When his girlfriend's brother's cargo plane is lost at sea, nagging questions arise, and pilot Richard Van Ness gets caught in a web of blackmail and smuggling.When his girlfriend's brother's cargo plane is lost at sea, nagging questions arise, and pilot Richard Van Ness gets caught in a web of blackmail and smuggling.When his girlfriend's brother's cargo plane is lost at sea, nagging questions arise, and pilot Richard Van Ness gets caught in a web of blackmail and smuggling.
- Director
- Writers
- Stars
Anthony T. Miles
- Sam - Desk Clerk
- (as Anthony Miles)
Larry Taylor
- O'Gorman
- (as Laurie Taylor)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Zachary Scott comes over from across the pond to star in this British noir film about a pilot investigating the crash of another pilot whom he supervised that he let go up in a storm over the English Channel. As it turned out Scott was between a rock and a hard place, he has to let Robert Beatty fly because Beatty knows that Scott suffers from occasional blackouts and the Board of Trade wouldn't like that if they heard about it.
Why does Beatty go up. The more Scott digs on his own he uncovers, blackmail, counterfeiting, and smuggling. And a few more surprises before this film ends.
Although Hammer Films before it started doing horror films and became known for same, they turned out some decent low budget noir films that the British call quota quickies. This isn't one of them it drags in many spots and such talented folk as those already mentioned are wasted. Even Kay Kendall who plays the gangster's moll in this and well doesn't spark this film at all.
I think most will be bored with this one.
Why does Beatty go up. The more Scott digs on his own he uncovers, blackmail, counterfeiting, and smuggling. And a few more surprises before this film ends.
Although Hammer Films before it started doing horror films and became known for same, they turned out some decent low budget noir films that the British call quota quickies. This isn't one of them it drags in many spots and such talented folk as those already mentioned are wasted. Even Kay Kendall who plays the gangster's moll in this and well doesn't spark this film at all.
I think most will be bored with this one.
For the most part drab and talky, it shows evidence, however, of Hammer upgrading their product. This particularly shows in the female contingent with Diane Cilento receiving an 'Introducing' credit and the funniest line going to Kay Kendall: "It's your own fault. You shouldn't go around murdering people!"
Zachary Scott stars with Robert Beatty and Kay Kendall in a 1952 British quota film, "Dead on Course."
During the '50s, many American actors went to Britain and made these films: Cesar Romero, Dane Clark, Dennis O'Keefe, and others. Some are better than others, but mostly, like this one, are fairly routine.
Scott plays Richard Van Ness, part of an airline service. His girlfriend's brother, Nick (Beatty) insists on flying in bad weather in order to deliver unimportant cargo.
Van Ness tries to ground him, but Nick threatens to tell their boss that Van Ness has intermittent blackouts, which will ground him.
Nick's plane crashes near the Channel Islands under odd circumstances. The police ask Van Ness for help, telling him of a smuggling operation that they've connected with the airline. Van Ness pays a visit to his boss' girlfriend (Kay Kendall) and acts interested in order to find out what he can.
One of the plot points seemed obvious from the beginning; it was just a feeling I had but somehow, it was telegraphed in the script.
The acting is so-so, with Robert Beatty quite charming and Kay Kendall a good femme fatale. Kendall was a rising star who married Rex Harrison after they did a play together in 1955; when he realized she was dying of leukemia, Harrison divorced his current wife, Lili Palmer, and married Kendall.
Kendall did not realize she was terminally ill. Their story was the basic plot for a Terence Rattigan play, "In Praise of Love," which Harrison did on Broadway with Julie Harris.
Zachary Scott said all of his lines in a very aggressive manner, absolutely no shading. I always liked him -- he was good as a sleaze, a weak man, a Henry Fonda-ish role in The Southerner - here he just seems hostile all the way through.
Just okay.
