IMDb RATING
4.5/10
1.3K
YOUR RATING
Strategic targets on Earth are being destroyed by an unknown weapon. Government security head Henderson suspects it's an "atomic ray" originating from the moon.Strategic targets on Earth are being destroyed by an unknown weapon. Government security head Henderson suspects it's an "atomic ray" originating from the moon.Strategic targets on Earth are being destroyed by an unknown weapon. Government security head Henderson suspects it's an "atomic ray" originating from the moon.
George D. Wallace
- Commando Cody
- (as George Wallace)
Robert R. Stephenson
- Daly
- (as Bob Stevenson)
Billy Dix
- Duke - Warehouse Henchman [Ch. 5]
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
..say Star Wars. Comparing a 1950s serial with what many think is THE movie ? Think about it-how scientifically correct is Star Wars ? How many familiar images does it use ? The bad guys wearing black or gray uniforms, they have "Storm Troopers" do their dirty work? Where have we seen THAT before ? it In both cases the producers were trying to tell a story and sell tickets. And remember, 1952. The space programs were just getting started, the USSR orbited Sputnik in 1957, the US sent up Vanguard in 1958, 1961 when Gagarin orbited the Earth is still nine years away. I remember watching the Commando Cody series on TV in the 1950s, those special effects looked pretty believable, the scenes where the rocket takes off and you see the car and the building that you saw when the actors arrived-the Lydecker Brothers did that all long before CGI. Roy Barcroft, Republic's Villain in residence as Retik. I read that Barcroft took his work in the serials very seriously because he knew how much they meant to the kids, he insisted the other actors do so as well-it shows.
I just wanted to point out that currently this is one of two stereo goggles 3D movie serials
Can be viewed on either European or American format DVD player over most any television set using an inexpensive adapter and 3D shutter glasses.
The wired glasses are cheaper and more bullet proof than the wireless, and no expensive batteries. Battery door can eventually become loose and then lost, so wireless not way cool like wired's.
A real geek fun festival to be watching rocketman fly by wire in 3D!
Can be viewed on either European or American format DVD player over most any television set using an inexpensive adapter and 3D shutter glasses.
The wired glasses are cheaper and more bullet proof than the wireless, and no expensive batteries. Battery door can eventually become loose and then lost, so wireless not way cool like wired's.
A real geek fun festival to be watching rocketman fly by wire in 3D!
Moon ruler Retik assigned one of his people to go on Earth and cripple its defenses to a point when the Moon people could go down and invade it. The defense department gets a hold of the idea, and assigns Commando Cody, with flying rocket suit and all. Cody, along with his assistants, journey to the moon, are nearly killed and go back down upon Earth to stop the sabotage in progress in order to force Retik to come down and strike himself. The only Republic serial that did a good job trying to parody the 50's science craze, is at times ridiculous but still a lot of fun to watch. Sort-of sequel to King of the Rocketman and later inspired a kiddie TV show. Clayton Moore ( the Lone Ranger himself ) plays one of the Moon Men's hired guns. Just a little above average serial at best. I never saw the MST3K version, but they would have had a lot more fun doing Zombies of the Stratosphere or Flying Discman from Mars. Rating based on serials- 6 out of 10.
(Or: 'Republic Recycles Rocket Man') In 1949, in one of their last bursts of inspiration, the thrill engineers at Republic produced 'King of the Rocket Men,' which capitalized on the popularity of the flying hero Superman, from the eponymous 1948 Columbia film serial. Although Rocket Man flew, he was in fact an ordinary human scientist who happened to have a helmet and rocket pack, and who battled the terrorist Dr. Vulcan.
King of the Rocketmen premiered 6-8-1949...3 weeks later, on 6-27-1949, the DuMont TV network premiered Captain Video, another science fiction hero who became one of the 1st bona fide superstars of early TV. After Rocket Man and Capt. Video, a number of science fiction heroes were popular on TV up through about 1955, when other trends began to dominate.
Capt. Video's creators had been inspired by the movie serials. In turn, Columbia Pictures obtained the rights to the Capt. Video character, and produced the super-cheap but super-profitable 'Captain Video Master of the Stratosphere' serial.
