Deux nigauds chez Vénus

Bud and Lou play maintenance men who accidentally blast off in an experimental rocket. Despite the movie's title, they don't actually go to Mars, they go to Venus -- and only during the last twenty-five minutes of the film. Before they get there they waste thirty minutes of the story by landing in New Orleans -- which they think is Mars because of all the weird Mardi Gras costumes (a painfully unfunny gag).

Two escaped criminals stowaway aboard the ship and try to hi-jack the rocket after a second accidental lift-off, but the boys outwit them and the finally lands on Venus.

Admittedly Venus is worth the wait; all the Venusians are gorgeous contestants from the Miss Universe Pageant, and their queen is Maria Blanchard (`She Devil'). The men were defeated long ago in a war with the females, but some of the girls miss them so badly that even Bud and Lou look go to them. Queen Maria wants Bud to be her king!

Anita Ekberg (Miss Sweden) is one of the gals, but you'll have to look quick to spot her. Sets, props, and special effects are excellent. Watch for several props which were also used in other Universal sci-fi films (the death ray device in `It Came from Outer Space' and the bullet car from `This Island Earth'). Not the funniest A & C comedy, but decidedly enjoyable for 1950s sci-fi fans. The prerecorded tape looks good.

Your appreciation or otherwise of this little flick might depend on your level of whimsy and whether or not you were actually AROUND in the 50's and can recall the fervor of anticipated space travel and the films of those days. DESTINATION MOON, THIS ISLAND EARTH, TOBOR THE GREAT, WHEN WORLDS COLLIDE - there were so many! To see it now and compare it ..probably unfairly, with A & C's work of the late 40's, it indeed falls short of the standards they set for themselves. However as many have correctly commented, the younger viewer still finds it funny and gets something out of it.

The film was NOT made on the cheap and indeed many of the sets hold up rather well today. The title remains a misnomer in that Bud and Lou only THINK their comandeered rocket has landed on Mars. As it turns out, it is in fact just a mardi gras in southern Louisiana. This sequence was the highlight of the movie. By the time they wing their bumbling way to Venus, there is only 27 minutes of the film left.

Probably fair to say that ABBOTT AND COSTELLO GO TO MARS was made during the downside of their career and the "Space setting" was intended to net them a new generation of fans. In that regard it probably was not the success they would have hoped for. Still....ANY opportunity to see Anita Ekberg, even for a glimpse, was always worth the price of admission.

Probably not held up as classic A & C but still it is part of their legacy and should be viewed with some affection.

Along with the Bowery Boys, the Three Stooges and perhaps Elvis, no one was as good at churning out motion pictures quickly and on a tight budget than Abbot and Costello. Even present day comedians such as Carol Burnett and Jerry Seinfeld have heaped praise on the boys' slapstick brand of comedy. I've always felt they were greatly underappreciated in their day. And as the years pass by, their presence on the tube has, sadly, decreased. Most kids today probably have never been exposed to the thin straight man and his rotund buddy.

I own only one A&C comedy. And this is it. Why? Maybe its because of "Allura", the queen, played by the beautiful B-movie siren Mari Blanchard. Discarding the "spell" theory one must assume the special effects are superb. And the fantasy elements are enjoyable and surprisingly well thought out and executed. The rocket ship nearly decapitates the Statue of Liberty, fails to pay the toll at the Lincoln Tunnel and scoots underneath the Brooklyn Bridge. But the movie is simply a ride through a different era: a time of comedy, scientists and space babes. Well, everyone should be afforded one guilty pleasure.

Abbott and Costello Go To Mars sees the popular duo tackle a sci-fi theme that was to be so prevalent in the 50s. It's directed by Charles Lamont and the co-star line up features Robert Paige, Horace McMahon, Mari Blanchard, Martha Hyer & Jack Kruschen. The plot sees Bud & Lou as Lester and Orville respectively, who accidentally find themselves on a rocket-ship bound for Mars. However, they actually land in New Orleans during the Mardi Gras and confusion reigns. Then an encounter with a couple of escaped convicts leads to another blast off, to Venus. A planet populated by a bevy of beauties.

They were three years away from making what would be their last film together, but history dictates that the best of the film outings for Bud & Lou were long since past. However, "Go To Mars" and "Meet Dr. Jekyll and Mr. Hyde" (also 1953) are worthy pieces showcasing the comic talent and irrepressible charm of two fine entertainers. Sure the plot is as thin as some of the sets are for "Go To Mars," but there's enough chaos and comedy schtick to keep the smile on ones face. We get Costello doing an Italian accent-badly, which in turn leads to a slapathon. Then there's stunts with magnetic moon-boots, a triple bed fall down, gravitational larks and Mardi Gras strangeness. There's even a cheeky aside in favour of the ladies (the Venusian female race being contestants of Miss Universe) as the new male arrivals on Venus are compared to beefcake Adonis types on Venusian TV.

Far from their best work but certainly enough good here to shoot down those "worst of the series" tags. 6/10

One of the better later entries of the A&C series. The boys appear motivated which was not always the case as their careers wound down, (they separated in 1957). They've got two productive shticks here—the Mardi Gras and the planet Venus. Those costumed Mardi Gras characters are a real hoot and a good chance for Costello to react in his inimitable way. The clownish figures also show how close at times the comedic can be to the grotesque. And catch that parade of pulchritude inhabiting Venus. I'm getting my outer space reservations right away. Looks like Universal hired every tall, shapely starlet in Hollywood for this sequence, including notables Ekberg and Hyer. Then too, the special effects may be cheesy, as expected, but they are elaborate. But what's with the fat Jack Khruschen character, Harry. He comes across as a dopey counterpart to Costello, as though one dim-witted funnyman is not enough. I wonder what the story is there. As in most slapstick, plot doesn't mean much here, just a rack to hang the sketches on. All in all, it's an entertaining 80-minutes of A&C nonsense, with the boys in pretty good form.