Dancing teacher Anastacia "Stacie" Macaboy (Dame Elizabeth Taylor) falls in love with smart theatre agent Jud Parker (Larry Parks). He likes her too, just not enough to give up his exciting ... Read allDancing teacher Anastacia "Stacie" Macaboy (Dame Elizabeth Taylor) falls in love with smart theatre agent Jud Parker (Larry Parks). He likes her too, just not enough to give up his exciting bachelor life. So she plans to set a trap for him.Dancing teacher Anastacia "Stacie" Macaboy (Dame Elizabeth Taylor) falls in love with smart theatre agent Jud Parker (Larry Parks). He likes her too, just not enough to give up his exciting bachelor life. So she plans to set a trap for him.
Elinor Donahue
- Pattie Marie Levoy
- (as Elinor Donohue)
Nancy Abbate
- Little Girl
- (uncredited)
Leon Alton
- Nightclub Patron
- (uncredited)
Don Anderson
- Nightclub Patron
- (uncredited)
Joan Anderson
- Louise
- (uncredited)
Florence Auer
- Madame Secretary
- (uncredited)
Bill Baldwin
- Mr. Hoffman
- (uncredited)
Rodney Bell
- Mr. Yogurt
- (uncredited)
Irwin Jay Berniker
- Boy at Dancing School
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
there is really very little to recommend. The young Taylor is beautiful, but Larry Parks in the lead it totally unbelievable. Perhaps the fact he looks like a clone of Regis Philbin doesn't help. How could Taylor's character fall for this guy?? And, what is Gene Kelly doing in this flick? It is just a cameo, but I don't see the point.
Supporting performances are fine, and there is a limited amount of location filming.
I'm not sure why Taylor agreed to this MGM B movie - perhaps due to contract obligations. Probably my least favorite Taylor film from the 50s/60s.
Supporting performances are fine, and there is a limited amount of location filming.
I'm not sure why Taylor agreed to this MGM B movie - perhaps due to contract obligations. Probably my least favorite Taylor film from the 50s/60s.
In "The Big Hangover," Liz is the boss' beautiful daughter; in "Conspirator," she's an immature young wife in love; in "The Girl Who Had Everything," she's the daughter of a wealthy criminal lawyer, but in "Love Is Better Than Ever," she is a young dance school teacher from New Haven who comes to the big city for a convention and falls for a smart talent agent
In these four films, Taylor is cast as the innocent who selects the wrong guy and the unlucky beauty in a classic mismatch
In both "Love Is Better Than Ever" and "The Girl Who Had Everything," she's a spirited young lady with a mind of her own In the former, she defies her small-town upbringing as she romances a city swindler In the latter, she challenges her father in order to run off with a bon vivant with underworld connections In "Conspirator," the misfortune girl marries a Communist In "The Big Hangover," she's engaged to a man with a drinking problem And in "Elephant Walk," her husband is a wealthy and potent planter with a really bad temper
These five ladies are variations on the young innocent star who thinks she knows more than she does In each movie, she has to be educated The wildly careless spirit has to be limited and corrected
In "Love Is Better Than Ever," Liz is even more provincial, an innocent tempted but never corrupted by big city frivolous amusement, a teasing beauty who falls for a cheerful bachelor... Liz is once again the determined pursuer, setting her sights on a man who does not want to marry Shameless and stubborn, she decides to announce her engagement, hoping that fiction may stimulate fact
In these four films, Taylor is cast as the innocent who selects the wrong guy and the unlucky beauty in a classic mismatch
In both "Love Is Better Than Ever" and "The Girl Who Had Everything," she's a spirited young lady with a mind of her own In the former, she defies her small-town upbringing as she romances a city swindler In the latter, she challenges her father in order to run off with a bon vivant with underworld connections In "Conspirator," the misfortune girl marries a Communist In "The Big Hangover," she's engaged to a man with a drinking problem And in "Elephant Walk," her husband is a wealthy and potent planter with a really bad temper
These five ladies are variations on the young innocent star who thinks she knows more than she does In each movie, she has to be educated The wildly careless spirit has to be limited and corrected
In "Love Is Better Than Ever," Liz is even more provincial, an innocent tempted but never corrupted by big city frivolous amusement, a teasing beauty who falls for a cheerful bachelor... Liz is once again the determined pursuer, setting her sights on a man who does not want to marry Shameless and stubborn, she decides to announce her engagement, hoping that fiction may stimulate fact
I just saw this film this morning on Turner Movie Classics, and was actually very surprised. The film is certainly pleasant to watch, and some of it is actually funny and very appealing. The two stars merit comment. Larry Parks, of course, turned out to be a truly tragic figure in Hollywood, and he was virtually decimated by the Hollywood black list in the 1950's. As the head reviewer on this page said, Parks would probably have evolved into an excellent character actor had his career not been destroyed (his wife, actress Betty Garrett, herself said in an interview that Park's life was ruined by the Hollywood blacklisting. To our country's shame, many others shared the same fate. In this film, he is convincing and moderately successful, but opposite Elizabeth Taylor, one would have expected a more handsome leading man. Elizabeth Taylor, at age 20, is, of course, drop-dead gorgeous, but more importantly, she exudes an appeal and demeanor that is altogether winning. She had this same quality in such films as "The Last Time I Saw Paris", "Father of the Bride", and "Giant". Then she entered her most intense period with the films that brought her Oscar nominations (as well as two Oscars). It's a shame that after "Virginia Woolf", her second Oscar-winning performance, she essentially kept repeating the same loudmouthed strident type of demeanor. She was never able to regain the vulnerability and tenderness that she so beautifully demonstrated during the early and middle 1950's. Of course her much publicized personal life played a major part. In essence, she became a parody of herself in the late 1960's and never recovered. Whatever the case, "Love is Better than Ever" is worth watching for the light entertainment, the uniqueness of Larry Parks, and above all, for the charm and sweetness Elizabeth Taylor brought to the screen at this stage of her career.
