A silent film star falls for a chorus girl just as he and his delusionally jealous screen partner are trying to make the difficult transition to talking pictures in 1920s Hollywood.A silent film star falls for a chorus girl just as he and his delusionally jealous screen partner are trying to make the difficult transition to talking pictures in 1920s Hollywood.A silent film star falls for a chorus girl just as he and his delusionally jealous screen partner are trying to make the difficult transition to talking pictures in 1920s Hollywood.
- Directors
- Writers
- Stars
- Nominated for 2 Oscars
- 11 wins & 11 nominations total
Dawn Addams
- Teresa - a Lady-in-Waiting
- (uncredited)
John Albright
- Call Boy
- (uncredited)
Shirlee Allard
- Chorus Girl
- (uncredited)
Bebe Allen
- Chorus Girl
- (uncredited)
Sue Allen
- Chorus Girl
- (uncredited)
John Angelo
- Dancer
- (uncredited)
Marie Ardell
- Chorus Girl
- (uncredited)
David Bair
- Chorus Boy
- (uncredited)
Jane Bateman
- Chorus Girl
- (uncredited)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Singin' in the Rain' is a celebrated classic, praised for its charm, wit, and infectious energy. Gene Kelly's performance, especially in the title number, is lauded for its seamless blend of dancing, singing, and charisma. The supporting cast, including Debbie Reynolds and Donald O'Connor, is commended for their stellar performances and chemistry. The film's vibrant choreography, clever script, and memorable musical numbers are frequently celebrated. Despite minor criticisms about predictability and humor, it remains a beloved musical.
Featured reviews
One thing I noticed in reading the comments of this movie is that nobody recognized the screenplay by Betty Comden and Adolph Green. Without their screenplay the movie does not get made. It is a great script that was made better by Gene Kelly and Stanley Donens' fluid direction. Everything in this movie glides effortlessly. Throw in dancing by Donald O'connor, Debbie Reynolds, Cyd Charisse and of course Gene Kelly, Great songs and the willingness of producer Arthur Freed to let the creative people to do their thing and you have a classic.
Last year I was very lucky to catch this on the big screen. This film is meant to be seen on the big screen! It was also the first time I saw it at the theaters and I was very impressed with the visuals.
In this film movies are switching over from being silent to being "talkies". However the film is a spoof of the turmoil that afflicted the movie industry in the late 1920s when movies when the change over went from silent to sound. When two silent movie stars', Don Lockwood and Lina Lamont, latest movie is made into a musical a chorus girl is brought in to dub Lina's speaking and singing. Don is on top of the world until Lina finds out.
This is such a great film that if you ever get the chance to see this at the movies then DO IT.
Gene Kelly and Debbie Reynolds made an awesome team.
In this film movies are switching over from being silent to being "talkies". However the film is a spoof of the turmoil that afflicted the movie industry in the late 1920s when movies when the change over went from silent to sound. When two silent movie stars', Don Lockwood and Lina Lamont, latest movie is made into a musical a chorus girl is brought in to dub Lina's speaking and singing. Don is on top of the world until Lina finds out.
This is such a great film that if you ever get the chance to see this at the movies then DO IT.
Gene Kelly and Debbie Reynolds made an awesome team.
Many good things can be and have been said about this one and they're all true. It's a great movie. The title number gives us Don Lockwood (Kelly)...In love as no other person has ever been in love, no doubt. He steps out the door and it's raining but he's oblivious to the rain. Who needs an umbrella when you've got wings on your heart and on your feet? Not the incomparable Gene Kelly as he treats us to THE single finest moment in the history of cinema. Do not miss this one.
Singin' in the Rain is one of the best movies ever made. The film is beautiful, tuneful, and loads of fun. While it pokes fun at Hollywood it also does so with great love. Little bits and pieces of Hollywood lore find their way into this great film and it's a pleasure to get the joke or recognize the real star they're referring to.
The star trio is just perfect: Gene Kelly give a funny performance as the hammy silent actor; Donald O'Connor makes the most of his "second banana" role; Debbie Reynolds is perfect as the ingénue trying to break into films.
The three stars perform many memorable numbers, including Kelly's "Singin' in the Rain" classic; all three in the "Good Mornin'" number; O'Connor's "Make 'Em Laugh"; and Kelly and Reynolds in "You Were Meant for Me." The masterpiece however may be the "Gotta Dance" production number with Kelly and Cyd Charissejust perfect. Also great fun are O'Connor and Kelly in "Fit as a Fiddle" and "Moses Supposes."
There are of course other production numbers, including the montage that shows Hollywood's race to transition to talkies, a scene that ends in the "Beautiful Girl" number featuring Jimmy Thompson.
Jean Hagen (as Lina Lamont) won an Oscar nomination and steals the film in a classic comedy performance. Also good are Millard Mitchell, Douglas Fowley, Rita Moreno, King Donovan, Kathleen Freeman, Mae Clarke, Julius Tannen, and Madge Blake.
