Le Prisonnier de Zenda

I bought a duel set of "The Prisoner of Zenda" that contains both 1937 and 1952 versions, and like the 1952 version much more. First of all, Granger's handsomeness and style fits more to the fairy-tale adventure story of prince and princess, Coleman is too sophisticated for the Rassendyall character. Other casts are better also; Kerr is much prettier and princess like, and Mason is a more impressive villain. I also think that the fighting scenes are better, more elegant and better choreographed. With no less significance is the color ,makes the costume and characters look more sensational, and gives more feeling for the romantic fairy tale .

This movie is pure entertainment, I first saw it in high school, loved it, I still enjoy it 30 years later .

"The prisoner of Zenda" (1952) is a wonderful swashbuckler ,a movie the whole family can enjoy! I've already seen it three or four times and I've never got tired of it.Stewart Granger is absolutely perfect as the hero,playing two parts with gusto:I love the crowning where he manages to be as majestic as a king and yet shows he is not completely at ease ;his waltz with Deborah Kerr is also a great moment.James Mason vies with Robert Douglas in wickedness ,greed and Machiavelism.Deborah Kerr is gorgeous as Princess Flavia.

This kind of story belongs to an imaginary remote past -although it is supposed to happen in 1897-like the fairy tales.That's why "the prisoner" is so magical.

"He has the appearance and manner of the king, yet he's really a lookalike… and on his shoulders rests all hope of foiling a blackguard's plot to usurp the throne. Adventure, pageantry and royal intrigue are forged at sword point in the two finest screen versions of the beloved 1894 novel filmed many times," according to the Warner Home Video release, "Ronald Colman plays the double role in the resilient 1937 David O. Selznick production (Side A), making palpable the heartbreak of the royal stand-in whose gallantry is tested by his love for the real king's fiancée (Madeleine Carroll). Stewart Granger stars in the eye-filling 1952 color version (Side B), romancing Deborah Kerr and wielding bold steel in the film's bravura climactic duel."

Thanks to whoever at Warner/Turner decided to release these two versions of "The Prisoner of Zenda" together. Considering the way things are usually handled in Hollywood, the obvious has become inspired. Adding extra movies, for less than the price of two (or more), also encourages sales. They could have added "The Prisoner of Zenda" (1922) for even better measure, assuming the three "Metro" features are owned by Warner Bros. Of the two available here, the 1937 "black-and-white" version wins the sword fight, though the 1952 color version is inoffensive and beautifully photographed (by Joseph Ruttenberg).

Examined together, the three films support the widely held belief that the more villainous role in a drama is often the one to act. In this case, observe how the character "Rupert of Hentzau" supports this thesis. In the 1927 version, the role made Ramon Novarro a star. In the 1937 and 1952 versions, Douglas Fairbanks Jr. and James Mason are always above or equal to anyone else in the cast. The fact that Mr. Colman can his own against Mr. Fairbanks helps make their version a classic. Lewis Stone appears in two versions, and Louis Calhern played the lead on stage. In each case, "The Prisoner of Zenda" is an attractive production.

****** The Prisoner of Zenda (11/4/52) Richard Thorpe ~ Stewart Granger, Deborah Kerr, James Mason, Louis Calhern

Knowing nothing of this film, the book or previous versions, I watched TPOZ expecting nothing but a star-studded cast. I sat enchanted throughout, undisturbed by thoughts of "carbon copy" scenes, recycled musical scores and previous performances. For me the movie was timeless, not a word nor scene wasted, Granger and Kerr were engaging lovers. The sword fight was one of the best. The only "glaring" production fault was the 300 watt shadow. Otherwise, fantastic cinematography and score, and wonderful Granger, Kerr and Mason.

Next to the 1937 version with Ronald Colman and Douglas Fairbanks, Jr., this version of The Prisoner Of Zenda is the one most fondly remembered by movie audiences. If it doesn't quite have the panache of the Colman film, it makes up for it with the introduction of some nice color cinematography.

The casting of Stewart Granger in the double role of Rudolph Rassendyll and his royal cousin, the Crown Prince Rudolph of Ruritania and James Mason as the villainous Rupert of Hentzau is hardly some stock company casting. If Granger doesn't quite have Colman's flair for the spoken word and very few ever have, he makes a fine and dashing hero which parts he played very well, too well in his opinion on his career. As for Mason, Douglas Fairbanks, Jr. took the Rupert part because he was advised it's one of the best villains ever created in drama. Mason who has also played some of the best villains on screen keeps up the fine tradition for that role.

The 1937 version benefited from having the world wide publicity of the constitutional crisis in the United Kingdom over Edward VIII choice of consort. I've wondered whether someone over at MGM after George VI died in early 1952 whether they thought it was now time to do another remake of The Prisoner Of Zenda in time to coincide with the publicity of Queen Elizabeth II's coronation. Which begs the question whether we'll get yet another version when Prince Charles eventually assumes the throne. We've seen over ten versions so far going back to the silent screen.

The women in the cast, Deborah Kerr and Jane Greer as Princess Flavia and Antoinette DeMauban respectively never come in for much discussion of their roles. The parts in relation to the hero are almost a carbon copy of the roles of Katharine DeVaucelles and Hugette from If I Were King. I've always thought that Greer as Antoinette plays one of the most tragic characters in popular literature. She loves a cold and forbidding man in Prince Michael, especially when played by Robert Douglas. But he's her man and when she does ever so slightly give in to the scheming Hentzau she regrets it when it means the death of her beloved. Personally why she falls for a cold fish that Michael is who can figure. But the heart does have its reasons.

As for Kerr her best scene is at the end when she realizes she has been hoodwinked, but in a scheme for the greater good of the kingdom. She knows what her obligations are and she too can't afford to follow her heart.

Something tells me we're far from done with The Prisoner Of Zenda. Try and figure out who could play these roles today with the flair of the players in this version, let alone the one from 1937.