La légion du Sahara

I enjoy watching Alan Ladd films but I still will be the first to admit that his choice of acting assignments was often suspect. For every exceptional film he made like "This Gun for Hire" or "Shane", he made a half a dozen movies that were essentially B-movies with A- movie budgets. So, they look great but are pretty much mindlessly entertaining...and that's how I see "Desert Legion".

When the film begins, French Foreign Legionnaire Paul Lartal is in command of troops who are attacked and massacred in the desert. Somehow Lartal is knocked unconscious and spared. When he awakens he sees a sexy redhead (sure, there must be millions of them in the North African desert) and then he lapses back out of consciousness...and now finds himself with the Legion. His superiors think he's imagining seeing the sexy redhead (Arlene Dahl) but when he realizes it must be true, he takes off looking for the hidden city of Madara, as the hot redhead, the Princess, needs his help. There he must fight against the evil Crito (Richard Conte) who is an amazingly jerky jerk! Lartal gets locked in mortal combat with Crito and spares him...and almost instantly Crito tries to kill him! What's next? See the film...or not.

If you're looking for an excellent Foreign Legion pic, I suggest you keep looking. This one is just silly with redheads and none of the Madarans looking even remotely North African. Overall, it's once again Ladd going through the motions to pick up a paycheck and it's far from his best work.

Adventure movie about the Foreign legion in a remote location in North Africa , as a regiment of legionnaries under command of Paul Larval, Alan Ladd, become involved into an ambush by the nasty Omar Calif , Richard Conte .Paul is only survivor of a violent , bloody attack thanks to a gorgeous , lovely Princess , called Morjana : Arlene Dahl , in the sunny desert .Then , Paul is carried to the mysterious city of Madara. Later on , Paul returns to Tabelbala fort where he tells his fantastic story to Major Vasil , Leon Askin, but he doesn't believe him.

Entertaining Arab adventure set in the Algerian mountains where our starring Alan Ladd is wounded and healed by a beatiful Princess , gorgeous Arlene Dahl. Being freely based on a 1927 novel written by Georges Arthur Surdez titled The Demons Caravan and moving screenplay from Irving Wallace and Lewis Meltzer. It contains noisy adventures , thrills , action, romance , battles and an exciting bare chested lance-throwing competition . Alan Ladd gives an acceptable acting in his usual style as the brave legionnaire led to a hidden city and harassed by enemies . And Richard Conte who steals the show in a double nasty role as Omar Ben Calif and Crito .While Arlene Dahl is frankly wonderful and enjoyable as a mysterious princess who rescues Paul . Support cast is pretty good , such as Anthony Caruso, Leon Askin , AkimTamiroff , Oscar Berger , George J Lewis , among others .

Colorful cinematography in brilliant Technicolor , mostly shot in studios , Universal Studios City Plaza , Universal City , California and usual exteriors in Lone Pine, California . Stirring , evocative and thrilling musical score by Frank Skinner .The motion picture was professionally directed by Joseph Pevney, though it has some flaws , gaps and failures . Joseph was a good artisan , being well known as a very organized and precise filmmaker who was nonetheless relaxed on the set . He directed a lot of movies of all kinds of genres such as Wartime : Torpedo run , Away all boats , Air cadet. Adventures as Yankee Pasha , Tammy , Twilight for the God, Congo crossing ,Ring circus , Legion of desert . Western : Lady from Texas , The plunderers . Thriller : Undercover girl , Flesh and fury , Man of a thousand faces , Iron Man , Shakedown , The strange Door , 6 bridges to cross , Istanbul. Rating 6/10. Passable and decent adventure movie . The flick will appeal to Alan Ladd fans .

