IMDb RATING
7.4/10
1.8K
YOUR RATING
Tom attempts to catch Jerry by playing music he dances to.Tom attempts to catch Jerry by playing music he dances to.Tom attempts to catch Jerry by playing music he dances to.
- Directors
- Writers
- Stars
- Won 1 Oscar
- 1 win total
Hans Conried
- Narrator
- (voice)
Bob Laztny
- Tom (speaking)
- (uncredited)
Jack Sabel
- Jerry (speaking)
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I love Tom and Jerry, and I especially love shorts like The Cat Concerto, so I was really looking forward to seeing this when I first heard of it six months ago. And I wasn't disappointed at all and it has become a favourite since, it is hilarious, inventive and original. The animation is wonderful, really colourful and vibrant and all the characters are drawn really well. Another outstanding element is the music, in fact the music is one of the main reasons why I love Johann Mouse so much. The chemistry between Tom and Jerry is delightful, and both characters are likable and endearing. The cartoon also moves really quickly, the story is engaging and Hans Conreid(who also voiced Captain Hook in Disney's Peter Pan) is great as the narrator. Overall, delightful for any animation or music fan. 10/10 Bethany Cox
'Johann Mouse (1953)' tells the tale of Johann Mouse (aka Jerry), a cute little guy who simply can't resist dancing whenever the man who owns the house he's living in - Johann Strauss - plays the Waltz. Johann (Strauss, that is) has a cat that wants to catch the mouse (aka Tom). The majority of the piece is dedicated to the feline taking up piano in a ploy to capture his dinner, with a few extra twists and turns towards the end. It's enjoyable throughout, with some splendid sight-gags and an overall charming aesthetic. However, its story is sort of strange, particularly in the way that it just sort of resets itself. The piece also isn't as funny as you'd like. Still, it's always enjoyable and has a good dynamic between music and visuals. It's a pleasant watch. 7/10
The animated Short Subject, "CARTOON",if you please, has been with us for just about the entire run of Film, itself. Each succeeding generation has been treated to their life, color, unchecked outrageous behaviour, humor and their moments of pathos.
Traditionally, the products of the various Studios and Creative Talent have generally all been representative of one particular strong point. E.G., Walt Disney's animated pictures, both shorts and features have a dreamy perfection,an other worldly appearance, along with some more gentle humor with a moral. Disney Studios has the Cadillac, the Top of the Line.
Max & Dave Fleischer were the top Animation Studio when Disney was on the way up. Always great as innovators, using top Jazz Bands of the '30's as the inspiration. They only did 2 Full Length Animated Features, GULLIVER's TRAVELS(1939) and MR. BUG GOES TO TOWN(1941)( aka HOPPITY GOES TO TOWN). Other than Betty Boop and Koko The Clown, their biggest "Stars" were found in the Popeye Shorts and the Superman Adventures, and the Fleischers owned the rights to neither.
It is Warner Brothers, "Termite Terrace" which gave us what was probably America's favourite adult cartoons in LOONEY TOONS and MERRY MELODIES, starring Porky Pig, Elmer Fudd, Bugs Bunny, Daffy Duck, en ad infinitum... It was Warner's Cartoon Unit that provided the best laughs as they surely had their finger on the pulse of America's Funnybone.
MGM and Hanna-Barbera fell somewhere in between, never being considered as much of "Art" as Disney, nor as funny as Warners, nor as innovative as The Fleischers. But Hanna-Barberra/MGM came in close seconds on all those counts.
At the time of its making JOHANN MOUSE, The MGM/Hanna-Barbera* partnership had been together for some time, with Tom & Jerry being an item for about 13 years. They (Hanna-Barberra)were undoubtedly MGM's biggest Cartoon Team. They (Tom & Jerry)were undoubtedly MGM's biggest Cartoon Team.(Ha,ha! Get it?)
This 1952 production & Oscar Winner did deviate slightly off of the proved path. Instead of the setting being contemporary United States middle class, the setting is Late 19th Century, the Locale is Vienna, Austria-Hungary(as the Dual Monarchy was called), and in particular from a particular place, in the Home of Johann Strauss, the Walz King, himself.
The use of any dialog either from people or the furry creatures. Instead, we have the Strauss Music, the irresistible reactions of Jerry Mouse and in turn, Tom's feline reaction to the rodent movement.
A voice-over narration by multi-talented Hans Conried moves the story along and reminds us of the period and setting by using a theatrical affectation of an authentic sounding German accent.** The combination of the cartoony situation, the narration, the Strauss Music makes for a most amusing situational comedy story When the entire film is framed with a beautiful story book-like appearance. It is one that should be an award winner, and by George, Oscar, it was!
Our younger Daughter, Michelle Lee Ryan(D.O.B. 8/14/'75)describes this as her favourite cartoon; an interesting point, being that it was out 23 years before her birth.
NOTE:* Long time Animators & Cartoon Directors/Producers William Hanna(1910-2001) & Joseph Barbera(1911-2006) had been partners dating back to the 1930's. After leaving MGM 1n the mid-fifties, they became TV's Premiere Cartoon Studio with (still existing)HANNA-BARBERA Productions.
NOTE:** Fine Character/Voice Actor Hans Conried(1917-1982)had long been thought of as a European born Stage,Film and Radio/TV player. In reality, he was born in Baltimore and raised between there and New York City. He once explained his unusual accent to Jack Paar on the TONITE SHOW as being "a Theatrical Affectation!"(Honest Injun, heard it myself!)
