Lili
- 1953
- Tous publics
- 1h 21m
IMDb RATING
7.2/10
4.3K
YOUR RATING
An orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.An orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.An orphaned young woman becomes part of a puppet act and forms a relationship with the anti-social puppeteer.
- Director
- Writers
- Stars
- Won 1 Oscar
- 7 wins & 9 nominations total
Jean-Pierre Aumont
- Marc
- (as Jean Pierre Aumont)
Jane Adrian
- Nautch Dancer
- (uncredited)
Nick Borgani
- Carnival Patron
- (uncredited)
Gene Conklin
- Whistler in Ballet Sequence
- (uncredited)
Paul Cristo
- Carnival Patron
- (uncredited)
George Davis
- Workman
- (uncredited)
Jeannine Ducasse
- French Girl
- (uncredited)
Bess Flowers
- Carnival Patron
- (uncredited)
Richard Grayson
- Flirting Vendor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10eadoe
Of all the popular overblown, oversexed "coming of age" movies (mostly about male coming of age - starting with "The Summer of '42"), none has the honesty and truth of "Lili". Why? Because coming of age has less to do with sex (as most men think) than it has to do with an awareness of evil. The most telling line in the film is spoken by Paul's partner, who chides Paul for slapping Lili and says, "She is realizing that there is cruelty in the world, and she is learning to protect herself from it." Like Eve in the Garden of Eden, Lili's loss of innocence comes with her knowledge of evil, not her loss of virginity.
And unlike other coming of age movies that have the young actors tossing around "cute" sexual comments that don't ring true for a callow young person (because they were obviously scripted by a jaded 50-year-old male), "Lili" rings true with every note (as Paul says, "She's like a little bell that gives off a pure sound every time you strike it."). Her naivety is far more true to form -- when she is warned by one of the puppets that the lecherous puppet Renaldo "is a wolf", the innocent Lili replies, "I thought he was a fox." This is exactly the way a kid would really respond -- not "getting" the sexual reference and thinking that the comment was about the species of the animal.
I understand Audrey Hepburn beat out Leslie Caron for the Oscar that year with her amateurish performance in "Roman Holiday" -- what a travesty that was, since Audrey's performance had none of the depth and exquisite vulnerability of Leslie's performance in "Lili".
And unlike other coming of age movies that have the young actors tossing around "cute" sexual comments that don't ring true for a callow young person (because they were obviously scripted by a jaded 50-year-old male), "Lili" rings true with every note (as Paul says, "She's like a little bell that gives off a pure sound every time you strike it."). Her naivety is far more true to form -- when she is warned by one of the puppets that the lecherous puppet Renaldo "is a wolf", the innocent Lili replies, "I thought he was a fox." This is exactly the way a kid would really respond -- not "getting" the sexual reference and thinking that the comment was about the species of the animal.
I understand Audrey Hepburn beat out Leslie Caron for the Oscar that year with her amateurish performance in "Roman Holiday" -- what a travesty that was, since Audrey's performance had none of the depth and exquisite vulnerability of Leslie's performance in "Lili".
10billy-7
First of all, to correct a comment made by at least one person here, the movie came before the stage musical "Carnival." Second, the movie is far superior to the stage musical. True, it's short. So? True, there's just one song. But the one song, "Hi-Lili Hi-Lo," is better than anything in "Carnival." So much for comparisons. The movie absolutely defines movie magic. It creates an unforgettable world with an unforgettable heroine played with genius by the great Leslie Caron in a performance nominated for an Oscar and deserving of a win (she was beaten by the charming but less-inspired Audrey Hepburn). Anyone who passes up the chance to see "Lili" is denying themselves one of the prime treats in all of cinema. I've seen it countless times and never fail to laugh and cry. But where is the DVD??? Give, already!
this is quite an old movie, as you know. my mother wasn't even born when it came out. yet i enjoy it greatly. it is a true love story, and unlike movies of today's age, it depicts that love with elegance and style. it is not only about love, but about the "blossoming" of Lili, of how she grows into womanhood and learns the ways of the world, as well as her own world. personally, i find it all to be quite symbolic, with Lili as the symbol of good and innocence. it also has some interesting humor in it (the puppets are well characterized and amazingly personalized). i think you will fall in love with the well-rounded main characters just as i did. i hope people will not be turned off by the age of the movie (it is over 50 years old now) because i find newer love stories to be far too sexual that leaves nothing to the imagination. this movie is VERY imaginative and beautiful in its storytelling. of course, kids could watch it and enjoy it to some extent, but the language is slightly elevated and the meaning is quite deep. watching this movie as an older person truly made the difference. i hope you enjoy it.
This is one of my favorite films. It is so delightfully simple. Leslie Caron does a marvelous job of making us believe she is an awkward 16 year old in love with a magician. I can't explain exactly why I love this film--perhaps I'm a sucker for all in-love-with-someone-who's-in-love-with-someone-else stories, or maybe I have a soft spot for puppets. But this film warms me to the heart and I recommend it to all but the heart hearted cynic.
"Lili" is one of the sweetest, most enchanting musicals Hollywood has ever produced. Not that most of the Hollywood musicals are ever realistic, but this particular story is more of a fable than an imitation of life. The character of Mel Ferrer is reminiscent of the Beast in "the Beauty and the Beast", a tortured soul aching for love, and as any girl worth her salt would know, tortured souls make the best kind of heroes!
The two dance/fantasy sequences are charming, especially the latter one, where Lili grows from an awkward, love-sick child into a woman of character and determination, all in a few steps of waltz. Oh, and the puppets are totally adorable!!
The two dance/fantasy sequences are charming, especially the latter one, where Lili grows from an awkward, love-sick child into a woman of character and determination, all in a few steps of waltz. Oh, and the puppets are totally adorable!!
Did you know
- TriviaThis film was based on The Saturday Evening Post's Paul Gallico's short story "The Man Who Hated People", published in the 28 October 1950 edition, which was inspired by the children's puppet show Kukla, Fran and Ollie (1947). Due to the success of the film, Gallico expanded the story into a novella.
- GoofsWhen Marc plays a magic trick with his cigarette at the notions store, he actually burns Lili's hand, right before playing the trick. Lili jerks her hand apart, but she keeps on watching Marc as if nothing has happened.
- Quotes
Lili Daurier: We don't learn. We just get older, and we know.
- ConnectionsEdited into Off to See the Wizard: Lili: Part 1 (1967)
- SoundtracksHi-Lili, Hi-Lo
Music by Bronislau Kaper
Lyrics by Helen Deutsch
Performed by Leslie Caron and Mel Ferrer
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Details
Box office
- Budget
- $1,353,000 (estimated)
- Runtime
- 1h 21m(81 min)
- Color
- Aspect ratio
- 1.37 : 1
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