Lili

All too rarely has a film about lost innocence and earnest love been so sensitively brought to the screen. Respected screenwriter Helen Deutsch (The Seventh Cross '44) adapted Paul Gallico's (The Snow Goose) darkly observant novella "The Seven Souls of Clement O'Reilly" into an inspiring story of a naive young orphaned girl coming of age. Deutsch also maintains the opportunistic exploitation of the vulnerable girl without sensationalizing this angle.

The Academy award-winning score by brilliant composer Bronislau Kaper is nothing short of unforgettable. This beautifully produced MGM film cannot be called a musical as there's only one song but what a song! It's been universally popular for over 60years, and screenplay writer Helen Deutsch also wrote the world-renowned lyrics.

The haunting dream-ballet sequence that closes this unique movie brings both tears of joy and wonder at its stirring and visually fascinating realisation. Apart from a couple of clunky trick edits, direction, cinematography (Robert Plank - 'Strange Cargo '40) and performances - combine to create movie making at its most magical - and should be seen by all lovers of classic film art. While it might not be to everyone's taste (what ever is?) in 2004 the New York Times added Lilli to their listing of the best 1,000 movies ever made.

The WB Archive DVD delivers an excellent visual and sound transfer.

"Lili", based on Paul Gallico's "Love For Seven Dolls", is one of the most delightful films ever. Leslie Caron deserved her Academy Award nomination as "Lili". The ballet sequence at the end of the film in which each puppet turn into Paul, the puppeteer, making Lili realize she loves him is magical. "Lili" was the basis for a big, lavish Broadway musical "Carnival" that lost the basic beautiful simplicity of the original. This film is a classic and deserves to be. The puppets are magnificent.

This is one of my all time favorite movies, and I have taken every occasion to see it again after the first time in 1953. Leslie Caron is perfectly cast as the homeless orphan who falls in with a circus troupe and becomes part of their puppet act, only to fall in love with the embittered puppet master. In the end, the lovers get together after Lili (Leslie Caron) gets to display her ballet dancing talents.

this is quite an old movie, as you know. my mother wasn't even born when it came out. yet i enjoy it greatly. it is a true love story, and unlike movies of today's age, it depicts that love with elegance and style. it is not only about love, but about the "blossoming" of Lili, of how she grows into womanhood and learns the ways of the world, as well as her own world. personally, i find it all to be quite symbolic, with Lili as the symbol of good and innocence. it also has some interesting humor in it (the puppets are well characterized and amazingly personalized). i think you will fall in love with the well-rounded main characters just as i did. i hope people will not be turned off by the age of the movie (it is over 50 years old now) because i find newer love stories to be far too sexual that leaves nothing to the imagination. this movie is VERY imaginative and beautiful in its storytelling. of course, kids could watch it and enjoy it to some extent, but the language is slightly elevated and the meaning is quite deep. watching this movie as an older person truly made the difference. i hope you enjoy it.

Of all the popular overblown, oversexed "coming of age" movies (mostly about male coming of age - starting with "The Summer of '42"), none has the honesty and truth of "Lili". Why? Because coming of age has less to do with sex (as most men think) than it has to do with an awareness of evil. The most telling line in the film is spoken by Paul's partner, who chides Paul for slapping Lili and says, "She is realizing that there is cruelty in the world, and she is learning to protect herself from it." Like Eve in the Garden of Eden, Lili's loss of innocence comes with her knowledge of evil, not her loss of virginity.

And unlike other coming of age movies that have the young actors tossing around "cute" sexual comments that don't ring true for a callow young person (because they were obviously scripted by a jaded 50-year-old male), "Lili" rings true with every note (as Paul says, "She's like a little bell that gives off a pure sound every time you strike it."). Her naivety is far more true to form -- when she is warned by one of the puppets that the lecherous puppet Renaldo "is a wolf", the innocent Lili replies, "I thought he was a fox." This is exactly the way a kid would really respond -- not "getting" the sexual reference and thinking that the comment was about the species of the animal.

I understand Audrey Hepburn beat out Leslie Caron for the Oscar that year with her amateurish performance in "Roman Holiday" -- what a travesty that was, since Audrey's performance had none of the depth and exquisite vulnerability of Leslie's performance in "Lili".