Operation Diplomat

Surgeon Mark Fenton (Guy Rolfe) is leaving St. Matthew's Hospital in London one evening when an ambulance pulls up and a nurse jumps out. Urgently, she tells him that there is a patient on board who needs his help, yet when he steps inside there is only an armed man (Sydney Tafler). Fenton is escorted to a secluded house where he is instructed to operate on an unknown male with the assistance of a disgraced doctor named Schröder (Anton Diffring) and a woman (Lisa Daniely) whose dark eyes peek bewitchingly over a surgical mask. The patient is half-conscious at first and mutters deliriously about a "golden valley". Afterwards, Fenton's drink is spiked and he later awakes on a park bench.

Determined to forget the incident, he returns to the hospital, where he encounters a woman with the same distinct eyes as the one who worked alongside him the night before. He demands she visit him at his flat that evening - yet she doesn't turn up. Instead, within minutes of arriving home, he receives two other, separate visitors: Colonel Wyman of the Foreign Office (Eric Berry), who asks about Schröder, and then Schröder himself.

Apparently, the patient was Sir Oliver Peters, the chairman of the United Western Defence Committee, known as "the man who knows all the secrets". A bullet makes things even more alarming, yet Inspector Austin of Scotland Yard (Ballard Berkeley) is suspicious of Fenton and his tale of abduction, death, and disappearing diplomats, forcing the surgeon to mount his own investigation.

The only clues are "the golden valley" and a brand of cigarettes which repeatedly appear, yet with the aid of colleague Sister Rogers (Patricia Dainton), Fenton follows a treacherous trail to the kidnapped Sir Oliver, all the while wondering just who could be behind such a sinister, international scheme... One of several British television serials of the 1950s to be remade as a feature, Operation Diplomat was originally penned by Francis Durbridge, the popular and prolific thriller writer best known for the Paul Temple radio series. The character of Mark Fenton had already appeared in another such effort, The Broken Horseshoe, in which Robert Beatty had played the part for cinemas. Here, the tall, tanned and almost skeletally gaunt Guy Rolfe leads, and he makes for a likeable, though somewhat saturnine, amateur sleuth trying desperately to keep track of events. The audience will sympathise, as the mystery in this one is particularly tangled. A couple of things could have been clarified, but all the information is mostly present (or at least can be intuited). The pace is the selling point, with compelling developments occurring every ten minutes or so, as may be expected from something adapted from a serial - particularly one from Durbridge, whose tried-and-tested tropes appear again in an every-man hero, a cryptic word clue, casual and quite accidental conversations which turn out to be crucial, and a culprit apparently picked at random from an unwieldy stock of suspects.

The seventy minutes not only go by swiftly but the cast make it even better. Berkeley, later to become familiar to British audiences as the muddle-minded Major in John Cleese's legendary sitcom Fawlty Towers, is on fine avuncular form as the inspector, while the ever-reliable Sydney Tafler is always a pleasure to see, and professional-foreigner Anton Diffring is briefly afforded something other than a sinister bad guy role. Look out, too, for Desmond Llewelyn (Q in the Bond films) as a silent extra at the end.

Despite final dialogue teasing further adventures with the intrepid Mr Fenton, there was to be no other sequel. Durbridge wouldn't create another recurring character until giving us TV's Tim Frazer the following decade. A pity, as more fast-paced adventures would have been just what the doctor ordered.

A lot happens in this fast-paced thriller from 1953, apparently condensed down from a popular TV series which may go some way in explaining the lightning-fast plotting. The storyline involves a respected surgeon who is waylaid one night and paid to perform an operation on a mysteriously ill old man. The next day it soon transpires that his actions were the part of some nefarious criminal plan. He learns that the criminal gang haven't finished with him yet, so with the police hot on his tail he must both prove his innocence and bring the criminal plot to a close.

It's familiar stuff indeed, but OPERATION DIPLOMAT works thanks to the above-average execution. The use of Nettlefold Studios is done in such a way as to make this look like a respectably-budgeted film, even if it wasn't. There are murders a-plenty here, alongside some well-directed action from TOWERING INFERNO director John Guillerman; a rooftop chase is a particular standout. I love the choice of lead in this one, the incredibly tall and impossibly gaunt Guy Rolfe, an actor who was to finish his career making PUPPET MASTER sequels for Charles Band in America but who acquits himself very well here. The supporting cast has also been well picked, with the lovely Patricia Dainton never failing to disappoint and Ballard Berkely having fun as one of his stock detective characters. A youthful Anton Diffring appears too, and I spotted a cameo from Desmond Llewellyn in the closing scenes.

Brilliant thriller by the inimitable Francis Durbridge, the man behind the Paul Temple series, always sophisticated intrigues impossible to figure out with atmospherical ingredients as the plots always thicken. Guy Rolfe is perfect as the surgeon who is kidnapped to operate on a patient unknown, who appears to have been a kidnapped top diplomat and security chief whisked away to Berlin, but naturally there are complications. The tempo is high, the suspense constantly increases, but there will be no disappointments, although it will be impossible to get the hang of all of it. Another marvel adding to the intensity of the film is the very suggestive music by Wilfred Burns - I never saw his name in another film.

The writers must have had their work cut out adapting the original six episode BBC TV series into just seventy minutes of film. No wonder the story starts at such a cracking pace. As soon as the opening credits fade, hospital consultant Mark Fenton is abducted to operate on a mysterious patient in a secret location. Fenton appeared in another adaptation of a Francis Durbridge TV series, THE BROKEN HORSESHOE (see my review). Here he's played by the gaunt figure of Guy Rolfe who proves ideal in the role. Fenton finds himself increasingly deeply involved in the affair of a missing diplomat in one of those thrillers where enigmatic remarks lead to sudden death and few people are quite who they seem. There's usually a sceptical copper to catch the hero in suspicious circumstances, and here Ballard Berkeley brings some character to the slightly sardonic Inspector Austin; his dealings with Fenton include some enjoyable dry humour between the pair. There's a brief uncredited appearance by William Franklyn as a colleague of Fenton's; it sounded as if he was addressed as Doctor Gillespie! It's a cleverly plotted, taut mystery, with a Cold War background, and Guillermin just about glosses over one or two inconsistencies in the narrative, caused, no doubt, by having to jettison so much of the original material.

Surgeon Guy Rolfe is stuck into an ambulance and taken to a mysterious location to operate on a mysterious patient. Then he is clunked on the head, wakes up at home. As the bodies start piling up wherever he is to be found, he comes to realize that an important industrialist is being kidnapped. Trouble is that Scotland Yard won't believe him. For some reason they think he has something to do with the deaths.

This movie is a well-acted, exciting, thoroughly muddled thriller with a bunch of loose threads. Officials give false names for no reason, the police leave important witnesses unguarded and let a surgeon indulge in the rough-and-tumble while they stand around gawping, for no reason I could see except to increase the fog. Even the movie's title refers to the randomly-named "Operation" the government institutes when they realize that the industrialist is missing.

It's pretty good for a thorough piece of shoddy nonsense. I was having a fine time until the Mysterious Foreign Woman (Lisa Daniely) is running away from the bad guys. They were so slow about that sequence, it gave me time to review and count the unpatched holes.