Lambert le lion bêlant

Raised by sheep, LAMBERT THE SHEEPISH LION wants to live a life of gentle peace & quiet. Then one night, a wicked wolf carries off his foster mother...

Winner of the 1952 Oscar for Best Animation, this is a very enjoyable little film. Bill Peet, eventually a popular children's author in his own right, was one of the writers here. The title tune is infectious, and Sterling Holloway is perfect as the Narrator.

Lambert the Sheepish Lion (1952)

*** 1/2 (out of 4)

Delightful Disney short has a stork accidentally dropping off a lion cub to a group of sheep. At first the sheep laugh at the lion who they name Lambert but soon they come to need him when a hungry wolf shows up. This Disney short is probably one of the best remembered films that the studio ever did because from the time it was released to today, it seems like it's been all over the place. I remember watching it at least twice a week when I was a kid and it appears everyone knows the tale of the lion who got dropped off to the sheep. As you'd expect, the animation is extremely good and there's no doubt that the story itself is quite clever. I think one thing that fails to get enough attention is the vocal work of Sterling Holloway who is simply wonderful and adds a lot to the material.

I loved this when I was a kid, and as you have already guessed, I adore Disney and all the Silly Symphonies and shorts they did. Lambert the Sheepish Lion is narrated excellently by Sterling Holloway who also narrated the 1946 classic Peter and the Wolf. The short features an amusing title song, has beautiful animation and tells an Ugly Duckling-like story of a lion who can't fit in with his sheep family, as they tease him for being different. The short also has a wolf, who is very similarly designed to the wolf in Peter and the Wolf, and while not as terrifying, has a roar that made my hair stand up. Thank goodness Lambert saves the day and finally gets accepted. Overall, a wonderful jewel, that deserves a 10/10. Bethany Cox.

In Australia (probably elsewhere, too) this short cartoon was screened just before "The Lion King". For a brief moment I sensed a new golden age, with hand-animated features basking in critical praise and paying their way at the box office, and classic short cartoons once again seeing the light of day (that is to say, the darkness of cinemas). The dream didn't last long, did it? "Lambert" turned out to be the last hand-animated short I ever saw in a cinema; today, Disney doesn't even bother to re-release its old FEATURES any more, and its animation department, which has maintained continuous production for something like seventy-five years and still has the best animators in the world, is fighting for its life in the face of general indifference. We are living in evil times.

I was particularly glad to see this cartoon in the dark, just before "The Lion King": it always brought tears to my eyes, which I managed to keep secret. I gather it was based on a children's book, or was at one point going to be a children's book, or some such, but unless the prose was as perfectly crafted as Hans Christian Andersen's, this is surely the better form. It's a departure for Jack Hannah, who doesn't try to be funny; he just tells a sweet, warm-hearted story as clearly as possible. How can you not love it?

This short is one of the more successful Disney produced in the 1950s. Nominated for an Oscar in 1951, it has one of the more memorable one-shot characters Disney created in Lambert. Some of the visual gags, particularly toward the end of the cartoon are hilarious! Toward the end of the 1940s, Disney slipped behind UPA and MGM and even Warner Brothers in terms of shorts. The quality was still there, but the energy seemed to fade a bit. Cartoons like Lambert show that Disney could still more than hold its own. Highly recommended