit opening rather incongruously in a Moroccan Sheik's harem!) which, in the words of the award-winning lyricist friend who (as usual) set up the screening, was very popular locally in its day among schoolboys and is still fondly remembered today among people of his generation. Although perhaps not one to be mentioned in books on film history (much less criticism) – I don't think I've ever come across it in essays I've read specifically dealing with the swashbuckler genre – the title itself has a familiar ring to it and, actually, I do recall catching a glimpse of it in the early days of Cable TV.

Another reason for the film's relative neglect over the years is the fact that it was not a major studio effort (Global Productions but released theatrically through United Artists) and has second-league stars (John Payne and Donna Reed) as leads. Furthermore, the film-makers behind the low-budget studio-bound RAIDERS OF THE SEVEN SEAS may not have had the required dough to erect the necessary sets but at least proved savvy enough to shoot it in Technicolor – by pioneering color cinematographer W. Howard Greene, no less – for added vividness (even though the print I saw screened theatrically boasted the tell-tale signs of aging via a constant reddish hue for most of the film's first half). Having said that, this negative aspect is ironically suited to the material at hand since Payne stars as legendary Pirate Barbarossa (Red Beard) with his hirsute attributes appropriately colored in that fashion (even when posing as a beggar in his nemesis' household, which begs the question of why he wasn't suspected at all); wondering why Payne seemed to drop off the cinematic radar in the late 1950s, I learned from his IMDb biography that he had suffered facial scars in a terrible car accident in 1962! For the record, I have obtained (and have further access to) several John Payne movies of late – although, regrettably, not his other Technicolor pirate yarn CARIBBEAN (1952).

Anyhow, to get back to the film proper: no self-respecting pirate goes without a genial sidekick by his side and Lon Chaney Jnr. (as the one-legged old sea dog Peg-Leg) fits the bill here and in turn has a resourceful kid to take care of. Perhaps thankfully, however, we are spared the would-be comic relief characteristics that usually pervade both these personalities in similar fare and, in truth, it must be said that RAIDERS OF THE SEVEN SEAS has an admirably somber tone throughout that is atypical for pirate adventure pictures. Indeed, having Peg-Leg murdered by a duplicitous member of their gang (Anthony Caruso) and the awaiting folk – including, so we are told, women and children – mercilessly wiped out at their hide-out by the villainous Spaniards (Gerard Mohr and Henry Brandon) gives the whole an unexpectedly Shakespearean tragedy feel a' la "Henry V"!

It also goes without saying that Reed is, at first, understandably miffed that Payne has abducted her from her pampered surroundings to his island hideaway and that she bribes Caruso to set her free but, what is also unusual here is that Payne's predictable love for Reed actually seems to cloud his judgment and make him see red {sic} with jealousy whenever she's around Caruso and, if that wasn't enough evidence of his true feelings for her, he gives up the gold ransom he had been paid for her freedom! Director Sidney Salkow – who was an old hand at this type of thing, including a Sterling Hayden/Rhonda Fleming swashbuckler called THE GOLDEN HAWK (1952) which, happily, also proudly forms part of the above-mentioned projectionist's collection – doubled as a co-writer/producer here but, at least from this one preliminary viewing, it's rather unfortunate that, for all its incidental pleasures and uncommon ingredients, RAIDERS OF THE SEVEN SEAS lacks the requisite number of memorable sequences or characters (perhaps even strong musical backing would have sufficed) which might have made it a much-better known film of its type – rather than being relegated to the hazy recollections of an age-old theatrical visit in their childhood days of an appreciative few.