Jud Parker (Larry Parks) is a heartless agent on Broadway. He meets dance teacher Anastacia "Stacie" Macaboy (Elizabeth Taylor) in Connecticut. She comes to New York City for a convention where she runs into him again. They start going out which gets into the papers and rumors spread.
Of course, I'm watching this for Elizabeth Taylor. She is radiant. She deserves so much better than Larry Parks. Jud is a cold agent and Larry plays that well. That's a side character. That's not a romantic lead. Elizabeth Taylor is a superstar even at that time. She's young. She's hot. At best, she's 20 and trying to transition into adult roles but she is way above him in any case. Watching them side by side actually hurts my eyes. The movie keeps trying to say that she's desperate to get him when in reality, he's lucky to be in the same room.
Of course, I'm watching this for Elizabeth Taylor. She is radiant. She deserves so much better than Larry Parks. Jud is a cold agent and Larry plays that well. That's a side character. That's not a romantic lead. Elizabeth Taylor is a superstar even at that time. She's young. She's hot. At best, she's 20 and trying to transition into adult roles but she is way above him in any case. Watching them side by side actually hurts my eyes. The movie keeps trying to say that she's desperate to get him when in reality, he's lucky to be in the same room.
Even though the performers are kid performers Love Is Better Than Ever suffers from the fact that a musical performer should obviously have been in the lead. I'm guessing that Debbie Reynolds must have been otherwise engaged because this was clearly a vehicle that would have been good for her. Similarly MGM could have cast Marge and Gower Champion in the leads and given the Larry Parks role a dancing background to make it fit Gower.
Instead Elizabeth Taylor was assigned the role of the young dancing hopeful looking for a big break and who runs a dancing school to keep the bills paid. Liz clearly does not look comfortable doing the musical parts although she doesn't have to worry about the kids outshining her.
She meets up with Larry Parks who is a theatrical agent and a player and although he breaks her heart at first, she's determined to trap him. In fact she makes it a family project with parents Tom Tully and Josephine Hutchinson in on the game.
MGM took this same idea and did it much better three years later with The Tender Trap starring Frank Sinatra and wait for it Debbie Reynolds. That film is told from the man's point of view, but it is infinitely superior to Love Is Better Than Ever.
MGM held up the release of Love Is Better Than Ever because of the blacklist which Larry Parks was prominently on. When they did release it was in deference to Elizabeth Taylor whom they were trying to build up. The film did neither of their careers any good.
Instead Elizabeth Taylor was assigned the role of the young dancing hopeful looking for a big break and who runs a dancing school to keep the bills paid. Liz clearly does not look comfortable doing the musical parts although she doesn't have to worry about the kids outshining her.
She meets up with Larry Parks who is a theatrical agent and a player and although he breaks her heart at first, she's determined to trap him. In fact she makes it a family project with parents Tom Tully and Josephine Hutchinson in on the game.
MGM took this same idea and did it much better three years later with The Tender Trap starring Frank Sinatra and wait for it Debbie Reynolds. That film is told from the man's point of view, but it is infinitely superior to Love Is Better Than Ever.
MGM held up the release of Love Is Better Than Ever because of the blacklist which Larry Parks was prominently on. When they did release it was in deference to Elizabeth Taylor whom they were trying to build up. The film did neither of their careers any good.
Did you know
- TriviaIn 1951, Larry Parks was amongst the first Hollywood personalities to admit that he had been a member of the Communist Party, in testimony before the House Un-American Activities Committee. He subsequently became one of the many blacklisted in Hollywood, and the release of this movie was delayed as a result.
- GoofsIn the opening wide establishing shot of the Hotel Astor, the entire ground floor is boarded up for remodeling and the front entrance is blocked off. However, in the next shot, Jud walks out the front door, which is now fully remodeled, and none of the ground level is boarded up.
- Quotes
Kid: I'm a grape.
Jud Parker: I'm happy for you.
- SoundtracksThe Itsy Bitsy Spider
(uncredited)
Traditional children's song
- How long is Love Is Better Than Ever?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Die süße Falle
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 21m(81 min)
- Color
- Aspect ratio
- 1.37 : 1
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