This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen trea... Read allThis semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him... Read allThis semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of, who is holding a story conference to determine the screen treatment for the life of Eva Tanguay, and Jessel is unhappy with what the writers present him. He tells them to look up Eddie McCoy, Eva's one-time partner, for the real inside story ... Read all
- Orchestra Leader - 'I Don't Care'
- (uncredited)
- Orchestra Leader
- (uncredited)
- Dancer
- (uncredited)
- Stage Manager
- (uncredited)
- Audience Member
- (uncredited)
- Dancer
- (uncredited)
- Keith Theatre Manager
- (uncredited)
- Nurse
- (uncredited)
- Theatre Callboy
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Oscar Levant plays the piano magnificently a few times and David Wayne gives a typically graceful performance in support.
"The I Don't Care Girl" is also interesting because Mitzi Gaynor looks absolutely nothing like the person she was portraying. Mitzi was tiny and cute and Ms. Tanguay was a bit on the chunky side and had dark hair...and was French-Canadian. And, Tanguay was known for her bold personality which was anything but subtle...and a style MUCH different than Gaynor's...and to try to compensate, Gaynor actually had to deliberately sing badly! What were they thinking?!
The irony of this fake biography of Tanguay is that it starts as a movie within a movie. A guy goes to see a film producer to talk about the REAL Tanguay so they get the movie right. They then argue WHAT the real Tanguay was like. The rest consists of long flashbacks filled with all sorts of stuff but the truth!! The oddest is at the start when you see Tanguay on stage and she loses her voice and the curtain is dropped...with no explanation of this at all after! I can only assume the film edited out a subplot and they somehow forgot to edit out this scene as well.
Is this a decent biography of Tanguay? Not in the least. Is it watchable even if you don't mind that it plays fast and loose with the facts? Perhaps...perhaps not. My problem with it and inferior musicals is that the songs take precidence over plot. In other words, they cram in tons of song and dance numbers as if that is THE reason for the movie...not the story. I think excising a few of these forgettable numbers and including more of her life would have vastly improved the movie. A good example is Oscar Levant's* great piano portion about 20 minutes into the movie. It's great...but also irrelevant to the plot and doesn't even feature Tanguay in any way.
Overall, a slick looking full color film chock full of songs but not much else. Not terrible...but it falls short in many ways. And, a film which will likely leave you wishing you actually KNEW about Eva Tanguay and her extraordinary life! My score of 4, if anything, is a big generous.
*By the way, I love Oscar Levant. He was a funny and brilliant raconteur...and I liked him in the movie. But this scene just didn't make sense.
Fox Archives has released this recently along with other older films. Too bad they couldn't include the missing footage as it's very obvious scenes and details to the plot were left out on the 'cutting room floor', so to speak. The musical numbers, for the most part, are very good to excellent, even though they do not belong in the time element of the story. One very strange number, the second I DON'T CARE sequence, has Mizi changing costumes RIGHT IN THE MIDDLE OF THE ACT, and a character that was long gone, back in the scene. I'm sure this number was supposed to be a 'dream sequence', that would be the only reasonable explanation!!!! What did Mr. Zanack have in mind when he edited this film??? I know he was responsible for all editing of films under his regime. He also ruined the fabulous MM movie, NIAGARA along with sever cuts to THERE'S NO BUSINESS LIKE SHOW BUSINESS. And he was supposed to be a 'movie' person? I think not.
Did you know
- TriviaChoreographer Jack Cole's penchant for multi-level dance numbers meant that there was always the possibility of dancers getting hurt. Mitzi Gaynor indeed fell on her back during the filming of "Beale Street Blues" while descending a flight of stairs. She also slid off a 16-foot platform while filming the more abstract "I Don't Care" number; she credited her feathery costume with cushioning her fall.
- Crazy credits(Opening) credits begin after a production number is interrupted because Eva Tanguay is performing badly ("Something's wrong"); we never find out what. Similarly, the end of the film injects a present-time character into the final flashback ("I wanted to see how it ended.") The End.
- ConnectionsFeatured in Merely Marvelous: The Dancing Genius of Gwen Verdon (2019)
- SoundtracksAs Long As You Care (I Don't Care)
Music by Joe Cooper
Lyrics by George Jessel
Sung by Bob Graham
Staged by Seymour Felix
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- I Don't Care
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 18m(78 min)
- Aspect ratio
- 1.37 : 1