Love Is Better Than Ever

Larry Parks is a fast-talking, streetwise agent who falls for a Connecticut dance teacher against his will in "Love is Better Than Ever," directed by Stanley Donen. Parks and Taylor have a whirlwind romance in New York while she's there attending a dance teacher convention. She falls in love, only to learn at the end of their week together that he's only interested in a good time. Heartbroken, she returns to Connecticut, where her father helps her hatch a plot that will bring him running to New Haven and into her arms.

This is a very slight comedy, but Taylor is exquisitely beautiful and in excellent shape. It's no wonder that cynical Larry Parks can't forget her, though he claims that he wants to. In one scene, they stand and talk in profile for several minutes, and all one can think about is how perfect Taylor's profile is. Larry Parks is another story - a very strange choice for a leading man. Had he not been blacklisted, it's likely he would have gone on to character roles fairly quickly. For a studio that boasted the likes of Clark Gable and Robert Taylor, it's curious that he was cast in leads. He is, however, a very good actor, though it's hard to see why Taylor would have been attracted to him. Sadly, he only made two films after this one.

There are some nice dance sequences with the children, including some dancing fruits. "Love is Better Than Ever" has some nice moments and a dazzling 20-year-old Taylor, and that's about it.

I went into this with the full expectation of turning it off once I got the gist of it, and got a good look at Elizabeth Taylor just at the point her career and her beauty were reaching their heights. Surprisingly, I watched it all the way through and enjoyed several mildly humorous moments--no great belly laughs, but solidly amusing moments nonetheless.

The plot is paper thin, and it's a compliment that director Stanley Donen was able to get a full length feature out of what could easily been a short pilot for a sitcom. Also escalating the material are Old Pro character actors at the top of their game, such as Kathleen Freeman as a loyal seamstress and Ann Doran as the meddling mother of Elizabeth Taylor's dance rival, played by a very young (and blond) Elinor Donihue. It is no wonder these ladies enjoyed very lengthy careers in literally hundreds of films.

But the real heart of the film is Taylor's lovable, understanding father played by Tom Tully, as the type of Dad we wish we all had, but few actually did.

The only part of this film that hasn't aged well is the lead character, played by Larry Parks. This film was made at a time when male characters got away with far more sexist behavior than any man would get away with today. In fact, if a man in New York--no matter how well dressed or handsome--behaved in such ways toward a woman he just met today...well, she'd probably summon the nearest police officer! If you're willing to overlook that major flaw, you might enjoy this romantic comedy, especially the madcap children's dance recital at the end. The kids are terrible throughout the film, which makes it all the more funny.

there is really very little to recommend. The young Taylor is beautiful, but Larry Parks in the lead it totally unbelievable. Perhaps the fact he looks like a clone of Regis Philbin doesn't help. How could Taylor's character fall for this guy?? And, what is Gene Kelly doing in this flick? It is just a cameo, but I don't see the point.

Supporting performances are fine, and there is a limited amount of location filming.

I'm not sure why Taylor agreed to this MGM B movie - perhaps due to contract obligations. Probably my least favorite Taylor film from the 50s/60s.

Stanley Dornen directed this cute love story about a dancing teacher (wow Taylor really is gorgeous here) and she goes to New York for a convention but gets sidetracked into her first love affair with Larry Parks, who really doesn't want to give up his solo life. Things change at the dancing school where people talk about it like a big scandal as she is so much younger than he. But with all the waiting and shenanigans they finally end up in eachother's arms after a false wedding announcement. The story is cute, the dancing is terrific, and acting is superb, and even a Giant Baseball player, George Metkovich is in it. Larry Parks was the Giant fan.

Jud Parker (Larry Parks) is a heartless agent on Broadway. He meets dance teacher Anastacia "Stacie" Macaboy (Elizabeth Taylor) in Connecticut. She comes to New York City for a convention where she runs into him again. They start going out which gets into the papers and rumors spread.

Of course, I'm watching this for Elizabeth Taylor. She is radiant. She deserves so much better than Larry Parks. Jud is a cold agent and Larry plays that well. That's a side character. That's not a romantic lead. Elizabeth Taylor is a superstar even at that time. She's young. She's hot. At best, she's 20 and trying to transition into adult roles but she is way above him in any case. Watching them side by side actually hurts my eyes. The movie keeps trying to say that she's desperate to get him when in reality, he's lucky to be in the same room.