Le météore de la nuit

Aliens in a small town.

Between about 1975 and 1986, three 1950s sci-fi films were held in very high regard by me - It Came From Outer Space, Forbidden Planet and The Incredible Shrinking Man. All three were liked so much I constantly listened to them on audio tape. They were regarded as solid sci-fi movies to be taken very seriously. Then in the late 1980s I made the mistake of seeing these films in Sydney theatres with people who were not really in tune with 1950s movies. These films became comedy to them.

ICFOS begins with the male and female lead getting all romantic with each other. This cinema crowd almost laughed this scene off the screen. Too corny for them. Later, one character describes Richard Carlson as "a man who thinks for himself", the laughing was louder this time. And again, Carlson looks into space and starts talking to himself, out loud, about aliens. The laughing was getting stronger. And so it went on. What was once great mystery and suspense, such as Russell Johnson looking into the sun, was now comedy. They had good reason to laugh as it was funny. But this crowd destroyed a childhood favourite of mine. I did'nt like this film being laughed at. I did'nt want to know the funny side. Other cinema screenings of Forbidden Planet and The Incredible Shrinking Man were given the same reaction. For a while I wondered if all of my 1950s/1960s sci-fi favourites were just ... bad in the eyes of the public. Or was it just the Australian sense of humour?

I will rate this film by my 1970s reactions. It is a classic. The music score is dated but everything else is fine. The desert creates such mystery. Great sci-fi.

It Came From Outer Space is possibly Universal's best 1950's sci-fi and one of the best of the decade.

It stars sci-fi regular Richard Carlson (Creature From the Black Lagoon) and Barbara Rush (When Worlds Collide) as his lover. They both play good parts.

This is also one of the creepiest sci-fi movies of the 1950's. The desert setting is very eerie, as is the score. Director Jack Arnold often used desert settings for his movies. The alien monster looks quite impressive and the special effects are good too.

I enjoyed this movie very much and is a must for 1950's sci-fi lovers. Enjoy!

Rating: 5 stars out of 5.

I just saw "It Came from Outer Space" on DVD today. The last time I saw it was in 1954 in a small town theaters on the Saskatchewan prairies. I was ten years old at the time and my world did not extend a hundred mile radius. I still remember that film until today. Beautiful Barbara Rush, calm, cool,intelligent Richard Carlson. Joe Sawyer could have been one of my neighbors. Full of suspense, intrigue, and mild fear, this movie was indeed a classic. Not knowing what the "It" looked like added to the mystery and wonder. Surprisingly no one was ever seriously hurt. Wearing those 3_D glasses and watching those rocks coming at you was pretty cool in those days. I was glad to see it again and relive those 50 years that have gone by.

I caught this movie in 2D and b/w, on the AMC channel this Halloween weekend. Prior to now, I'd never seen nor heard of it.

Set in and around a small town in the Arizona desert, it tells the story of an amateur astronomer who was trying to get to the truth behind a large, fiery object that fell to earth in the desert. Was it a meteroid, as the Army had proclaimed after its investigation, or a crashed space ship? Though he caught a glimpse of the latter, the evidence was buried in a landslide in the crater before anyone else got there.

Ray Bradbury's believable story is the now-common question of how we deal with things we don't understand, or are "ugly".

I thought it played well, had decent special effects, etc., for a film made for 1950s audiences' sensibilities and movie-watching sophistication.

One scene included a shapely, flirty young woman who really had nothing to do with the story. It wasn't until I heard this was a 3D movie that her presence on screen made any sense.

Jack Arnold directed this screen version of Ray Bradbury's short story, `The Meteor', about a crashed spaceship in the mid-western desert. The alien crew kidnaps several inhabitants of the local town and assumes their form. A writer of science articles (Richard Carlson) who lives on the outskirts of the town witnesses the crash, although he thinks it's just a meteorite. When he goes down into the smoking crater, he sees the open hatchway of the spaceship and an alien creature within it, but when the alien closes the big hatch it starts a landslide in the crater which covers the ship. Afterwards none of the local authorities will believe Carlson's story about a buried spaceship filled with alien invaders.

A moody and beautiful movie, with fine music by Henry Mancini. Many fans of Jack Arnold's sci-fi films consider this one his best (although personally I prefer `The Space Children' -- and so did Jack Arnold, according to his own statement).

Charles Drake (`Tobor the Great') is the skeptical sheriff. Russell Johnson plays both a human and an alien (a treat for genre' fans). The supporting cast includes Joe Sawyer and Kathleen Hughes. Special effects by David S. Horsely and the great Clifford Stine. Makeup by Bud Westmore, of the famous Westmore family who contributed much to all the `Star Trek' spin-offs.

Originally released in 3-D. A 3-D tape was available a few years ago, but the quality was not good . . . sad to say.