La confession d'une fille

I've decided that Hugo Haas is one of the undiscovered gems of film noir.

He had a knack for making quirky little movies that are tons of fun and as casting himself in likable and memorable roles. He also managed to get terrific performances out of mostly unknown actresses. In this one, that actress is Cleo Moore, who reminded me for the entire movie of a blonde, 1950s version of Marcia Gay Harden. She plays a young woman who steals some money, fesses up, spends time in jail, then goes back to get the money, which she hid away in a forest, once she's released. But the interference of her bar owner boss (played by Haas) complicates things, and we wonder for a while if she'll ever recover the money.

I was really rooting for her to, since she ends up being such a winning character. She's basically a really good person, even if she's got a noirish femme fatale attitude. Every time she does something wrong, she immediately confesses to it, a recurring detail that I thought was pretty funny, whether intentionally so or not. There's also a hunkadoodle sailor played by Glenn Langan, he of the manly, hirsute forearms, but he doesn't have much to do except stand next to Moore every so often, towering over her and looking like he wants to rip her clothes off. One can't really blame him.

This is just a really fun little pot boiler.

Grade: A-

All around great movie.....so realistic in its nature, kept me glued to it and happy at the end, seen it a few times, one thing I realized today is the mailman who is delivering to the church at movie's end is a real mailman, he holds his mail correctly, so many movies they get that wrong!

Cleo Moore plays a remarkably strong-willed young woman who is an orphan kept as a work-slave in a waterfront café by the man who stole all her father's money. She is too glamorous for her own good, and no one stops ogling her for a minute, despite the fact that she has no time for that kind of thing. One night she accidentally sees the horrid old man receiving a large sum of cash in his office from a crook, to whom he has passed some stolen goods. She waits until he is asleep and creeps in and steals the money and takes it outside and buries it in a secret place where no one could possibly find it. She then confesses to the police the next morning that she is the thief, and is sent to prison, where she learns gardening and is told by the old gardener of the power which plant roots have to shift things underground and break through walls (this is important later in the story). She is let out after three years for her excellent behaviour and then makes her way back to the café, but it has been demolished and the old man has absconded to South America, so she cannot take revenge. She gets a job in another café owned by a compulsive gambler, to wait things out until she can be certain the various local crooks aren't following her when she goes to dig up the loot. He loses all his money and she wants to help him out with her stolen money. She also falls for a handsome young fisherman. Things get complicated and then more complicated. She sends someone out to dig up the dough but it isn't where she buried it. Then he suddenly comes into money and she thinks he has tricked her, so she goes to see him to protest and he ends up slightly dead, or is he? The film is very good viewing, and Cleo Moore is something all right.

This film could have easily been a tawdry exploitation film. Instead, it is a solid B move acted out by very good B actors. The writer is the real star of the film, as the story has several twists and turns, and the viewer will be fooled at least once. Cleo Moore, a very strong B actress who specialized in making several entertaining B films, has the lead in this one. She plays a struggling waitress working for a man who stole her father's business.

The miser gets what's coming to him (without violence), and Cleo takes his life savings. The film moves on from there with several nuances. Supporting Moore in her role is the king of B movies, Hugo Haas, who probably made more B films than any other actor I know of; at least in major roles. He plays a gambling owner of another hangout that Cleo eventually comes to work for. There is also a fisherman as a romantic interest. Well worth viewing.

Cleo Moore stars as a blonde with a crazy plan. Near the beginning of the film, she robs her boss. He is a jerk and she feels entitled to the money--all $25,000. But, when the cops arrive, she freely admits to the robbery and goes to jail. There, she behaves well and just bides her time--waiting until she can get out and claim the money after the heat's subsided.

Three years pass. She gets out early on good behavior and continues to bide her time. Eventually, she will have her money and make it all worth while. However, in the meantime, it appears as if one of her new friends has found and stolen this money herself--and she's determined to get that money or revenge. However, there are some dandy twists that make it well worth seeing at the end of the movie.

Overall, a clever script and one of the better film noir B-movies. Moore is excellent as a 'dame' and the film is a must-see for noir fans. Fortunately, this film is now out on DVD along with another little-known noir film, NIGHT EDITOR.

By the way, this film features an appearance by one of my favorite TV actors of the 50s-70s, Burt Mustin. He alone is more than enough reason to see anything--even a tiny appearance like in this movie.