J'aurai ta peau

I got the chance to see this film today in a movie theater in its original 3-D glory. And WOW- not NEARLY as mediocre as you've heard. The audience LOVED it- what WAS bad dialogue is now hysterically camp. Biff Elliot (the screen's first Mike Hammer) was in attendence, full of vigor at age 80. A charming man, some wonderful anecdotes about his Hollywood experiences, but in his first film, he doesn't cut it. However, the supporting cast is wonderful- Peggy Castle is not only beautiful, but does a wonderful film noir dame. And my almost-Mother-In-Law Margaret Sheridan turns in outstanding support as Mike's secretary Velda...sexy & wise-crackingly smart(she retired in the early 60's to be a housewife and mother to two daughters- unfortunately, she passed away from cancer in 1981). A lot of "B" stars show up, like Elisha Cook Jr. and Joe Besser(the great tie-in to Joe was the 3-D Three Stooges short PARDON MY BACKFIRE which was also shown). And, as for the 3-D, it was rarely shown in that format, and the print shown was definately worn by time, but while there was no mandatory "throw it in your face" shots, the 3-D emminently added to the film's mood, with some wonderful photography, especially in L.A.'s Bradbury Building. I will definately check this one out again, albeit in it's "flat" version!

This is such a tough-guy noir that it almost comes off as a take-off.

I, the Jury concerns Mike Hammer's search for the killer of his friend, Jack. Eventually other people who attended the same party as Jack are killed as well.

From what I gather, this was shown in 3-D some time in 2003, with the star, Biff Elliott (then 80) present. The audience loved it - mainly because all the dialogue is now considered "camp."

One thing Elliot could do was beat up people, since he had previously been a boxer. Just no dimension to the character. I would have loved to have seen someone like Ralph Meeker in this film.

Of note was the very neat opening scene, which I imagine played very well in 3-D. The last scene of the film was very effective as well.

The women in the movie were lovely - Mary Anderson does a good job as Eileen Vickers. Margaret Sheridan was a lovely Velda, and Peggie Castle was a stunning Charlotte, one of the many women in love with Mike. The other performances were okay.

As the first film Mike Hammer, one would assume it brought Elliot attention and, in other hands, could have been a star-making role. Though he continued working for years, it wasn't as a star. Sadly I think better casting would have helped "I, The Jury" immensely.

Quite a surprise, this one, based on the Mickey Spillane book, done very much in the film noir style and shot in 3-D! Actually watching this flat it is only the opening with the dying man crawling towards the camera with his hand reaching forward that I was aware of the 3-D origins and we are swiftly on to an absorbing thriller. Not as tough and sexy as the book but a really decent effort with some super shadowy location filming. Biff Elliot, of whom I had never heard, is fine in the lead, if not sensational but the crackling dialogue and constant action keep things moving along nicely while Peggie Castle is great as the femme fatale. Low budget and maybe nothing too special but tight and bold. Very likable.

This was a normal tough as nails PI on the hunt flick of the times...With many familiar faces, Nestor Paiva, Peggy Castle, John Qualen, Preston Foster, etc. There's nothing much that stands out, watch it on AMC or whatever sometime and you will swear you have seen it before, even if you haven't.

Point of trivia-Biff Elliott apparently lived in the Northern Maine town of Presque Isle(where I'm from actually), and word has it they premiered this flick there in '53! It was a big time celeb event, for a town of about 12,000 at the time-it hadda been as if the Super bowl had come to town!

** outta ****.

I consider this film to be the best one about Mike Hammer, with Biff Elliott's performance the definitive Mike Hammer. Harry Essex's script is excellent and contains many improvements on Mickey Spillane's novel. His direction is strong and imaginative, and he makes fine use of light and shadow. The camera work by John Alton is top-notch, as is the score by Franz Waxman. The cast includes many veteran players, as well as Peggie Castle in her memorable performance as Charlotte Manning. All in all, this is one of the finest private eye films ever made. Biff Elliott and Haary Essex should have received more opportunities. I have always treasured this film.