La légende de l'épée magique

When Universal Pictures made those Arabian Nights films with Jon Hall, Sabu, and Maria Montez in the Forties a lot of expensive period sets were built on that lot. The rule is get use of them, so even after Universal became Universal-International in the Fifties with a crop of new leading men like Jeff Chandler, Tony Curtis, and Rock Hudson they still kept cranking out those old tales set in the Caliphate of Old Bagdad.

This film is a reworking of the Christian Sword and the Stone legend into the Arabian Nights. Haroun of Basra played by Rock Hudson comes upon his dying father in an ambushed caravan and he's given a mission to find the murderer who is also trying to stir up trouble between Basra and Bagdad.

While on the mission he comes upon a magic sword in a marketplace and discovers he's invincible with it. He also comes upon the Caliph's daughter the blond Piper Laurie who likes to roam the streets of Bagdad incognito to sample public opinion and get a taste of adventure to the annoyance of her father Edgar Barrier.

But there's treason afoot in the palace with Grand Vizier George MacReady and son Gene Evans who want the throne for themselves. Evans wants to marry for it which bothers his mistress Kathleen Hughes a lot.

During the course of the film the magic sword is stolen from Hudson and later when Evans was trying to use it, he rammed it into the palace wall and no one can get it from the stone foundation. I'll give you one guess who can.

The Golden Blade is the average Universal Arabian Nights epic with a lot of gaudy color cinematography, with a bigger budget you'd think it was a DeMille film. No better or worse than some of what Universal was putting out in those years. I'm sure Piper Laurie felt the same as Maureen O'Hara did in these kind of films, Maureen in her memoirs realized how ridiculous a redhead was in the Middle East.

George Macready was one of the best movie villains ever in just about any kind of genre be it western, noir, sand and sandal, you name it. He does a wonderful job mouthing some lines that were quite frankly ridiculous with earnest conviction.

By the way if you were to make a golden blade it would not be much use to you if it weren't enchanted. As any geologist will tell you, gold is the softest and most malleable of metals, remember in the days of gold coin people would bite into it to see if it was genuine and if the coin had teeth marks, you knew it was good.

The Golden Blade is entertaining enough and not to be taken too seriously.

During those early fifties, Universal Studios tried to replace the adventure movies from the forties starring Maria Montez and Jon Hall. Those colorful and action packed enchanted movies taking place in the south seas, Arabic deserts...So there were those One Thousand and One Nights tales, such as this one and SON OF ALI BABA, VEILS OF BAGDAD, PRINCE WHO WAS A THIEF and many many more. Typical from this amazing studio. Generations of fans loved this kind of stuff and even still now old timers still crave for it. Lousy but fun and full of nostalgia. They don't make such films now. It's a lost period, but not for everyone.

Who could picture in their minds Rock Hudson swinging from drapes, jumping over balconies, or subduing the sultan's guards with his sword? But that's just what Universal gives us in "The Golden Blade." He's surely not on the scale of Errol Flynn, Ty Power, or Stu Granger, but Hudson does a nice swashbuckling turn here.

The Golden Blade is a light-hearted movie of fiction set in a mythical Baghdad. It has some skulduggery that is usual for these desert tales of the mid-20th century. Hudson's physical trysts combine with the energy and rebelliousness of a princess (Piper Laurie) who is always sneaking off to see the world outside the palace. And to do good turns with the people that endear them to her.

The plot isn't complicated and the script is just average. The color, cinematography and costumes add to the enjoyment of the movie. It's not serious filmmaking, but the cast seem as though they are enjoying their craft. Viewers should do likewise. Just sit back and enjoy the color, action, humor and romance of this light but entertaining film.

Arabian Nights adventures were staples on Italian TV in my childhood; this (acquired fairly recently on DVD as part of Universal's "Rock Hudson: Screen Legend" set) was one of them, though I'd practically forgotten all about it in the interim. Not that it's in any way a memorable entry in the genre, and certainly not original – since this is basically the Excalibur legend transposed to ancient Bagdad – but a pleasant diversion nonetheless.

Having watched two of the star's 'oaters' back-to-back (the other was SEA DEVILS [1953]), I can say that he was rather more at ease as an Englishman than an Arab (though he does well enough by the action required here, involving a handful of swordfights and even a jousting[!] contest – which he loses – for the hand of leading lady Piper Laurie). The latter – petite and vivacious – lends some freshness to the mostly familiar proceedings; a similar outing of hers I'd like to revisit someday is THE PRINCE WHO WAS A THIEF (1951) featuring Tony Curtis, another then-rising Universal star who dabbled in actioners (read: potboilers) of every kind during this period.

Anyway, the rest of the cast here is equally creditable: George Macready as the (typically conniving) Grand Vizier, who's eventually revealed to have also ordered the decimation of neighboring Basra (from where Hudson emanates); Samuel Fuller regular Gene Evans as Macready's incompetent son(!) – the old man wants him to marry princess Laurie in order to secure the throne for themselves, but he actually loves her subordinate; Steven Geray as the merchant who first comes into possession of The Golden Blade, and subsequently steers Hudson into fulfilling its destiny (that is, apart from supplying the film's comedy relief); and Edgar Barrier as the reigning Caliph (I've watched him recently in two other exotic ventures for the same studio, namely ARABIAN NIGHTS [1942] and COBRA WOMAN [1944]).

The climax of this compact swashbuckler – running a mere 80 minutes – incorporates a bit of magic (and campiness) as the blade becomes entrenched in the walls of the palace; consequently, a host of muscle-men, inventors and sorcerers are recruited so as to try and dislodge it…but only the dashing hero is able to, the direct result of which is to have the column in question crumble and bury the two villains underneath it! By the way, director Juran would later helm two other (and far more notable) mythical adventures – THE SEVENTH VOYAGE OF SINBAD (1958) and JACK THE GIANT KILLER (1962), both of which had the added appeal of stop-motion animated monsters.

The Golden Blade is directed by Nathan Juran and written by John Rich. It stars Rock Hudson, Piper Laurie, Gene Evans & George Macready. Music is by Joseph Gershenson and Technicolor photography by Maury Gertsman.

By Allah! It would be magic, indeed, that this sword were mine at such a time as this.

Colourful, energetic and costumed with skill, The Golden Blade doesn't lack for effort in the low expectation realm of Arabian Nights adventures. Sadly it's actually TOO daft and goofy when it's not meant to be. True enough that it isn't a film to be taken seriously in the first place, and judging by the performances of Laurie and Hudson, the cast are playing it purely for the undemanding popcorn munching crowd. But once over you just get reminded that there are far better films of this type out there and that the interesting premise, a sort of Arabian/Arthurian blend, isn't fully realised. Not enough swishing and swashing of the titular title weapon also annoys greatly. 5/10