The great trick to this film is that while Reynolds is supposedly "lip syncing" for Hagen, it's really Hagen's voice that Reynolds is miming to as in the "I Would, Would You" number. The final miming act is Hagen mouthing "Singin' in the Rain" is really Reynolds. It gets so confusing you can't tell who is lip syncing whose voice.
Lots of Hollywood lore retold in this film. Hagen's Lamont character is a veiled reference to Norma Talmadge, who supposedly failed in talkies because of her New York accent. It's also a reference to Louise Brooks, whose talkie debut in The Canary Murder Case was all dubbed. When Kelly screams "I LOVE YOU" it's a reference to John Gilbert in is talkie debut flop. His Glorious Night. Kathleen Freeman's diction coach character is a reference to Constance Collier, who returned to Hollywood as a coach. And on it goes.
A great film!
The star trio is just perfect: Gene Kelly give a funny performance as the hammy silent actor; Donald O'Connor makes the most of his "second banana" role; Debbie Reynolds is perfect as the ingénue trying to break into films.
The three stars perform many memorable numbers, including Kelly's "Singin' in the Rain" classic; all three in the "Good Mornin'" number; O'Connor's "Make 'Em Laugh"; and Kelly and Reynolds in "You Were Meant for Me." The masterpiece however may be the "Gotta Dance" production number with Kelly and Cyd Charissejust perfect. Also great fun are O'Connor and Kelly in "Fit as a Fiddle" and "Moses Supposes."
There are of course other production numbers, including the montage that shows Hollywood's race to transition to talkies, a scene that ends in the "Beautiful Girl" number featuring Jimmy Thompson.
Jean Hagen (as Lina Lamont) won an Oscar nomination and steals the film in a classic comedy performance. Also good are Millard Mitchell, Douglas Fowley, Rita Moreno, King Donovan, Kathleen Freeman, Mae Clarke, Julius Tannen, and Madge Blake.
The great trick to this film is that while Reynolds is supposedly "lip syncing" for Hagen, it's really Hagen's voice that Reynolds is miming to as in the "I Would, Would You" number. The final miming act is Hagen mouthing "Singin' in the Rain" is really Reynolds. It gets so confusing you can't tell who is lip syncing whose voice.
Lots of Hollywood lore retold in this film. Hagen's Lamont character is a veiled reference to Norma Talmadge, who supposedly failed in talkies because of her New York accent. It's also a reference to Louise Brooks, whose talkie debut in The Canary Murder Case was all dubbed. When Kelly screams "I LOVE YOU" it's a reference to John Gilbert in is talkie debut flop. His Glorious Night. Kathleen Freeman's diction coach character is a reference to Constance Collier, who returned to Hollywood as a coach. And on it goes.
A great film!
It's the magic that seldom appears, whose longevity is perpetual, the pleasure of enjoying the perfections that people, music and great storytelling can sometimes offer, with the backdrop a little piece of cinema history itself. All without foul language, extravagant pyrotechnics, mass brawls and bullets ricocheting all over the place, just immensely talented people doing what they do best - keeping you entertained and allowing you to escape for a while and live with the dreams of others. Whether musicals are you thing or not, there can be no doubt that you witness greatness as you welcome the rain and it makes your heart sing.
Did you know
- TriviaFor the "Make 'em Laugh" number, Donald O'Connor revived a trick he had done as a young dancer: running up a wall and completing a somersault. The number was so physically taxing that O'Connor ended up in a hospital bed for a week after its completion. He suffered from exhaustion and carpet burns. After an accident ruined all of the initial footage, O'Connor agreed to do the difficult number all over again.
- GoofsDuring the Cyd Charisse nightclub dance number, when she's wrapped around Gene Kelly, her body completely changes position between frames due to a clumsy edit. According to commentary on the special edition DVD, this cut of only a few frames' duration dates back to the original release of the film and no one knows why it exists.
- Quotes
Cosmo Brown: Lina. She can't act, she can't sing, she can't dance. A triple threat.
- ConnectionsEdited from Les Trois Mousquetaires (1948)
- SoundtracksFit as a Fiddle
(1932)
Music by Al Hoffman (uncredited) and Al Goodhart (uncredited)
Lyrics by Arthur Freed
Originally from the 1932 stage revue "George White's Music Hall Varieties"
Sung by Gene Kelly (uncredited) and Donald O'Connor (uncredited)
Details
- Release date
- Country of origin
- Language
- Also known as
- Cantando bajo la lluvia
- Filming locations
- Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(New York City Streets)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $2,540,800 (estimated)
- Gross US & Canada
- $1,884,537
- Opening weekend US & Canada
- $13,643
- Nov 10, 2002
- Gross worldwide
- $2,096,442
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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