During the '50s, many American actors went to Britain and made these films: Cesar Romero, Dane Clark, Dennis O'Keefe, and others. Some are better than others, but mostly, like this one, are fairly routine.
Scott plays Richard Van Ness, part of an airline service. His girlfriend's brother, Nick (Beatty) insists on flying in bad weather in order to deliver unimportant cargo.
Van Ness tries to ground him, but Nick threatens to tell their boss that Van Ness has intermittent blackouts, which will ground him.
Nick's plane crashes near the Channel Islands under odd circumstances. The police ask Van Ness for help, telling him of a smuggling operation that they've connected with the airline. Van Ness pays a visit to his boss' girlfriend (Kay Kendall) and acts interested in order to find out what he can.
One of the plot points seemed obvious from the beginning; it was just a feeling I had but somehow, it was telegraphed in the script.
The acting is so-so, with Robert Beatty quite charming and Kay Kendall a good femme fatale. Kendall was a rising star who married Rex Harrison after they did a play together in 1955; when he realized she was dying of leukemia, Harrison divorced his current wife, Lili Palmer, and married Kendall.
Kendall did not realize she was terminally ill. Their story was the basic plot for a Terence Rattigan play, "In Praise of Love," which Harrison did on Broadway with Julie Harris.
Zachary Scott said all of his lines in a very aggressive manner, absolutely no shading. I always liked him -- he was good as a sleaze, a weak man, a Henry Fonda-ish role in The Southerner - here he just seems hostile all the way through.
Just okay.
The first Hammer noir I saw was the excellent Hell is a City; and it's a good job too because if the first one I saw was one of the ones I saw after Hell is a City, I probably wouldn't have bothered watching any more! Wings of Danger is directed by Hammer veteran Terence Fisher, who also directed the disappointing Hammer noir The Stranger Came Home. This one is actually slightly better, but there's not a lot in it. Wings of Danger focuses on cargo plane pilot Richard Van Ness. He tries to stop another pilot from flying due to the weather, but is blackmailed into allowing it. The plane crashes and this leads the police to begin questioning Richard about his own affairs. The film is very short at only seventy minutes, and I do have to say that's a good thing because any longer and I've have gotten really tired of it. The plot is always at least fairly interesting and the film does manage to present a handful of interesting characters. The dialogue can be a little suspect at times, but that's not such a bad thing as it's often unintentionally comedic. The film holds the audience's interest for the duration and boils down to an interesting and satisfying conclusion. Overall, I really wouldn't recommend this film, though I wouldn't say it's awful either.
Maybe it could be a contradiction, but none Noir picture walks under 7 out 10, because this genre is quite unique, enough to be on high level taking account their greatness, in this American-British co-production they took the notable Zachary Scott to leading role, in my opinion Zachary is to Noir as Lee Van Cleef is to Western pictures, such similarity between them, the plot circles around a counterfeit money made somewhere at United Kingdom and smuggling through a small Air Cargo Line, which Van Ness ( Zachary Scott ) was in charge on the ground, after his closest friend a Company's pilot insist to fly under bad weather condition end up disappearing on storm, the police attachs him, track down his footsteps to finds a hint to links him with the his mastermind Boss, low bugde?? Quite sure!! Second class casting?? Perhaps!!! The plot has some flaws?? Very possible!!! Uninteresting ??? Absolutely not!!! even having a poor copy without restoration yet a great pleasure to watch!!
Resume:
First watch: 2019 / How many: 1 / Source: DVD / Rating: 7
Resume:
First watch: 2019 / How many: 1 / Source: DVD / Rating: 7
Did you know
- Quotes
Alexia LaRoche: It's double-bladed, darling. He squeals on me - he squeals on himself!
- ConnectionsFeatured in Trailer Cinema (1992)
- SoundtracksCuyaba
(uncredited)
Music by De Paula Bana (pseudonym of Winifred Palmer)
Paxton Music Ltd
Details
- Runtime
- 1h 13m(73 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content