During this craze for quasi-military science-fiction heroes, Republic re-purposed the splendid Rocket Man flying footage and mixed in additional stock footage from about a dozen other serials to create Commando Cody. The name Commando Cody, BTW, was surely designed to capitalize on the popular TV character 'Commander Cory', of the hit TV series 'Space Patrol.' Thus it came to be that Republic was in the position of trying, late in the game, to jump aboard a trend that it inadvertently helped create! (But by the end of 1956, both the movie serials and the TV space heroes would be gone forever!)
One of the ways you can identify the re-used footage is when people in 1952 suddenly all hop into 1938 or 1946 automobiles for a car chase. You have to remember, cars from this era were fortunate to last 50,000 miles, so the idea that the streets of downtown Los Angeles of 1952 are suddenly filled with 1938 cars is not plausible. I lost track of how many times the characters all jumped into these automotive anachronisms...
Recylcing old footage is not necessarily a crime...in fact, some of Republic's best serials featured loads of reused material. But this serial shows a seriously uninspired writer, and it all seems kind of forced. Not to mention, Rettik the Moon Man is not a particularly menacing villain, with the other Moon Men and their Earth gangster stooges also lacking in menace and brain power. The Moon Scenes are pretty bad, even when compared with the stuff from Flash Gordon, and there is not a lot of emotional energy.
George Wallace is physically unimpressive as the titular hero, but in the action scenes he does a surprisingly good job of conveying urgency. He is actually OK, as are his companions.
Probably the best performance is by Clayton Moore, as one of the Earth gangsters inexplicably selling out his own planet for chump change. The performance is fun for everyone who saw his Lone Ranger performances and wondered what the guy actually looked like...well, here he is, and a he's a good actor, it turns out.
There are plenty of fight scenes, but nothing as inspired as the stuff from the early 1940's. Worst of all, the final chapter resolves the conflict without Our Hero getting into a suitable physical confrontation with the villain. This is rather unsatisfying.
By 1952, serials were fading fast, in terms of popularity and quality. This one is typical for that era. There are 2 other Rocket Man serials besides this one, the aforementioned 'King of the Rocket Men,' and 'Zombies of the Stratosphere.' Both King and Zombies are superior this serial, although this serial is an amiable waste of time.
The great Lydecker Brothers created some new FX for this serial, some nice shots of a rocket ship taking off and flying...these shots were reused in Zombies, as well as being used in the amazingly strange Republic quasi-TV series 'Commando Cody, Sky Marshall of the Universe.'
King of the Rocketmen premiered 6-8-1949...3 weeks later, on 6-27-1949, the DuMont TV network premiered Captain Video, another science fiction hero who became one of the 1st bona fide superstars of early TV. After Rocket Man and Capt. Video, a number of science fiction heroes were popular on TV up through about 1955, when other trends began to dominate.
Capt. Video's creators had been inspired by the movie serials. In turn, Columbia Pictures obtained the rights to the Capt. Video character, and produced the super-cheap but super-profitable 'Captain Video Master of the Stratosphere' serial.
During this craze for quasi-military science-fiction heroes, Republic re-purposed the splendid Rocket Man flying footage and mixed in additional stock footage from about a dozen other serials to create Commando Cody. The name Commando Cody, BTW, was surely designed to capitalize on the popular TV character 'Commander Cory', of the hit TV series 'Space Patrol.' Thus it came to be that Republic was in the position of trying, late in the game, to jump aboard a trend that it inadvertently helped create! (But by the end of 1956, both the movie serials and the TV space heroes would be gone forever!)
One of the ways you can identify the re-used footage is when people in 1952 suddenly all hop into 1938 or 1946 automobiles for a car chase. You have to remember, cars from this era were fortunate to last 50,000 miles, so the idea that the streets of downtown Los Angeles of 1952 are suddenly filled with 1938 cars is not plausible. I lost track of how many times the characters all jumped into these automotive anachronisms...
Recylcing old footage is not necessarily a crime...in fact, some of Republic's best serials featured loads of reused material. But this serial shows a seriously uninspired writer, and it all seems kind of forced. Not to mention, Rettik the Moon Man is not a particularly menacing villain, with the other Moon Men and their Earth gangster stooges also lacking in menace and brain power. The Moon Scenes are pretty bad, even when compared with the stuff from Flash Gordon, and there is not a lot of emotional energy.
