La plage déserte

JEOPARDY doesn't deserve the brickbats it's getting from other viewers who think of it as little more than a B-film, a quickie in the career of Barbara Stanwyck.

Nonsense. Stanwyck was still a terrific actress and uses all her skill to keep this a taut woman-in-peril kind of story that starts out innocently enough but then shifts into high gear the moment her husband is trapped under some rotten pilings from a pier.

Nor is the plot a foolish one. Clearly, it's the kind of incident that could easily have happened on an isolated beach in Mexico, with Stanwyck unable to find an English-speaking person to help her when she and her small son are unable to free Sullivan as the tide rises.

It just so happens the only person able to understand her predicament is an escaped convict running from a murder charge (Ralph Meeker). The moment Meeker appears he lifts the film into a new realm of suspense, so convincing is his portrayal of a Stanley Kowalski-type of character without anything but self-preservation (and sex) on his mind. Meeker never had a better showcase for his machismo appeal.

Because of production code rules, the film fails to make more of the sex angle including Stanwyck's decision to be more cooperative with the man who clearly might do her a favor if she does him one. By glossing over this angle and merely showing Meeker grab her in a couple of tight clinches, the film loses some of its impact when she returns with him to help her husband.

Nevertheless, it's a brisk, tightly constructed story around a simple theme and it works beautifully. John Sturges doesn't waste a moment of the film on any sub-plots but stays firmly fixed on the woman's dire predicament and all of the tension the viewer must feel watching Stanwyck's distress mount, knowing that her husband is in even more peril than she is.

It's a much better film than cited here--definitely worth a look.

"Jeopardy" (MGM, 1953), directed by John Sturges, is not a movie about the behind-the-scenes look about the making of a popular TV game show, but a fast-paced suspense drama revamped from a radio play.

The story simply starts off with an all-American family, Helen Stilwin (Barbara Stanwyck), Doug, her husband, (Barry Sullivan), and their little boy, Bobby (Lee Aaker) of California taking a vacation by driving to Mexico. While there they park their car in a quiet but somewhat abandoned fishing village by the ocean where they decide to make their camp. Shortly afterwards, their adventurous son ventures on an old rotting pier, where he gets his foot caught. Father Doug goes out there and releases him by taking off his son's shoe. Moments later, Doug falls through the pier and ends up getting his own foot caught beneath a heavy pile on the beach at low tide. Unable to set his himself free, Helen leaves Bobby with his father to drive off and get help. Suspense builds after Helen picks up a stranger (Ralph Meeker) for assistance, only to soon learn that he is an escaped killer whose main interest is to elude from the police authorities. As she finds herself being held captive by this dangerous and heartless character with nothing to lose, the tide of water slowly builds that may soon be over Doug's head unless help comes.

What a neat thriller this is! Fast-paced and a real attention grabber that doesn't lose control of its audience. Stanwyck, as professional as always, starts off casually but changes into a fierce and desperate woman who becomes tormented after finding herself the victim of a desperate killer on the run, with her main interest is to get back to her husband in danger, and her little boy.

"Jeopardy," which is shown on Turner Classic Movies, is, according to host Robert Osborne, a movie based on a 22 minute radio play, "A Question of Time," extended to a tight 68 minute film. Not as well known as other thrillers of the day, especially those directed by Alfred Hitchcock, but this one is worth a look. Highly recommended for nail biters wanting to save money on manicures. (***)

Jeopardy is a B movie, and it's sad to see the wonderful Barbara Stanwyck reduced to doing it. It is, however, not without merit. Stanwyck plays a wife and mother trying to get help for her trapped husband, Barry Sullivan. She runs afoul of Ralph Meeker en route. Now, here's the thing. He refuses to help her husband unless she has sex with him. As you can imagine, this being the 1950s, this is in the subtext and so far down that if you're not paying attention, you miss the implication.

This makes Jeopardy a cut above your standard B, especially because of the presence of Stanwyck. She's certainly desperate to save her husband, but the film raises some interesting questions. Meeker was more rough and tumble than her husband - was she perhaps attracted to him? Definitely worth seeing.

"Jeopardy" is a fun, punchy noir that finds Barry Sullivan trapped underneath a collapsed pier while his wife, Barbara Stanwyck, goes off to get help before the tide comes in and drowns him. Because this movie must earn its noir credentials, she can't simply find help without some complications. No, first she has to run into escaped con Ralph Meeker, who takes her hostage and doesn't care much about her doomed hubby.

This movie is a lot of fun, with assured direction by John Sturges and a jaunty score by Dmitri Tiomkin that doesn't fit what's happening on screen most of the time but is still fun to listen to. Though Stanwyck and Sullivan are paired in this one, it's Stanwyck and Meeker who have all the chemistry. Good grief, the erotic undertones are off the charts in their scenes together. Meeker is just dripping with raw sexuality anyway, and nobody could smoke a cigarette more suggestively than Stanwyck. After all, she'd do anything to save her husband........anything.

Grade: A-

Jeopardy has the feel of being a stock movie of sorts - one of the movies that the studios pumped out inbetween big budget/box office ones. It's a mere 70 minutes and doesn't feature many sets, and the only star is Barbara Stanwyck. But what a star, of course.

Stanwyck is a tough lady once again as she runs into an escaped convict while seeking help for her trapped husband in the Mexican desert. The majority of the movie is focused on how she deals with her captor, who wants her to submit to him in exchange for his help. Some psychological battling there.

It's a surprisingly effective little movie - its short length makes it taut, and that Stanwyck is great should go without mention (but I'll still praise her every time).