Life with Elizabeth

This show felt like it was just a step ahead of the times when it was filmed. A bit slow at times but Betty and Dels wit brings it up. With then breaking the fourth wall, something not seen in those days and her not acting like the nimrod some housewives did on tv back then, I feel like she was pushing boundaries. Not to mention she helped create and produce it like a true Maverick she was. And a respectful note to the person who said without her current icon status no one would know about Golden Girls; in 1985, that was the favorite show in our town in our childhood. And you must've missed Mary Tyler Moore show as well. She had a career most only dream of with non-stop fun and creative roles!

When I noticed this show on Betty White's IMDb filmography, I had to see it. Even though I've never been a huge Betty White fan, I've always had to admire her range. I was surprised to find Life With Elizabeth available from Netflix, so I watched three episodes on a DVD. While those three were plenty – at least for one setting, I did get some enjoyment out of the show. Everyone seemed to be eager to follow the I Love Lucy formula for success in the 1950s: A kooky, mildly attractive housewife, her buddy next door and an ever-suffering husband to shake his head knowingly when the wife's schemes inevitably backfired. It worked for Lucille Ball and Desi Arnez and for George Burns and Gracie Allen. Joan Davis and Jim Backus also had some success with the formula in I Married Joan. Here, too, it proved effective. Like Burns and Allen, the narrator (Jack Narz) stepped through the "fourth wall" and discussed the "plot" with the characters. While this may seem very disconcerting to modern audiences, it was not at all unusual for the 1950s. White, who turned 30 the show's first season, was a lovable enough young wife, who sometimes used her devilish sense of humor to jab husband Del Moore. Moore and White made a believable and likable young couple, grappling with ordinary everyday situations like whether to plant a tree on the patio, going to a drive-in movie, buying a new vacuum, entertaining an old college friend, etc. I see that she also starred in another, similar sitcom, Date With the Angels, a few years later. I'll have to see if I can find it, too. For anyone interested in the history of the American sitcom or for any big Betty White fans, Life With Elizabeth is a must-see. Just don't expect I Love Lucy.

Not the funniest show I've ever seen, but pleasant enough. The scripts are often silly, so-so at best but the star of the show is what makes it shine--Betty White, a real "sweetheart" presented here as a young, newlywed, rather impish version of Gracie Allen. The announcer introduces each episode, even speaks directly to Betty, and at the end prompts the cast to say "Good night." (Attention game show fans: the announcer, who appears on camera a lot, is none other than legendary game show host Jack Narz of "Concentration" and "Now You See It" fame, at the dawn of his career.) At least one video dealer is selling this for a dollar apiece and marketing it as "The Betty White Show," with a synopsis on the back of her short-lived 1977 sitcom that has nothing to do with this 1953-55 first-run syndicated effort.

Elizabeth appeared to be an ordinary, everyday housewife of her time(the early 50s), and so she was . . . er, aside from the fact that an off-camera announcer regularly led forays to check into the goings-on around her house, of course. And then, come to think of it, she wasn't exactly the docile, unassuming "little woman" that husband Alvin always hoped (against all reason) she'd turn out to be, either.

In a word, she was an imp. She delighted in puncturing Alvin's pomposity, always lovingly, but invariably disastrously.

Introduced each week by harp music, which gave a deceptively tranquil lead-in to what was to follow, "Life With Elizabeth" wasn't a 'situation comedy' -- indeed, that concept had barely been formed at the time; instead, it was a comedy of situations, usually two to each show, individual and unrelated, each of them introduced by the off-camera announcer who then just let events unfold. Once chaos had yet again been firmly established as the order of the day, his voice would be again heard, this time presumably as her conscience: "Elizabeth!" (pause) "Aren't you ashamed?"

She usually gave it a moment's thought before shaking her head impishly.

As with the harp music, the show itself was deceptive in its simplicity, the writing, production and, not least of all, the performances of Betty White and Del Moore who were letter-perfect. Produced by a local Los Angeles TV station (at which White and Moore had been staffers), "Life With Elizabeth" seems to have lived its entire life in syndication.

And Elizabeth kept life from ever becoming dull!

This was basically a sitcom, told in brief vignettes rather than a full regular sitcom style. There was some similarity to the Jack Benny Program, with an announcer and Betty White talking to the audience at the end of the show. The story was about Elizabeth (White), her husband Alvin, and a few friends and coworkers. The stories were simple, mostly domestic tales, but the tone was rather silly, with much of the comedy centered on certain characters' stupidity. If you see it now, you're unlikely to be bowled over by comedic genius, but it's nice to see a young Betty White.