IMDb RATING
6.1/10
698
YOUR RATING
A fugitive is pursued by a lawman who is obsessed with his capture.A fugitive is pursued by a lawman who is obsessed with his capture.A fugitive is pursued by a lawman who is obsessed with his capture.
Frank Arnold
- Creole Fisherman
- (uncredited)
Sonia Charsky
- Swamp Woman
- (uncredited)
Harry Cheshire
- Doctor
- (uncredited)
Jay Lawrence
- Deputy
- (uncredited)
Nolan Leary
- Prison Doctor
- (uncredited)
Eugene Mazzola
- Albert Jory
- (uncredited)
Inez Palange
- Old Woman
- (uncredited)
Fred Santley
- Ticket Clerk
- (uncredited)
George Selk
- Josh
- (uncredited)
Bill Walker
- Dock Attendant
- (uncredited)
Featured reviews
It is funny, because when I started watching this film, I told a friend, "This film is so old, Polly Bergen sounds feminine." Then I read in trivia her voice is dubbed. William Conrad runs uphill, which is the only amazing thing about this film. I've forgotten the rest. Nice shot of the old Bunker Hill though.
At first glance a rather ordinary thriller with a disillusioned cop (Barry Sullivan - pretty good) chasing an escaped con (Vittorio Gassman) deep into the swamps of Louisiana. However, delve a little deeper and you find a dark and cynical meditation on fear, obsession and personal honour.
Unlike The Fugitive' this con is guilty but his crime, although serious, barely gets a mention. The script instead concentrates on the two protagonists and their similarities. Although on different sides of the law, both believe in family and personal honour and cannot compromise their beliefs. Both suffer as a result.
The justice system is portrayed as idle(a Prison Warden only interested in golf), bigoted (a Southern Sheriff who pre-dates In the Heat of the Night') or just plain nasty (William Conrad scoring well as the cop's partner.)
On the down side, the female roles are seriously underwritten (virtuous wife & bayou trash hellcat) and the resolution is implausibly upbeat.
Overall, however, a good B' thriller of its' day, surprisingly violent in places. Director Joseph H Lewis made better movies (Gun Crazy', The Big Combo') but this one still begs the question; How in hell did someone so talented end up making episodes of Rifleman'& 'The Big Valley'?!'
Unlike The Fugitive' this con is guilty but his crime, although serious, barely gets a mention. The script instead concentrates on the two protagonists and their similarities. Although on different sides of the law, both believe in family and personal honour and cannot compromise their beliefs. Both suffer as a result.
The justice system is portrayed as idle(a Prison Warden only interested in golf), bigoted (a Southern Sheriff who pre-dates In the Heat of the Night') or just plain nasty (William Conrad scoring well as the cop's partner.)
On the down side, the female roles are seriously underwritten (virtuous wife & bayou trash hellcat) and the resolution is implausibly upbeat.
Overall, however, a good B' thriller of its' day, surprisingly violent in places. Director Joseph H Lewis made better movies (Gun Crazy', The Big Combo') but this one still begs the question; How in hell did someone so talented end up making episodes of Rifleman'& 'The Big Valley'?!'
If anyone noticed Cry Of The Hunted at least it seemed to me to be a remake of a
film did by MGM in 1852, The Wild North. That's where Stewart Granger plays a
fugitive fur trapper in the Yukon and Wendell Corey the Mountie out to get his man.
The location moves a few thousand miles south to the Louisiana bayou where Cajun prisoner Vittorio Gassmann escapes cop William Conrad and heads for the bayou swamp which he knows.
Another cop Barry Sullivan takes it as a personal insult that Gassman escaped since he tried to befriend him and goes after him despite warnings from the locals that there's parts of the bayou they don't go into.
Most of the film is Sullivan and Gassman alone and they talk a lot as each tries to figure the other out. Polly Bergen has a good turn as Sullivan's wife.
Best in the film Mary Zavian as Gassman's woman and one deadly Cajun temptress. Her scenes are worth the wait.
The location moves a few thousand miles south to the Louisiana bayou where Cajun prisoner Vittorio Gassmann escapes cop William Conrad and heads for the bayou swamp which he knows.
Another cop Barry Sullivan takes it as a personal insult that Gassman escaped since he tried to befriend him and goes after him despite warnings from the locals that there's parts of the bayou they don't go into.
Most of the film is Sullivan and Gassman alone and they talk a lot as each tries to figure the other out. Polly Bergen has a good turn as Sullivan's wife.
Best in the film Mary Zavian as Gassman's woman and one deadly Cajun temptress. Her scenes are worth the wait.
I actually enjoyed this film more than I expected. In contrast to other reviews here, I thought the writing was quite snappy and entertaining. I thought the cast was good in all the major roles and the chemistry between the characters was strong.
In particular, Barry Sullivan was a good leading man, and his relationship with his wife (Polly Bergen) was good. I haven't seen many films with those two so it was interesting to see them. I believe that Polly is the mother of Candace Bergen, and you can see some resemblance in her face and attitude.
Vittorio Gassman and William Conrad were also strong supporting roles.
It's not the best noir, but certainly worth seeing. I'm so glad I was able to find it on You Tube since my local library and my local video store had no copies of it....
In particular, Barry Sullivan was a good leading man, and his relationship with his wife (Polly Bergen) was good. I haven't seen many films with those two so it was interesting to see them. I believe that Polly is the mother of Candace Bergen, and you can see some resemblance in her face and attitude.
Vittorio Gassman and William Conrad were also strong supporting roles.
It's not the best noir, but certainly worth seeing. I'm so glad I was able to find it on You Tube since my local library and my local video store had no copies of it....
LA cops Barry Sullivan and William Conrad pursue Cajun Vittorio Gassman into the deadly bayous of Louisiana.
With Joseph H. Lewis directing, you know you're going to get some interesting compositions, and some silly shots too. The latter occurs early on, when they're pursuing a suspect, who jumps on Angel's Flight and rides it to the top, while Conrad runs up beside it and emerges onto the street, not even breathing hard. Mostly though it's about Sullivan, am honest cop whom Gassman respects, while Conrad works over a witness who won't answer his questions -- just out of camera range, while Sullivan looks disgusted. That and strange Cajun culture and stock shots of alligator pulled from TRADER HORN. It's a good programmer, although a bit naive, looking back almost 70 years.
With Joseph H. Lewis directing, you know you're going to get some interesting compositions, and some silly shots too. The latter occurs early on, when they're pursuing a suspect, who jumps on Angel's Flight and rides it to the top, while Conrad runs up beside it and emerges onto the street, not even breathing hard. Mostly though it's about Sullivan, am honest cop whom Gassman respects, while Conrad works over a witness who won't answer his questions -- just out of camera range, while Sullivan looks disgusted. That and strange Cajun culture and stock shots of alligator pulled from TRADER HORN. It's a good programmer, although a bit naive, looking back almost 70 years.
Did you know
- TriviaThe voice of Janet Tunner, portrayed by Polly Bergen, is not Bergen's; the voice actor unknown.
- GoofsTwo men from the city with no experience trying to find their way around the Louisiana bayous and swamps alone with no local guide or even a map is highly improbable.
- Quotes
Lieutenant Tunner: Now I know why your eyes are always at half-mast, sheriff - your brain is dead.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Cry of the Hunted
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $544,000 (estimated)
- Runtime
- 1h 20m(80 min)
- Color
- Aspect ratio
- 1.37 : 1
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