In 1897 Arizona, an ex-marshal is sent to the territorial prison where many of his enemies, among guards and inmates alike, are eager for a chance at payback.In 1897 Arizona, an ex-marshal is sent to the territorial prison where many of his enemies, among guards and inmates alike, are eager for a chance at payback.In 1897 Arizona, an ex-marshal is sent to the territorial prison where many of his enemies, among guards and inmates alike, are eager for a chance at payback.
William 'Bill' Phillips
- Red
- (as William Phillips)
Eric Alden
- Tim
- (uncredited)
Murray Alper
- Driver-Guard
- (uncredited)
Larry J. Blake
- Hysterical Prisoner
- (uncredited)
Stanley Blystone
- Bit Role
- (uncredited)
Rudy Bowman
- Prisoner
- (uncredited)
Featured reviews
This routine oater sees eye-catching Virginia Mayo aiding a gang of outlaws in a small desert town by helping to arrange a massive jailbreak. It's a strictly by-the-numbers affair, featuring characters segregated into either the good or bad, and a particular cheapness to the sets. RKO Pictures were well known for churning out low budget programmer after low budget programmer and DEVIL'S CANYON is a good example of their 'shoot fast for a quick buck' mentality.
The movie features a number of notable character actors from the era, including Whit Bissell, Morris Ankrum and Irving Bacon, but only Dale Robertson, as the upstanding hero, is given much of a character, while Mayo seems to be relegated to the role of clothes horse for much of the running time.
Things do pick up with a couple of decent shoot-outs and an elaborate, large-scale climax which doesn't disappointment, but by the looks of it the gimmicky 3D fails to make much, if any, of an impact other than in the opening titles.
The movie features a number of notable character actors from the era, including Whit Bissell, Morris Ankrum and Irving Bacon, but only Dale Robertson, as the upstanding hero, is given much of a character, while Mayo seems to be relegated to the role of clothes horse for much of the running time.
Things do pick up with a couple of decent shoot-outs and an elaborate, large-scale climax which doesn't disappointment, but by the looks of it the gimmicky 3D fails to make much, if any, of an impact other than in the opening titles.
I taped Devil's Canyon when TCM screened it in November 2009 b/c another western with a historical theme (Great Day in the Morning)was next and I had plenty of tape (I'm still an analogue guy). Reasons for giving it a chance included Dale Robertson in his prime, Steve McInally who was a dependable western heavy, plus Virginia Mayo's OK, but esp. b/c RKO in its decline often made uniquely flawed but curious products.
What's strange about Devil's Canyon (besides the absence of a canyon) is the prison set, which appears only partially, but the walls appear to be enormous hewn stones that cast off strange pastel glows that change with the time of day. As a complement to these eerie atmospherics, the script and scenario range from casually crude to bluntly stupid. As a friend once said of a similar film, "It's just like a porn flick except everybody keeps their clothes on."
The film's best passage--the attempted prison break--takes advantage of the set. The escapees anticipate which doors the guards will open and ambush their entrances, eventually controlling the entire prison, which sets up Robertson's gatling gun throwdown.
Overall, the direction and editing of Devil's Canyon overall are unredeemable, but if you're not asking for much in those regards, the film's visuals have the quality of a meaningless dream.
What's strange about Devil's Canyon (besides the absence of a canyon) is the prison set, which appears only partially, but the walls appear to be enormous hewn stones that cast off strange pastel glows that change with the time of day. As a complement to these eerie atmospherics, the script and scenario range from casually crude to bluntly stupid. As a friend once said of a similar film, "It's just like a porn flick except everybody keeps their clothes on."
The film's best passage--the attempted prison break--takes advantage of the set. The escapees anticipate which doors the guards will open and ambush their entrances, eventually controlling the entire prison, which sets up Robertson's gatling gun throwdown.
Overall, the direction and editing of Devil's Canyon overall are unredeemable, but if you're not asking for much in those regards, the film's visuals have the quality of a meaningless dream.
I really wouldn't call this a bona fide western, but more like a prison romance with a villain (Stephen McNally), a hero (Dale Robertson), and a sex pot (Virginia Mayo) who is pulling the strings on both men who are interested in this conniving vixen. There are 500 men in this prison and Virginia Mayo gets sent to this all male prison to do her stint for a bank robbery gone bad.
The villain named Jessie Gorman (Stephen McNally), wants revenge by trying to kill the hero named Billy Reynolds (Dale Robertson), because Jessie believes Billy killed two of his brothers although they did try and kill Billy who was acting in self defense.
I would agree that the plot is very basic and the ending is as expected, but Virginia Mayo is easy on the eyes, and the good versus bad guy never gets old, so I will admit I have watched this movie twice now and I enjoyed it both times.
i give the film an 8 out of 10 IMDB rating
The villain named Jessie Gorman (Stephen McNally), wants revenge by trying to kill the hero named Billy Reynolds (Dale Robertson), because Jessie believes Billy killed two of his brothers although they did try and kill Billy who was acting in self defense.
