Menace from Outer Space

Not a film for those seeking gripping, Hollywood style entertainment, in fact, not a film at all. Menace from Outer Space is an agglomeration of the first three episodes of the Rocky Jones, Space Ranger series starring "B" movie veteran Richard Crane.

"Menace" appears to have been created for re-packaging and re-licensing of film length features and is quite similar to its companion feature, "Crash of Moons."

"Rocky Jones," and the feature length films assembled from the serial shows, is a wonderful example of early television coming to grips with its role as an entertainer of children. Unfortunately, many of these early efforts come across as childish, and "Menace" is no exception.

While it's fascinating to see movie serial themes and dramatic situations reformatted for the small screen, the dialogue and acting is excruciating. Perhaps most difficult to bear is the director's obvious fascination with posing all of the actors for good TV images. Rather than a film, this piece comes across as a series of poses, interspersed with contrived dialogue. True believers only!

The good news is the professor played by Maurice Cass and Vena played by Sally Mansfield still seem to "believe in the dream" of acting despite the script. I get that it's a serial TV show, but they upped the ham and turned down the interesting plot for this set. Spacey cliche' and catch-phrases abound trying to cover up that this is actually some kind of old cowboy drama. The "science" part is severely lacking in this science fiction. There was some ship battles, a fist fight, but also a dragging tale and nonsensical decisions. As much as I liked the start of this potentially rocketing series, best to send this mess to the dark side of the moon.

This is a mildly entertaining bit of fluff cobbled together from three episodes of an early 1950's US television show. It concerns the adventures of Rocky Jones, his somewhat goofy sidekick Winky, the lovely Vena Ray, a precocious kid named Bobby and Professor Newton. They're all under the authority of the Secretary of Space. Secretary of Space, now there's a job title; I'd like to be Chairman of Gravity myself.

As far as the film goes, it's pretty tame as regards the special effects and the action; however, it shares that charm that many of the science fiction films of that specific decade display and, consequently, manages to engage the viewer. It's particularly interesting, if only in a historical sense, to see a sci-fi show from television's early years.

If you get a copy of this film in one of those public domain collections - I received mine in the Mill Creek 100 Sci-Fi Classics set - then I'd certainly recommend watching it but, otherwise, I wouldn't expend any energy trying to track it down.

I had one helping of this group in the "Crash of the Moons." This one continues when a couple of missiles strike earth and Rocky and the gang go to find out where they are coming from. They end up on a moon of Jupiter which is perfect for their survival. They are lucky to land because they have run out of gas. At least their gas gauge says so. This time they start with uniforms of more the rebel variety of the Civil War. But later don baseball caps. It's a long, convoluted effort to try to recreate a fuel source (there's no Texaco anywhere near). Like those dilithium crystals, there is a fuel source available to them. Unfortunately, holed up on the planet is a murderous turncoat who has the ear of the leader of the planet. He enlists some other rebellious types that appear in the early part of the movie (which is actually a series of TV shows). Rocky Jones never seems to have much trouble staving off the bad guys. He gets an assist from a little space girl who helps his little space guy. The young woman, who never seems to do anything, gets involved in the fashion on the Jupiter moon. Eventually, everything works out. Rocky and Winky (who screws up a lot, but sure is a swell fella), manage to keep things safe for the space alliance or whatever. If anything can show you how far we've come when it comes to film and television, get a load of this.

In the mid-50s most episodes of the early TV sci-fi show Rocky Jones: Space Ranger" were assembled into a number of TV movies for re-broadcast. Unlike some of these recycled TV movies, Menace from Outer Space has less of a serial feel to it, and flows as if it were intended to be a feature-length film from the beginning.

To summarize the Rocky Jones show - Jones (Richard Crane) is a space-ship captain who flies around the solar system with an improbably named sidekick "Winky" (played by ill-fated child prodigy Scotty Beckett) representing the United Worlds - an interplanetary political entity which has a very strong resemblance to Star Trek's federation. Also like Star Trek - the Rocky Jones series also consistently cast women in positions of considerable power and responsibility - a bold move for 1950s TV. Like later series from the Star Trek franchise, the show also employs pseudo-scientific black-box technologies and technobabble quite liberally in order to avoid plot holes and speed bumps on the highway of logic.

In this story arc, Rocky and his extended family (a little kid named Bobby, prodigy scientist Veena, an elderly professor and, of course, the stalwart Winky) are drawn into high-stakes interplanetary political intrigue . One of Jupiter's moons, formerly believed to be uninhabitable, has launched a missile at the earth and forensic evidence concerning the missile suggests that the moon has a tremendous wealth of mineral resources never before suspected. Of course, Rocky is immediately dispatched to attempt to establish peaceful trade relations.

The special effects are not bad for their time, but the average viewer today will probably find them laughable. The cinematography and directing are quite good for early TV, and the editing creates a fine pace for this family sci-fi space adventure.

The script is predictably silly, but the characters are very consistently developed from show to show, and they are all quite likable. The acting is serviceable for its intent - family TV viewing.

Recommended for those interested in Sci-Fi TV history and pulp sci-fi film addicts. Keep what this is intended to be in mind and keep your expectations low, and you just might have a good time with it!