La maîtresse de papa

For about the millionth time and it's right up there with The Sound of Music. I love Doris and I love Gordon. There is such a chemistry between them that shines through on the screen it is remarkable. I really can't decide which is the better of the two, By the light of the silvery moon or On moonlight bay. Sheer brilliance.

On Moonlight Bay proved so popular with audiences looking for entertainment and tales of what they thought was a simpler era, that By The Light Of The Silvery Moon was almost demanded to be made. Repeating their roles from the previous Warner Brothers hit were Doris Day, Gordon MacRae, Billy Gray, Leon Ames, Rosemary DeCamp and the trenchant Mary Wickes as the indispensable maid of the Wingfield Family.

The last film was set in 1916-1917 and ended with Gordon MacRae going off to World War I after graduating college with Doris Day promising to wait for him. The armistice has happened and its 1919 and the dough-boys are returning home, in MacRae's case to Indiana.

Of course there are a few bumps in the road including Russell Arms who's been trying to score with Doris while Gordon's away. And a French actress who's taking a lease on a theater that banker Ames's employer has had title defaulted to. Through some dumb errors worthy of an Astaire-Rogers film everyone thinks Ames is stepping out with Maria Palmer playing the actress.

No original songs were written for this film set in 1919. The songs were all in keeping with the period when the Roaring Twenties Jazz Age hadn't taken hold yet. The earliest copyrighted song from the score is Just One Girl which Gordon does with a nice little buck and wing thrown in. It's my favorite number from the film.

If you liked On Moonlight Bay there is no reason you won't like By The Light Of The Silvery Moon. Doris and Gordon certainly made some beautiful music together.

I have seen this film along with On Moonlight Bay many times on TV, not when they originally came out in the cinema, I wasn't a big fan of musicals then and I can't say I'm a big fan of Doris Day, but these two films are so uplifting and fun they are excellent to watch. It's something to do with the balance of light drama/comedy to songs, the songs don't intrude and seem to help the plot along. If I had to choose, it would probably be this film out of the two because of the great feel good factor with everyone enjoying themselves at the end out at the pond. My favourite scene is right at the end when Leon Ames seems to be the only one who hasn't got a clue what's going on, and says to his wife ..."and what did you think.... and she's just as puzzled as he his and the music comes up.........

BY THE LIGHT OF THE SILVERY MOON is a continuation of "On Moonlight Bay", the previous flick featuring DORIS DAY and GORDON MacRAE as sweethearts during the early 1900s who get to croon some pretty wonderful songs of that period. It's strictly family stuff, nostalgic and as prettily pictured as a postcard of an Americana that never really existed except in Hollywood's imagination and Norman Rockwell paintings.

The delightful supporting cast has LEON AMES (who was also Judy Garland's father in MEET ME IN ST. LOUIS), MARY WICKE (as the sharp-tongued housekeeper), ROSEMARY DeCAMP as the patient wife and RUSSELL ARMS as Doris' nerdy other love.

The wholesome story (from a Booth Tarkington tale) has Doris' bratty brother letting his childish imagination running away from him when he suspects his father is having an affair with a French actress.

The skating ring sequence closes the story on a happy note--and after a nice bunch of songs by Day and MacRae (including "Be My Little Baby Bumble-Bee", "If You Were the Only Girl in the World" and "By the Light of the Silvery Moon"), you'll feel yourself back in those innocent times wishing life could imitate the movies.

If Day and McRae don't make the perfect G-rated all-American couple, I don't know who does. It's a generally delightful 100-minutes, though I could have used more of their glowing close ups—they do light up the screen. Musical highlights include the classic title tune and "Ain't We Got Fun"; plus, the just for fun "King Chanticleer" with its clever staging and the delightful "Be My Little Honey Bee". Of course there has to be a story line to hang the musical hats on. Here it's a love note that's mistakenly attributed to Day's father that undermines family solidarity. It's a little heavier than I like, but guess what happens by the end.

Anyway, pesky little Billy Gray gets a lot of screen time along with his pet turkey. However, TV's "Father Knows Best" will soon civilize him and maybe his squawky turkey too. But pity poor Russell Arms as the inept extra man. But not to worry, he'll get a good singing role on TV's popular "Your Hit Parade". Then furnishing some bite amidst the happy people is wisecracking Mary Wickes as the cook. She also gets to break the proverbial "fourth wall" by speaking directly to viewers in a movie prologue.

Anyway, even playing a tomboy Day has never been sunnier, whether fixing stubborn car engines or waltzing across a ballroom. Nor has small town America and its communal events appeared more ideal. In short, it's Technicolor 1950's America in fine musical form.