I would agree that the plot is very basic and the ending is as expected, but Virginia Mayo is easy on the eyes, and the good versus bad guy never gets old, so I will admit I have watched this movie twice now and I enjoyed it both times.
i give the film an 8 out of 10 IMDB rating
An interesting and moving Western with a suspenseful premise , un ex-lawman is imprisoned at a jail surrounded and harassed by enemies thirsty for vengeance. Containing emotion, thrills , shootouts, fights and intrigue. In 1897 Arizona, an ex-marshal called Billy Reynolds (Dale Robertson) is sent to the territorial prison where many of his enemies, among wardens and inmates alike, are eager for a chance at payback and merciless revenge. Serving time in an Arizona prison, he's especially beset by a jailed killer seeking vengeance for his own incarceration. Complicating matters further is the incarceration of Gorman's girlfriend Abby (Virginia Mayo) who helps Gorman (Stephen McNally) plan a break-out while at the same time is unsuccessful hiding her feelings for Reynolds. Very savage thrill...every scorching scene...real as flesh! In 3-D, 500 desperate men caged-up with one woman!
A prison western with thriller, suspense, noisy action, violence and spectacular final scenes. This grim Western has a pretty extraordinary main and support cast, but no more remarkable that the plot and script, both of which are hard to swallow, especially when captured bandit queen Virginia Mayo is assigned to an all-male prison. However, the actual depiction of life in jail seems depressingly accurate, apart from Virginia Mayo's presence. Starring Dale Robertson gives a passable acting as ex-marshal Reynolds, sent to state prison for killing two men in self defense, and he learns that killer Jessie Gorman, brother of the two men Billy shot, is in the same prison and vows vendetta. Along with three main protagonists: the beauty Virginia Mayo, the tough Dale Robertson and baddie Stephen McNally, in Devil's Canyon stands out a magnificent support cast with plenty of familiar faces, most of them from Western genre, such as: Arthur Hunnicutt, Robert Keith, Jay C. Flippen, George J. Lewis, Whit Bissell, Morris Ankrum, James Bell, Earl Holliman, Irving Bacon, among others.
Cameraman Nicholas Musuraka's sombre lighting keeps Technicolor under control, though a better remastering being really necessary. Nicholas Musuraka is considered to be one of the best cameramen of the Film Noir genre. Well photographed by Musuraka (Cat People , I Walked with a Zombie) who along with John Seitz and John Alton are deemed to be the best photographers of the fabulous Noir Movies shot in the Forties and Fifties. The motion picture was uneven and professionally directed by Alfred L. Welker. This film was made from his last years, in fact Alfred L. Welker was working from the 30 in the business . He realized a catalogue of routine assignments broken by highlights including : ¨The Adventures of Sherlock Holmes¨ 1935 and ¨He walked by night¨ 1949 the prototype serial-killer film noir , and a string of Western oaters . Alfred Werker directed all kinds of genres : Drama , Film Noir , Adventures , sagebrush Westerns , such as : The Last Posse , Devil's canyon , Repeat Performance , Pirates of Monterrey , Whispering Ghosts , The Mad Martindales , Moon Over Her Shoulder , My Pal Wolf , Rebel in city , At Gunpoint , The Young Don't Cry , Canyon Crossroads and Sealed Cargo . His best film was ¨He walked by night¨ (1948), although this noir thriller is credited to Alfred Werker , a lot of it was shot, uncredited, by Anthony Mann, who had already made some top-notch thrillers in low budget. Rating: 5.5/10 . A good western but not too much . Worthwhile seeing .
A prison western with thriller, suspense, noisy action, violence and spectacular final scenes. This grim Western has a pretty extraordinary main and support cast, but no more remarkable that the plot and script, both of which are hard to swallow, especially when captured bandit queen Virginia Mayo is assigned to an all-male prison. However, the actual depiction of life in jail seems depressingly accurate, apart from Virginia Mayo's presence. Starring Dale Robertson gives a passable acting as ex-marshal Reynolds, sent to state prison for killing two men in self defense, and he learns that killer Jessie Gorman, brother of the two men Billy shot, is in the same prison and vows vendetta. Along with three main protagonists: the beauty Virginia Mayo, the tough Dale Robertson and baddie Stephen McNally, in Devil's Canyon stands out a magnificent support cast with plenty of familiar faces, most of them from Western genre, such as: Arthur Hunnicutt, Robert Keith, Jay C. Flippen, George J. Lewis, Whit Bissell, Morris Ankrum, James Bell, Earl Holliman, Irving Bacon, among others.
