'Capitão', a bandit, terrorizes poor villages in the Northeast region of Brazil, looting and frequently killing with his armed gang, until he kidnaps and becomes attracted to a beautiful sch... Read all'Capitão', a bandit, terrorizes poor villages in the Northeast region of Brazil, looting and frequently killing with his armed gang, until he kidnaps and becomes attracted to a beautiful schoolteacher, creating discord in his group.'Capitão', a bandit, terrorizes poor villages in the Northeast region of Brazil, looting and frequently killing with his armed gang, until he kidnaps and becomes attracted to a beautiful schoolteacher, creating discord in his group.
- Awards
- 2 wins & 1 nomination total
Featured reviews
O Cangaceiro is a great film, with great artists and great songs. We can see a young Vanja Orico singing "Sodade Meu Bem Sodade", a composition by Zé do Norte, an extraordinary Brazilian composer. Now we can hear his songs through his son, the singer Toninho Di Lita, who makes another extraordinary performance, singing with his wife Inajara De Tanduí and his group Bando do Galo Doido, with great singers and musicians like Elísio Paschoal(Hermeto Pachoal's brother), Eliane Carneiro, Chaguinha Lima(Siri Atômico Band), Guto(Siri Atômico Band), Teresa Carvalho(Dama de Paus) and Will Tom(Dama de Paus), who sang with John Phillips in a Tour in Brazil. Toninho Di Lita is a great presence on theaters of Rio de Janeiro, singing songs made by his father and a lot of his own compositions. With new musical cloths Toninho Di Lita sings "Sodade Meu Bem Sodade", "Meu Pião", "Mulher Rendeira" and some hits of his own. "Manto Negro" is a beautiful composition who explains about the personality of the death. Toninho is always worried about education so he also makes performances to Universities and to Public Schools. More about him we can see on "www.orkut.com" - Toninho Di Lita. He is very nice with his fans.
This film was the first brazilian production exhibited internationally after receive a prize of Best Music at a Cannes Film Festival. It was distributed accross the world by Columbia Pictures and was very successful at the box office.
I understand why foreign audiences still enjoy it, but for us brazilians it's very artificial when the hero leaves the semi arid background where the bandits live and penetrates a deep jungle to fight a jaguar etc, since those geographical regions are separated by hundred and hundred miles, like Arizona from Oregon. Anyway the music is amazing as the photography and the actor who plays captain Galdino ( Milton Ribeiro ). I believe that the main influence of director Lima Barreto was not the american westerns as most of people say, but the mexican films of Emilio Fernandez like "Enamorada". "O cangacero" is a good film, even if not not a great one and deserves the fame it has.
I understand why foreign audiences still enjoy it, but for us brazilians it's very artificial when the hero leaves the semi arid background where the bandits live and penetrates a deep jungle to fight a jaguar etc, since those geographical regions are separated by hundred and hundred miles, like Arizona from Oregon. Anyway the music is amazing as the photography and the actor who plays captain Galdino ( Milton Ribeiro ). I believe that the main influence of director Lima Barreto was not the american westerns as most of people say, but the mexican films of Emilio Fernandez like "Enamorada". "O cangacero" is a good film, even if not not a great one and deserves the fame it has.
Beautifully photographed, this Brazilian variation on the western is a strange mix. On the positive sides the images are very striking, and there are scenes of emotional intensity and violence, especially around the film's climax that are amazingly well staged and acted.
On the other hand, there's not a lot of depth to any of the characters or their motivations. They're more archetypes than full people. (It also falls into that cliché of the better looking an actor is, the better human being his character is.) Certainly that's common in this genre, but it doesn't mean I have to like it.
The story is nothing that new. Yet it's presented with a fierceness and focus that makes it very watchable. These bandit anti-heroes are hard men with hard hearts. Their violence is still disturbing, even by modern standards.
The much discussed music fell on both sides of the fence to me. The score, which includes a lot of songs, is sometimes quite a haunting partner to the striking images. But at other times, when the group of bandits whose story this is fall into singing and dancing in ways that feel more akin to a musical than a gritty, violent western, the effect was odd and disconcerting, almost unintentionally comic. But that might just be a cultural bias - it took me a while to get used to the musical numbers in Bollywood films, for example.
Overall, this was a film I was glad I got to see, and would like to see again for its imagery. Also, now that I understand its style, some of the cultural quirks would be less likely to throw me off balance.
On the other hand, there's not a lot of depth to any of the characters or their motivations. They're more archetypes than full people. (It also falls into that cliché of the better looking an actor is, the better human being his character is.) Certainly that's common in this genre, but it doesn't mean I have to like it.
The story is nothing that new. Yet it's presented with a fierceness and focus that makes it very watchable. These bandit anti-heroes are hard men with hard hearts. Their violence is still disturbing, even by modern standards.
The much discussed music fell on both sides of the fence to me. The score, which includes a lot of songs, is sometimes quite a haunting partner to the striking images. But at other times, when the group of bandits whose story this is fall into singing and dancing in ways that feel more akin to a musical than a gritty, violent western, the effect was odd and disconcerting, almost unintentionally comic. But that might just be a cultural bias - it took me a while to get used to the musical numbers in Bollywood films, for example.
Overall, this was a film I was glad I got to see, and would like to see again for its imagery. Also, now that I understand its style, some of the cultural quirks would be less likely to throw me off balance.
8driq
I saw this film at the Carnegie Cinema in NYC 50 years ago and still remember it. It was beautifully filmed. Aside from the plot, the background music, O Canganceiro which is played as an instrumental and choral is absolutely haunting. The female lead was exceptionally beautiful. As I recall, the film was a minor sensation at the time, but has since disappeared into the mists of history. Too bad. Is it available anywhere today?
(the 10 line minimum doesn't make sense. Why should I be forced to pad my comments when brevity is the soul of wit. This was a simple film,that doesn't require complex, "filomatic" critical comment!)
(the 10 line minimum doesn't make sense. Why should I be forced to pad my comments when brevity is the soul of wit. This was a simple film,that doesn't require complex, "filomatic" critical comment!)
10joel-280
Like the few great sci-fi, western, and other genre films, O Cangaceiro transcends its genre to speak of integrity and how people deal with awful contradictions and dilemmas that develop in their lives. Sometimes unsuccessfully.
But don't let my fancy talk deter you; it's a great movie and if somehow you have a chance to see it, don't miss it. It is a three-star attraction (meaning, "worth a trip.")
To meet the IMDb's length requirement, I'll also note its poetic photography, deservedly famous background music, and the cool, restrained treatment (aided by the b&w photography) of deep emotions and tragic events.
But don't let my fancy talk deter you; it's a great movie and if somehow you have a chance to see it, don't miss it. It is a three-star attraction (meaning, "worth a trip.")
To meet the IMDb's length requirement, I'll also note its poetic photography, deservedly famous background music, and the cool, restrained treatment (aided by the b&w photography) of deep emotions and tragic events.
Did you know
- TriviaThe very first Brazilian film to compete at the Cannes Film Festival.
- ConnectionsEdited into A Edição do Nordeste (2023)
Details
- Release date
- Country of origin
- Language
- Also known as
- Cangaceiro
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 45m(105 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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