La maîtresse de fer

Excellent entertainment for the movie-goer regarding Jim Bowie, his knife and a snapshot of his life real or imagined. It doesn't matter how accurate this is as it is not a biography or documentary but instead entertainment. Furthermore I like Alan Ladd which makes for a treat. There are some familiar faces for the cast for their time making it even more enjoyable. One thing I always look for in classic movie showings is whether the movie is watchable a second time. It all depends on memorable scenes and this movie has quite a few that make you want to "comeback" for more. Too bad it is not longer as they would have just loaded it up with more good viewing dynamics. I watch this every 2-3 years for decades and it is still holding my attention just like the first time out. Excellent movie to eat with while watching with a tasty drink. Snack ups it considerably too. Hey....

Western adventure with Jim Bowie (Alan Ladd) a man with his name on a knife and two women (Virginia Mayo , Phyllis Kirk) with a weapon all their own . This is a mini-biography of the life of Jim Bowie in which he faces off bloody duels . It starts In 1825, Jim Bowie travels to New Orleans to sell the lumber output from the sawmill he runs with his brothers . He soon meets the gorgeous as well as manipulating Judalon De Bornay (Virginia Mayo) and falls in love for her . Jim attempts to wed Jedualon , but the woman has wed playboy Phillipe (Alf Kjellin) . Jim's business interests lead to violent fights where a lot of people are killed and there takes place a struggle with local saloon owner and nasty Black Jack (Anthony Caruso) . Then , Bowie is rescued by an attractive Mexican girl (Phyllis Kirk) , the daughter of the Vice-Governor of San Antonio .

Barely historical presentation about the mythic character , Jim Bowie , who invented the famed frontier knife . This colorful as well as spotty picture contains action , thrills , soap opera , knife-fights , luxurious balls and results to be entertaining ; however , being also mediocre . Slightly interesting screenplay by James R. Webb , Western usual , being based on a novel by Paul Wellman . Passable acting by the main starring Alan Ladd , and gorgeous Virginia Mayo who subsequently reprised her film role in Lux Radio Theater broadcast , a 60 minute radio adaptation of the movie. Support cast is frankly well , such as Joseph Calleia as Juan Moreno , Phyllis Kirk as Ursula De Varamendi , Alf Kjellin as Phillipe De Cabanal , Douglas Dick as Narcisse de Bornay and special mention to Anthony Caruso playing as crook Black Jack . Atmospheric and thrilling musical score by the classic composer Max Steiner . Colorful as well as evocative cinematography by John F. Seitz , filmed on location in New Orleans and surrounds .

The motion picture lavishly produced by Henry Blanke was regularly directed by Gordon Douglas . He was an expert on adventure genre as ¨Black arrow¨ , ¨Fortunes of Captain Blood¨ , both starred by Louis Hayward and Western , as he proved in the films starred by Clint Walker such as ¨Fort Dobbs¨, ¨Yellowstone Kelly¨ , ¨Gold of seven Saints¨ , Gregory Peck as ¨Only the valiant¨ , ¨Chuka¨ with Rod Taylor , ¨Rio Conchos¨ starred by Richard Boone , being considered his best Western , and about bandits legendary as ¨Doolins of Oklahoma¨ , ¨Great Missouri raid¨, among others .

The real events about James Bowie's life are the followings : Texas hero and knife-fighter whose name was made world famous by the type of broad-bladed knife he used and is said to have originated . Born in Georgia , he made money by selling black slaves before going Texas , where he settle in San Antonio , legend tells us he searched for and found the lost Spanish silver mine in the San Saba region . In 1830, he became a Mexican citizen married the daughter of the Vice-Governor of San Antonio and became a wealthy landowner . He lost his wife and children in a cholera epidemic . When the Texans rebelled against Spanish rule he joined the rebels and was made captain , engaging in several victories over Mexicans . With the rank of colonel he held joint command of The Alamo fortress with Colonel Travis until stricken down with fever , he died fighting , from his sickbed , with the rest of the garrison while defending the Alamo against an overwhelming Mexican army . Bowie made his reputation as a formidable knife-fighter in a number of duels , but it is not clear if he or his brother , actually designed the original Bowie Knife .

