Chérie, je me sens rajeunir

Monkey Business Cary Grant's second film with Ginger Rogers and his fourth and final film for director Howard Hawks has him reaching back into some of the lunacy of his previous work like Arsenic and Old Lace. Not since that madcap piece was Grant ever so frantic on the screen.

Ginger Rogers doesn't yield one inch of screen ground to him in that department though. In The Major and The Minor she faked being a teenage girl very convincingly and in this film she and Cary go back even farther in their return to adolescence.

Cary is a research scientist who is working on that eternal quest for the fountain of youth. A chimpanzee gets loose from her cage and mixes some chemicals and dumps the result in the water-cooler. Everyone thinks it's what Cary's concocted and the company bigwigs led by Charles Coburn and Larry Keating try to get it from him, but in his adolescent state it's no avail.

Monkey Business does meander over into just plain outright silliness, but with Cary and Ginger you don't really mind. I do so love the way Cary with a gang of kids he's playing Indians with leave poor Hugh Marlowe tied to a tree ready for a scalping because the wolfish Marlowe's been making moves on Ginger.

Second to that is Charles Coburn and Ginger Rogers trying to talk to an infant who they think Cary has morphed into. Coburn may have been one of the screen's greatest actors, he'd have to have been to hold his own with that baby. Note the dignified expression on his face never leaves.

Of course Monkey Business is also known for having one of Marilyn Monroe's early screen roles in it on her way up. She's Coburn's secretary and note the expression on Coburn's face as she is showing Grant the result of his work on a no run stocking.

Monkey Business is second tier stuff for Grant, Rogers, and Hawks, but fans of all three will like it and quite a few more than those people.

The picture centers upon a scientist (Gary Grant) and his wife (Ginger Rogers) , he discovers a potion with extraordinary effects making younger themselves . He is testing the rejuvenating formula on a chimp turning nutty . This film is an underlying screwball comedy united to : ¨Bringing up baby¨ , ¨Ball of fire¨ and ¨His girl Friday¨ , all of them by the trio : Gary Grant-Gary Cooper-Howard Hawks and they are splendid .

In the movie there are comedy , tongue-in-cheek , joy , giggles and is pretty amusing . From the initiation to the final the humor is unstopped . Gary Grant and Ginger Rogers' interpretations are top notch , both of whom are awesome comedy actors . Ginger Rogers is the number one as dancer actress , besides a fascinating comedian and she achieved an Academy award as main actress for her portrayal in ¨Kitty Foyle , natural history of a woman¨ . The support cast is first range , are the veteran Charles Coburn and a newcomer Marilyn Monroe who at her playing as an attractive and charming secretary demonstrates experience like future first star . Excellent storyline by Ben Hetch and L.A.I. Diamond , they're Billy Wilder's habitual writers . Howard Hawks' direction is very good , Hawks has classics on every genre , thus : noir genre (The big sleep) , Western (Rio Bravo) and comedy (Monkey business) . The yarn will appeal to comedy enthusiasts and Gary Grant fans . Rating: Above average . Well worth seeing.

Thoroughly enjoyable comedy with Cary Grant as the absent-minded professor who's messing around looking for the fountain of youth. Ginger Rogers gets to dance a little without Fred Astaire plus demonstrate a wonderful comic style as she mixes it up with Marilyn Monroe. It's 1952 but you wouldn't know it (except for Marilyn's presence). Howard Hawks takes you back to the good old days when Hollywood demonstrated total mastery of time and space with the screwball comedy.

Along with monkeyshines and child actors, you really get a lot in this film: Grant and Rogers play off each other very nicely and the driving scene with Monroe and Grant is a classic. Adding to the hijinx is Charles Coburn, who always dominates the screen with his easy charm. I bet he loved chasing after Monroe with a spray bottle.

The movie holds up well over 50 years later which makes one wonder why Hollywood hasn't, cringe, chosen to ape the storyline for Jim Carrey or maybe Tom Hanks, who might be looking for a comic turn these days.

But then they remade Freaky Friday this summer, didn't they?

It's worth the price of admission to see Marilyn Monroe showing her leg to a nerdy Cary Grant early on, and then tool around with him in a sports car and go roller skating with him, which they do after he's taken a youth potion accidentally created by one of his lab chimps. As you might guess, there are some pretty silly things in the script, but it's a cute story, and to see Grant and Ginger Rogers carrying on as young adults and later children tickled me too. It seems to me that the film may have served as the inspiration for other films, like 'The Nutty Professor, and some of its content may have seemed fresher in 1952, but it's still entertaining because of this star power. In smaller parts, the performance from the chimpanzee is impressive, and I also liked child actor George Winslow, who deadpans his lines in that heavy voice of his. Lastly, it made me smile to hear Grant and Rogers alluding to rediscovering memorable nights of passion from when they were younger, in that restrained but sexy way of the period. There are some nice lines at the end too: "You're old only when you forget you're young. ... It's a word you keep in your heart, a light you have in your eyes, someone you hold in your arms."

If you like good solid wacky comedy, this is a strong bet. An utterly silly movie, it makes me smile just thinking about it--I've seen it probably a dozen times. Cary Grant really was in a class by himself, managing to do virtually every genre, even though he seems to have been typecast by movie history--here he plays a hopelessly stuffy absent minded professor, after drinking a youth serum of improbable origin, he immediately becomes a teen ager from the early fifties. Changing on a dime, the transformation is hilarious.

Ginger Rogers, always really engaging, isn't give a lot to do as an adult, but she excels when regressing into a juvenile.

One thing--for anyone who really likes Marilyn Monroe (and who doesn't), this is a must see. Not because it's her best part, or because she has a lot of screen time, it isn't and she doesn't. But since she made this movie really before she became famous, it's instructive: the part is just another ditzy bombshell secretary, but something about her just jumps off the screen. This seems to me to be a great example of how there's an ineffable unexplainable quality of "screen presence". She manages to hold her own with Cary Grant, not an easy task for anyone, let alone some yet to be discovered starlet.

Now that we're in a gross out downward spiral for comedies, this might be the best tonic--a movie that's very silly, and very funny.