IMDb RATING
6.1/10
727
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A burlesque dancer goes to college, where she romances a professor and helps put on a musical show.A burlesque dancer goes to college, where she romances a professor and helps put on a musical show.A burlesque dancer goes to college, where she romances a professor and helps put on a musical show.
- Director
- Writers
- Stars
Bill Alcorn
- Student
- (uncredited)
Jimmy Ames
- Man in Burlesque Theatre Box
- (uncredited)
Bette Arlen
- Chorus Girl
- (uncredited)
Jessie Arnold
- Wardrobe Woman
- (uncredited)
Alvin Beam
- Student
- (uncredited)
Hal Bell
- Student in Show
- (uncredited)
Ramon Blackburn
- Specialty Dancer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10Paco111
when I was young my girlfriend and I would go to the movies everyday to see this movie and stay to see it twice. As you know in 1952 the movie only played for three days.
We simply enjoyed the plot which told the story of Angela who had to work hard to get to college. The fact that she met up with "Professor" was a treat. We loved the clothes she wore, the dances, the Gene Nelson creativity and watching the girl get her due for trying to expose her. Why can't they make movies like this today. I suppose the producers and directors have all passed away and the young ones today just can't sit still long enough to enjoy the simple ways of life in the 1950's the best of times.
We simply enjoyed the plot which told the story of Angela who had to work hard to get to college. The fact that she met up with "Professor" was a treat. We loved the clothes she wore, the dances, the Gene Nelson creativity and watching the girl get her due for trying to expose her. Why can't they make movies like this today. I suppose the producers and directors have all passed away and the young ones today just can't sit still long enough to enjoy the simple ways of life in the 1950's the best of times.
Whilst Miss Mayo's singing voice is obviously dubbed, her first appearance as Hot Garters Gertie signals an exuberance and promise the movie doesn't quite fulfill. This opening production number emerges as the film's best, despite a very bland, mechanical orchestra which manages to become even more limpid as the action progresses, undermining what would otherwise have emerged as reasonably lively and diverting musical interludes. Nonetheless, the emphasis is definitely on the songsboth old and newrather than the action and dialogue of the original stage play. The movie certainly packs in plenty of "color" and lots of legs.
Ronald Reagan gives a credible account of the Henry Fonda role and even comes over convincingly in his "Male Animal" speech, even if it is allowed to run a little too long. The other players are way outclassed. Don DeFore, upgraded to the Jack Carson character, in particular proves no match at all.
Credits are slick but squeaky clean. Although Gene Nelson dances up a storm, the musical orchestrations, as noted above, lack pizazz. In fact, the new songs are totally unmemorable. A pity the producer failed to use more of the old standards like "As Time Goes By" which is given a very appealing rendition here by the gifted vocalist, Bonnie Lou Williams.
Ronald Reagan gives a credible account of the Henry Fonda role and even comes over convincingly in his "Male Animal" speech, even if it is allowed to run a little too long. The other players are way outclassed. Don DeFore, upgraded to the Jack Carson character, in particular proves no match at all.
Credits are slick but squeaky clean. Although Gene Nelson dances up a storm, the musical orchestrations, as noted above, lack pizazz. In fact, the new songs are totally unmemorable. A pity the producer failed to use more of the old standards like "As Time Goes By" which is given a very appealing rendition here by the gifted vocalist, Bonnie Lou Williams.
I'm not much of a fan of Hollywood musicals (especially the bloated 50s variety--you can keep Kiss Me Kate, thank you) but there is something riveting about this film that is rather hard to explain. The script is sharply written and the songs are reasonably good, but the capper for me are the production numbers. Watching Gene Nelson bound around a gymnasium is a truly thrilling experience. If you think this is merely another one of President Ronnie's bad films, think again. With its candy cane Technicolor, snappy dialogue, and big productions, it's almost a pre-rock The Girl Can't Help It--and that can only be a good thing!
This is a color musical remake of Warners' classic "The Male Animal". In this version, Henry Fonda is replaced by everyone's favorite future President, Ronald Reagan. Reagan is again cast as a college professor, after his brilliant performance in "Bedtime for Bonzo". Musical-comedy was certainly not Reagan's strong point, but he is not embarrassing at all in this splashy color remake. And Bonzo is nowhere in sight. The "I'll Be Loving You" number, written by expert songwriters Vernon Duke and Sammy Cahn, is a standout. I find it hilarious that Virginia Mayo's singing is dubbed by Bonnie Lou Williams, Gene Nelson's singing is done by Hal Derwin, but the Pres sings his one line in the number for himself. I believe it is Reagan's only performance in a full production musical number. Thank goodness he was not asked to dance! Mayo and Nelson do that very well on their own. It is surprising that none of the Duke-Cahn songs from this film became standards. Their songs in this film, as well as Warner's "April in Paris" are first rate.
This film may be seen as a rather slight offering in the musical genre of the early 50's; however, it's been a favorite film of mine since I first saw it years ago. Virginia Mayo sparkles as Angela, a sincere girl who wants to attend college, but has to work in burlesque as "Hot Garters Gertie" to earn the money. Ronald Reagan is her professor, and thankfully, the film is less concerned with his career woes (being passed over for promotions at the college, a rivalry with the football coach, etc.) than it is with the college kids and the musical numbers. Gene Nelson is handsome and an excellent dancer, and Patrice Wymore has the right degree of archness as "Poison Ivy". The musical numbers are a lot of fun, especially "With Plenty of Money and You" (Virginia, clad in gold fringe, pulls out the stops for her burlesque number), "I'll Still Be Loving You" (Virginia and Gene sing the cute romantic number in class), and the title song. It's a film I can enjoy watching again and again.
Did you know
- TriviaVirginia Mayo's favorite of her own movies.
- Quotes
John Palmer: I don't know what there is about the pelts of dead little animals that makes 'em so attractive to women, when one little mouse scares 'em silly.
- ConnectionsFeatured in Drôles d'espions (1985)
- SoundtracksI'll Be Loving You
Music by Vernon Duke
Lyrics by Sammy Cahn
Performed by Virginia Mayo (uncredited) (dubbed by Bonnie Lou Williams (uncredited)) and Gene Nelson (uncredited)
- How long is She's Working Her Way Through College?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- She's Working Her Way Through College
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 44m(104 min)
- Aspect ratio
- 1.37 : 1
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