Traditionally, the products of the various Studios and Creative Talent have generally all been representative of one particular strong point. E.G., Walt Disney's animated pictures, both shorts and features have a dreamy perfection,an other worldly appearance, along with some more gentle humor with a moral. Disney Studios has the Cadillac, the Top of the Line.
Max & Dave Fleischer were the top Animation Studio when Disney was on the way up. Always great as innovators, using top Jazz Bands of the '30's as the inspiration. They only did 2 Full Length Animated Features, GULLIVER's TRAVELS(1939) and MR. BUG GOES TO TOWN(1941)( aka HOPPITY GOES TO TOWN). Other than Betty Boop and Koko The Clown, their biggest "Stars" were found in the Popeye Shorts and the Superman Adventures, and the Fleischers owned the rights to neither.
It is Warner Brothers, "Termite Terrace" which gave us what was probably America's favourite adult cartoons in LOONEY TOONS and MERRY MELODIES, starring Porky Pig, Elmer Fudd, Bugs Bunny, Daffy Duck, en ad infinitum... It was Warner's Cartoon Unit that provided the best laughs as they surely had their finger on the pulse of America's Funnybone.
MGM and Hanna-Barbera fell somewhere in between, never being considered as much of "Art" as Disney, nor as funny as Warners, nor as innovative as The Fleischers. But Hanna-Barberra/MGM came in close seconds on all those counts.
At the time of its making JOHANN MOUSE, The MGM/Hanna-Barbera* partnership had been together for some time, with Tom & Jerry being an item for about 13 years. They (Hanna-Barberra)were undoubtedly MGM's biggest Cartoon Team. They (Tom & Jerry)were undoubtedly MGM's biggest Cartoon Team.(Ha,ha! Get it?)
This 1952 production & Oscar Winner did deviate slightly off of the proved path. Instead of the setting being contemporary United States middle class, the setting is Late 19th Century, the Locale is Vienna, Austria-Hungary(as the Dual Monarchy was called), and in particular from a particular place, in the Home of Johann Strauss, the Walz King, himself.
The use of any dialog either from people or the furry creatures. Instead, we have the Strauss Music, the irresistible reactions of Jerry Mouse and in turn, Tom's feline reaction to the rodent movement.
A voice-over narration by multi-talented Hans Conried moves the story along and reminds us of the period and setting by using a theatrical affectation of an authentic sounding German accent.** The combination of the cartoony situation, the narration, the Strauss Music makes for a most amusing situational comedy story When the entire film is framed with a beautiful story book-like appearance. It is one that should be an award winner, and by George, Oscar, it was!
Our younger Daughter, Michelle Lee Ryan(D.O.B. 8/14/'75)describes this as her favourite cartoon; an interesting point, being that it was out 23 years before her birth.
NOTE:* Long time Animators & Cartoon Directors/Producers William Hanna(1910-2001) & Joseph Barbera(1911-2006) had been partners dating back to the 1930's. After leaving MGM 1n the mid-fifties, they became TV's Premiere Cartoon Studio with (still existing)HANNA-BARBERA Productions.
NOTE:** Fine Character/Voice Actor Hans Conried(1917-1982)had long been thought of as a European born Stage,Film and Radio/TV player. In reality, he was born in Baltimore and raised between there and New York City. He once explained his unusual accent to Jack Paar on the TONITE SHOW as being "a Theatrical Affectation!"(Honest Injun, heard it myself!)
Jerry the mouse, here known as Johann Mouse lives in the house of Viennese composer Johann Strauss. Every time Johann plays his music, the mouse can't help but waltz to the tune. So when the master is away the cat learns to play music. But the servants hear Tom playing and soon enough Tom and the mouse are playing for the Emporer. This short won an Oscar for best cartoon short subject in 1953 and it's easy to see why, because while it's not hilarious, it is amusing, charming, and will bring a smile to your face. This amusing animated short can be found on disc 2 of Warner Brother's 2-DVD Spotlight Collection set.
My Grade: B+
My Grade: B+
This "Tom and Jerry" short from 1953 "Johann Mouse" was a classic and Oscar award winning cartoon. The tale has the little mouse Jerry who's away living the good life in a castle like palace of one composer named Strauss and the waltz is played! However Tom cat has made his way to the house for more of the same old same thing and ways of doing and that is the chase is on! However the cartoon twist when Tom takes up playing the piano and Jerry takes up dancing then they later do this in front of a crowd which enjoys the duo. However the deal is it doesn't last as these two were meant to be rivals as the chase continues the charm and fun is felt which is supported well by the music for this short.
Did you know
- TriviaCo-directors William Hanna and Joseph Barbera won seven Best Short of the Year Oscars. In order: The Yankee Doodle Mouse (1943), Jerry ne se laisse pas faire (1944), Quiet Please! (1945), The Cat Concerto (1947), The Little Orphan (1948), The Two Mouseketeers (1952), and Jerry danse la valse de Vienne (1953).
- GoofsIn the beginning, as the view pans in to show 'Johann' (Jerry), the curtain pulls that he eventually dances with are around a corner. After the cut to a close-up, the pulls are very near his hole, and not around a corner.
- ConnectionsEdited into Tom & Jerry: Cartoon Festival Vol. 4 (1984)
Details
- Runtime8 minutes
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Jerry danse la valse de Vienne (1953) officially released in Canada in English?
Answer