George Wallace is physically unimpressive as the titular hero, but in the action scenes he does a surprisingly good job of conveying urgency. He is actually OK, as are his companions.
Probably the best performance is by Clayton Moore, as one of the Earth gangsters inexplicably selling out his own planet for chump change. The performance is fun for everyone who saw his Lone Ranger performances and wondered what the guy actually looked like...well, here he is, and a he's a good actor, it turns out.
There are plenty of fight scenes, but nothing as inspired as the stuff from the early 1940's. Worst of all, the final chapter resolves the conflict without Our Hero getting into a suitable physical confrontation with the villain. This is rather unsatisfying.
By 1952, serials were fading fast, in terms of popularity and quality. This one is typical for that era. There are 2 other Rocket Man serials besides this one, the aforementioned 'King of the Rocket Men,' and 'Zombies of the Stratosphere.' Both King and Zombies are superior this serial, although this serial is an amiable waste of time.
The great Lydecker Brothers created some new FX for this serial, some nice shots of a rocket ship taking off and flying...these shots were reused in Zombies, as well as being used in the amazingly strange Republic quasi-TV series 'Commando Cody, Sky Marshall of the Universe.'
George Wallace stars as Commando Cody, a scientist and inventor who uses a jet-pack and special helmet to fly around and fight bad guys. He must thwart the efforts of Retik (Roy Barcroft), Ruler of the Moon to spearhead an invasion of the Earth so that the dwindling population of the moon can move here. Retik tasks his lackey Krog (Peter Brocco) with using the advanced weaponry of the moon to weaken the Earth's defenses. Cody and his team of helpers fight Krog at every step, so Krog enlists Earth criminals Graber (Clayton Moore) and Daly (Robert Stevenson) to help out.
This serial introduces the recurring character of Commando Cody, but it doesn't give much background, and we jump right into the middle of the action. The movie reuses a lot of footage from earlier serials, most prominently King of the Rocketmen and The Undersea Kingdom. Chief villain Retik is wearing the same moldy costume previously used in The Purple Monster Strikes and Flying Disc Man from Mars. The action is typical serial stuff, with lots of fist fights, and shoot-outs where no one is actually shot. I enjoy how the villains often continue to punch Cody in his metal helmet. One would think that it would quickly become apparent that that was a bad idea. Future Lone Ranger Clayton Moore was said to have been very exuberant in his fight scenes, and even broke leading man Wallace's nose. Commando Cody shall return!
This serial introduces the recurring character of Commando Cody, but it doesn't give much background, and we jump right into the middle of the action. The movie reuses a lot of footage from earlier serials, most prominently King of the Rocketmen and The Undersea Kingdom. Chief villain Retik is wearing the same moldy costume previously used in The Purple Monster Strikes and Flying Disc Man from Mars. The action is typical serial stuff, with lots of fist fights, and shoot-outs where no one is actually shot. I enjoy how the villains often continue to punch Cody in his metal helmet. One would think that it would quickly become apparent that that was a bad idea. Future Lone Ranger Clayton Moore was said to have been very exuberant in his fight scenes, and even broke leading man Wallace's nose. Commando Cody shall return!
Did you know
- TriviaDuring a fight scene between George D. Wallace as Commando Cody and Clayton Moore as the villain Graber, Wallace zigged when he should have zagged, and Moore connected with him and broke his nose.
- GoofsOrdering the rocket ship to turn around, the pilot is told to make a "quick 360" turn. In fact, a 360 turn would simply turn the ship completely around in a circle to resume its present course.
- Quotes
[Commando Cody, Ted, and Joan are about to board ship for the moon]
Commando Cody: I still think this is no trip for a woman.
Joan Gilbert: Now don't start that again. You'll be very glad to have someone along who can cook your meals.
- ConnectionsEdited from La chevauchée de la mort (1926)
- How long is Radar Men from the Moon?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Planet Men from Mars
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $185,702 (estimated)
- Runtime
- 2h 47m(167 min)
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content