La Dernière Flèche

This totally inept film obviously could not afford to go anywhere near Canada ( there is a lot of talk about the respect for Queen Victoria in it and as seen here it was given a more appropriate title in the UK. ) Tyrone power is ill served by this Western, and in the main it is static stuck in a camp of Cree Native Americans. He is there to bring back two hostages that the Cree have captured after an attack on a wagon train. The talk is endless and tedious ( it is painfully explained that the Cree will speak English in the film, ) and there are sporadic attacks of violence including a killing by a hatchet in the face. Graphically shown, and nasty. The only virtue to the film is that the Native Americans are rarely called savages ( I counted one such comment ) and that the opening music was well composed by Alex North. Who can forget his score for the great ' A Streetcar Named Desire ' ? Thomas Gomez acts well as a guide for Tyrone Power and to sum up it is just about watchable.

Garrulous Technicolor nonsense whose grasp of geography is evident from the use of Texan locations pretending to be Canada and whose fidelity to factual accuracy is evident from casting Cameron Mitchell and Thomas Gomez (the latter looking like Jabba the Hutt) as red indians. It boasts an interesting score by Alex North, who rapidly went on to much greater things.

The absence of a strong story line in the screenplay alleviates the overall effect of "Pony Soldier," but as filmed against a breathtaking Technicolor panorama, Joseph M Newman's film guarantees attention for its qualities of vivid action and the interesting authenticity with which life in last century times is depicted among the Cree Indians and the Mounted Police...

These sequences abound in effective atmosphere and are increased substantially by Newman's splendid choice of players (Cameron Mitchell, Thomas Gomez and Penny Edwards) to surround head man Tyrone Power (in a colorful uniform) assigned to stop a tribe of hostile Crees from going on wage war against the U. S. Cavalry...

The film - free from weeds - stands out as a little gem of Technicolor beauty... It contains: a spectacular attack on a wagon train; hostages held as a pledge; enraged Indians riding into the hills to burn at the stake a beautiful innocent girl; and a battle during which a handsome hero is saved by the arrow of an Indian lad...

I'll second what one (several) reviewers said about the location of the filming being ludicrous . . . But I found this more than interesting, almost intriguing, and the leads of Power and Gomez are excellent.

I suspect the story line is largely, if not totally, fictional. Didn't matter to me: It was entertaining, focused on finding a peaceful solution, and the action and crowd scenes are impressive for what had many trappings of a B-movie.

Seen today, Gomez's style and performance come close to making me cringe. Viewed from the perspective of 70 years ago, it's an outstanding performance with some clever words and effective acting.

Liked it, didn't love it, definitely worth seeing if your style runs to action and thought and bright colors.

I'm not sure, but has there ever been a film made with a less than sympathetic treatment of the Royal Canadian Mounted Police? The Mounties have done very well cinema wise and Pony Soldier is not setting any new patterns.

It doesn't have to because it's a very entertaining film. The plot has a lot of similarities to Broken Arrow which 20th Century Fox also produced. Tyrone Power is playing Constable Duncan MacDonald, newly arrived at Fort Walsh and sent out on a mission to negotiate a peace with Cree Indians who've left their reserve and tangled with U.S. Cavalry south of the border. On the way back they've taken two white prisoners in a raid and Power is looking to get them back. One is Penny Edwards who catches the eye of Cameron Mitchell and he decides she'd make a good squaw for his little brother. The other is Robert Horton who's an escaped outlaw.

So intrepid Mountie Power along with his Indian guide Thomas Gomez go to the camp of the Crees. Gomez is a most reluctant guide, in fact he's kind of blackmailed into making the journey. Thomas Gomez is an underrated and capable actor who deadpans some very funny lines.

Two others in the cast really make this work. Little Anthony Numkena plays the Cree Indian boy who Power adopts and that turns out to be a great negotiating technique. But their affection is genuine and the scenes between Power and Numkena are some of the best in the film.

Stuart Randall plays the Cree Chief Standing Bear. His portrayal is very similar to Jeff Chandler's more heralded portrayal of Cochise in Broken Arrow. In fact the Indians are not stereotyped, they are three dimensional characters here. Randall does a fine job as Standing Bear, negotiating with Power and having to contend with militants in his own camp led by Cameron Mitchell. Since Jeff Chandler had already broken the same ground with Cochise, Randall's performance has been overlooked, unfortunately so for him.

Tyrone Power is a whole cloth hero here and does a fine job. One of the things that Americans don't appreciate is that the Mounties were there in large measure to protect the native Indians from white depredation. Canadians have always loved contrasting that to how the U.S. Cavalry treated the native population. Our cavalry was there on the settler's behalf. The contrast is certainly a matter of historical record, but I wonder if Canada had seen the immigration westward that America did, would their Mounties have been more like our blue coats.