Cameraman Nicholas Musuraka's sombre lighting keeps Technicolor under control, though a better remastering being really necessary. Nicholas Musuraka is considered to be one of the best cameramen of the Film Noir genre. Well photographed by Musuraka (Cat People , I Walked with a Zombie) who along with John Seitz and John Alton are deemed to be the best photographers of the fabulous Noir Movies shot in the Forties and Fifties. The motion picture was uneven and professionally directed by Alfred L. Welker. This film was made from his last years, in fact Alfred L. Welker was working from the 30 in the business . He realized a catalogue of routine assignments broken by highlights including : ¨The Adventures of Sherlock Holmes¨ 1935 and ¨He walked by night¨ 1949 the prototype serial-killer film noir , and a string of Western oaters . Alfred Werker directed all kinds of genres : Drama , Film Noir , Adventures , sagebrush Westerns , such as : The Last Posse , Devil's canyon , Repeat Performance , Pirates of Monterrey , Whispering Ghosts , The Mad Martindales , Moon Over Her Shoulder , My Pal Wolf , Rebel in city , At Gunpoint , The Young Don't Cry , Canyon Crossroads and Sealed Cargo . His best film was ¨He walked by night¨ (1948), although this noir thriller is credited to Alfred Werker , a lot of it was shot, uncredited, by Anthony Mann, who had already made some top-notch thrillers in low budget. Rating: 5.5/10 . A good western but not too much . Worthwhile seeing .
Devil's Canyon, a RKO picture, starts out like a normal western, the first ten minutes features an exciting gunfight between Dale Robertson and two outlaws gunning for him, but switches to a prison - it's essentially prison break yarn that happens to be a western.
The story- Following a shoot out in which he kills two men, former US marshal Billy Reynolds is sent to the notorious Arizona territorial prison. There he finds himself face to face with an old enemy who is determined to revenge himself on the lawman who sent him to jail.
It's a tautly-drawn story with just enough unpredictability to create suspense. Visually, Virginia Mayo is the only bright spot; a significant contrast to everything else, which is a drab grey. The stone walls are grey, the prison uniforms are grey, the quarry where the prisoners break stone is grey. Visually it's quite oppressive.
The cast is excellent, especially Stephen McNally, who towers over everyone with his intensity as the unhinged Gorman, Dale Robertson is his usual reliable self, and Virginia Mayo as Abby doesn't just add a speck of glamour, but is quite good as a character conflicted between Dale and Stephen McNally. (Also, it might seem odd to find a woman placed in a man's prison, however, in 1899, a woman stage robber known as Pearl hart was imprisoned at Yuma).
It's a decent film, and though I am not usually keen on prison dramas, there's enough things happening here to catch your attention. The finale features an exciting sequence with a Gatling gun and dynamite. I found it really entertaining- it's another of those regular westerns that were shown on BBC2 at 6.pm after school in 80's.
The story- Following a shoot out in which he kills two men, former US marshal Billy Reynolds is sent to the notorious Arizona territorial prison. There he finds himself face to face with an old enemy who is determined to revenge himself on the lawman who sent him to jail.
It's a tautly-drawn story with just enough unpredictability to create suspense. Visually, Virginia Mayo is the only bright spot; a significant contrast to everything else, which is a drab grey. The stone walls are grey, the prison uniforms are grey, the quarry where the prisoners break stone is grey. Visually it's quite oppressive.
The cast is excellent, especially Stephen McNally, who towers over everyone with his intensity as the unhinged Gorman, Dale Robertson is his usual reliable self, and Virginia Mayo as Abby doesn't just add a speck of glamour, but is quite good as a character conflicted between Dale and Stephen McNally. (Also, it might seem odd to find a woman placed in a man's prison, however, in 1899, a woman stage robber known as Pearl hart was imprisoned at Yuma).
It's a decent film, and though I am not usually keen on prison dramas, there's enough things happening here to catch your attention. The finale features an exciting sequence with a Gatling gun and dynamite. I found it really entertaining- it's another of those regular westerns that were shown on BBC2 at 6.pm after school in 80's.
Did you know
- TriviaThe film reproduces the actual prison quite well. Yuma Territorial Prison in Yuma AZ opened on July 1, 1876, and shut down on September 15, 1909, and housed over 3,000 men and over two dozen women for crimes ranging from murder to polygamy. The site is now operated as a historical museum by Arizona State Parks as Yuma Territorial Prison State Historic Park.
- GoofsEarlier in the movie one of the prisoners attempts to escape by climbing a wall, but he is gunned down by a prison guard using a Gatling gun. The Gatling gun fires numerous rounds at or around the prisoner and the wall he is climbing, yet absolutely no bullet holes or impact splinters are seen. Later in the film, the same Gatling gun is fired numerous times at a wall: this time, the expected bullet holes and impact fragments are clearly evident.
- Quotes
Virgil Gates: You know, that's pretty good stew as stew goes around here. Of course, I wish old Cookie would stay out of it with his feet when he's mixin' it up.
- Crazy creditsOpening credits: Arizona Territory in 1897 was the last of the old frontier. The story we are about to tell is well known to historians. Names have been changed but the lust and brutality, the love and sacrifice of the people involved remain unchanged. The woman outlaw and her lovers belong now to folklore - - in 1897 they lived.
- How long is Devil's Canyon?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Infierno en el desierto
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,000,000
- Runtime1 hour 32 minutes
- Aspect ratio
- 1.37 : 1
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