Another trip to the ex-village sexton/film buff yielded a pleasant evening of movie talk and viewing – in this particular case, the former being more rewarding than the latter in view of the fact that the 25-year old print of the obscure Alan Ladd vehicle DESERT LEGION was so washed out as to belie its having been originally shot in "glorious Technicolor"! Indeed, the only color scheme prevalent throughout the screening was a reddish hue that, more than anything else, is a tell-tale sign that a celluloid print is well past its "best before" date. But, as if that was not disheartening enough, the film kept sticking in the projector, making the image jump up and down, requiring our host to make his expert manual interventions a handful of times. For better or worse, the film we were watching was a routine star actioner that even I was unaware of before seeing its worn poster proudly displayed during the latest exhibition of such rare items held regularly for the public by our host. The script requires the viewer to accept diminutive Ladd as a formidable Legionnaire who possesses the only credentials to capture a renegade Arab rebel (played by one of the least likely actors suited for this role, Richard Conte!) that has been preying on their sentries and save the mythical Shangri-La-like community of Medara, buried deep within the desert, from his evil clutches. For support, Ladd only has his old, tale-spinning buddy Akim Tamiroff, while the inevitable love interest is provided by Arlene Dahl – with Universal clearly believing that the audience would not have anyone but another statuesque Arabic redhead (a' la Maureen O'Hara) for a leading lady!! Despite the intermittent sprinkling of intriguing ideas – Ladd is abducted by the mysterious Dahl and taken to her hidden abode in clear imitation of Pierre Benoit's much-filmed "L'Atlantide"; the two confrontations between Ladd and Conte are both unconventional in nature and setting: in the arena with the two contestants sharing one spear between them and, the climactic one, atop a mountain's rock-face – this particular mix, unfortunately, fails to rise to any particularly memorable or even satisfactory level…which makes the possibility of a future revisit via superior elements highly improbable!

Desert Legion was Alan Ladd's second film after leaving his nurturing studio of Paramount. It was hoped he would get better parts by his agent and wife Sue Carol. But sad to say this was the run of film he got.

It's a typical action potboiler with Alan Ladd in the French Foreign Legion on patrol and in pursuit of a local Algerian bandit who no one can seem to locate. On patrol one day after a couple of raiders, Ladd and his patrol are surprised by reinforcements who come from out of nowhere and everyone is killed, but Ladd. He wakes up and finds desert princess Arlene Dahl nursing him back to health. The next thing he knows he's back at Legion headquarters with this wild tale of a lost city in the desert.

Ever since Universal made Arabian Nights with Jon Hall and Maria Montez they had these middle eastern sets and so you could depend year after year on one or two pictures with that setting. So on this one shot deal Alan Ladd got to do Desert Legion with those same sets.

Maureen O'Hara in her memoirs said no one thought she was more ludicrous cast in these films as a redheaded Middle Eastern princess. But I will say that Desert Legion did provide some explanation why redheaded Swede Arlene Dahl was in North Africa.

Had this film been done a decade earlier it might have made great material for a serial. It has all the ingredients and you just write a bunch cliffhanger semi-climaxes and it would have done well.

Looking like he's having a great old time is Akim Tamiroff as Ladd's sidekick who deserts with him to find this lost city. Richard Conte however just doesn't come off as an Arab.

Desert Legion is the kind of film Alan Ladd should have been done with at his stage of life and career.

The legion étrangère has always been a topic that makes people dream.Lots and lots of movies were made ,not only in France.Here,the most famous are probably Duvivier's "la bandera" and Jacques Feyder's "le grand jeu".Twas also one of Edith Piaf's favorite subjects of song (le fanion de la légion,mon légionnaire). This is a pretty ridiculous movie.At the beginning,I was thinking it was a remake of Pierre Benoit's "l'atlantide"(two most famous versions being Pabst 's (1932)with Brigitte Helm-Metropolis- ,and Edgar G Ulmer's (1963))It was certainly influenced big-time by Benoit's book.The blond officer lost in the desert who's taken in by a beautiful lady from a mysterious city of the sands,we've seen that movie before. After,Joseph Pevney and Pierre Benoit go different ways.THe director,abetted by unimaginative scriptwriters ,turn what could have been a trip into the fantastic element,à la "thief of Bagdad" or "lost horizons",into the run-of -the- mill hero-heroine-villain.The rest is so predictable :you can see where the characters are up to from a mile off."Desert Legion" fills its quota of treasons,duels,torture,and glamour.The setting is not impressive, a two-bit cardboard desert city,and for good measure,exotic dances.