Le maître de Don Juan

Was it really that long before this that Errol Flynn was young, good-looking and healthy? Think of him and you conjure up a dashing, athletic Robin Hood or Captain Blood. Fast forward 15 years and the dissolute Flynn appears soft and dissipated from living in the fast lane. Here he not only stars in but wastes his money on a crummy period piece with a laughable plot.

"Crossed Swords" is a flop movie masquerading as a swashbuckling action picture but contains precious little action. It opens as he jumps out a damsel's bedroom window just ahead of her husband, which is just the way he might like to be remembered. The film then bogs down for the next 80 minutes or so, as he slogs through some poor acting and a very poor music score. There is nothing to recommend it except for the color. I saw it on a 16 mm print which was in remarkable condition, better than Flynn himself, I imagine.

Well before the so-called 'Spaghetti Westerns' were produced, Italian film companies were recruiting international actors for their films. Starting in the 1950s, Hollywood talent began to be featured in these movies...especially when acting jobs in the States were few and far between. And, these Americans starred in all sorts of films...Hercules films, swashbucklers, Fellini pictures and many more. And in each, the films were dubbed into a variety of languages for international release. "Il Maestro di Don Giovanni" ("Crossed Swords") is one of these films and it stars Errol Flynn.

The story is set during the Renaissance in the duchy of Sedona (I looked it up...it appears to be fictional). Renzo (Flynn) is a bandit with style....just as happy seducing women as improving his wealth. One woman, in particular, is his quarry, Francesca (Gina Lollobrigida...who IS captioned despite her ability to speak English). She wants to marry him...and there's been a new law enacted that says EVERY unmarried adult man MUST be married! Despite the law and Francesca's great beauty, Renzo is loathe to give up his wicked ways and settle down...and her father is beside himself at the prospect of getting this rogue as a son-in-law!

This film was made late in his career when heavy drinking & drugs, womanizing and his failing health all made it difficult to get work. In 1954, Flynn still looked pretty handsome but by 1957 or so, he was a bloated mess...ultimately dying at only 50 due to the effects of his lifestyle upon his body. It's nice that although this isn't a great film, he looks pretty good and was able to do a semi-convincing job. However, I did notice that stuntmen seemed to be used a lot more than they were employed back in the 1930s-40s....as in mid mid-40s he just wasn't up to all this rigorous work Because of this, you see some odd camerawork (such as the top-down view of his staff fight).

So is it any good? Well, surprisingly, for a 1950s film this one is in full color...and this along with the costumes make this a very good looking picture. The story itself is actually pretty light on action and tends to be a tad talky. Enjoyable but also not a film big and exciting enough to revive Flynn's flagging career.

Ever wonder what would happen if Gina Lollobrigida were dubbed in one of her movies? You'll have to rent Crossed Swords to see her mouth moving in a slightly different pattern than the words coming out of her mouth. Whoever dubbed her obviously had no trouble with the English language, and the result is quite jarring to hear her speaking without any trace of an accent.

You might want to turn this one off when you first start it, but if you like Errol Flynn's adventure movies of the past, give it a second chance. Yes, the production values are terrible, the supporting cast isn't great, and the script is silly, but it's supposed to be a tongue-in-cheek semi-spoof of his earlier movies. Errol stars as a womanizing Don Juan type who refuses to settle down and is just as quick to seduce a married woman as a single one. When a law is passed in the kingdom that all men over the age of twenty must be forced to marry, Errol has to skip town. The trouble is, he gets distracted by Gina, and she tries to get him to return.

Crossed Swords is silly, but it's supposed to be. Errol's charming smirk is practically directed at the camera the entire time. He doesn't even try to make it look like he did his own stunts, because it's funnier that way. From the back, he swings from a rope and does a forward roll onto a table while brandishing a sword. The close-up cuts to his face, refreshed and smiling. While dueling, he notices a jug of wine and holds up a hand to his opponent: "Wait!" he commands before taking a drink. If you want something silly, you can't get much sillier than this. He's still classy, folks, just with a few miles on him. And since he knows it, he's not taking himself too seriously.

Almost the Holy Grail for Flynn fans, this movie's virtually impossible to find. A routine costumer in most respects, it is notable to Flynn enthusiasts because, for once, he seems to be having a good time, with occasional flashes of the famous Flynn charm shining through, a rarity in his later pictures. Dubbed, sometimes badly, but good costumes and sets, and Gina and several other ladies are lovely to look at.

Finally got to see this one and really liked it. All I'd ever heard about it was that it was just 'ok' but nothing that special; well if you like Errol in a swashbuckling mode you've got to have this one, take my word! It's very reminiscent of his DON JUAN film and all the better for it. He's slightly jaded and world-weary and is able to laugh at the world's follies (and his own). And you can talk all you want to about his failing looks/health due to alcohol/drug/tobacco/whatever use (He was only five years from death while filming this)- the son of a gun moves in this thing. Swinging his sword, running, jumping in and out of windows. Plus the darned thing is filmed in Italy- real palaces and castles. The print I own is not that great but it's way better than nothing. A cinematic masterpiece? No. Errol doing what Errol does best? Yes Yes YES