The Iron Mistress (1952)

I don't get the whole call of honor that leads to duels at the slightest provocation (or less). In some movies it's a fabulous dramatic point, but here it's a nagging and recurring trick, a reason for some male chest-thumping and a little bloodshed. It also represents the way the movie depends on forced drama to make the events jump.

There are exceptions, like a really beautiful and unusual hand-to-hand knife/sword fight occurring in a darkened room, with an occasional bolt of lightning like a strobe going off. This is cinema trickery, a real pleasure, not part of the real story, but it's a moment of relief from the costume drama and dueling the rest of the time.

This is how this movie goes. Moments of unique drama are followed by long stretches of stiff plot development. I'm not sure how the movie reflects the real story of James Bowie, whose name was given to the famous Bowie knife (knives naturally have a big role in the movie, including the forging of the first true Bowie knife). But what works best is the sense of period sets and time-travel to pre-Civil War Louisiana. The romance isn't highly romantic, and the plot is generally stiff, but it is a kind of history story come to life. If you overlook the obvious liberties and gaffes, it's not an unwatchable movie, just a routine one. Alan Ladd, it must be said, is a little cool even for Alan Ladd (an understated actor).

The film does lay out the gradual shift in cultivation of the South to cotton farming, and brings out lots of old rules like the fact divorce was impossible in Louisiana without an act of the legislature. People interested in this certain kind of movie making, for its own sake, should check out "Drums Along the Mohawk" (a better movie by far, but with a similar feel somehow). Here, the camera-work by the talented John Seitz is strangely dull (though it is in true Technicolor), and the scored music by the incomparable Max Steiner is straight up functional. Most of all, the many ordinary parts are put together without great art or intensity.

Jim Bowie sets off to sell lumber in New Orleans, but once there he is captivated by the beautiful Judalon de Bornay and finds that life here is vastly different to that of home. Getting himself into many scrapes on account of his feelings for Judalon, Bowie invents a new kind of Knife, the Iron Mistress, and from here a legend is born.

Nobody should go into this picture expecting a Jim Bowie biography, in fact Western fans who haven't seen it should be advised that it barely registers as a Western piece. What it is, is a fine picture that certainly appears to be undervalued {if a little under seen} on the IMDb site. It's full of dandy men fighting and duelling with honour and guts, beautiful women that are surely worth fighting for, and of course it introduces us to the legendary Bowie Knife.

It's based on a Paul Wellman novel, and by all accounts the film is pretty loyal to Wellman's ideals, it doesn't however take us all the way to the Alamo. Alan Ladd takes the lead role of Bowie, shiny blonde hair and brooding for all he is worth, fans of his performance in Shane should definitely check this one out, it's a great performance from Ladd, the kind that makes the gals go gooey and the boys to thump their chests. Virginia Mayo is Judalon and positively simmers with sexual beauty, the character is akin to a viper, and the pot boiling sexual tension is palpable in the extreme, she is in short, a woman men will die for.

Some scenes are just terrific, a duel in a darkened room that is only lit by the odd flash of lightning thru a window, a knife fight as two men with one arm tied to each other face off in a circle of honour, and of course Jim Bowie in every encounter, his violent gutsy bravado fearsome as his reputation escalates. At the time of writing only 141 people have voted on this picture, only 10 people have bothered to write a user comment for it, that's a shame because although it may not be a Western as such, it's a damn fine romantic, dandy, drama with a Western legend at its core. 8/10

Alan Ladd heads a fine cast in this film biography of Jim Bowie, a life that was marked by thrilling adventure and violence which ended at the Alamo. Bowie's travels take him to New Orleans where fate takes a hand and changes the course of his life and American history. A central figure in the film is a beautiful but vain and selfish Creole girl with whom Bowie is hopelessly smitten. This girl is responsible for the deaths of several men over a period of many years, because of duels, accidental killings or outright murders. Bowie himself is obliged to fight duels for various reasons and his expertise with a knife becomes legendary. His reputation, forged by the iron mistress, follows him like a shadow throughout his life as he tries to put the young woman and his violent past behind him. The film has beautiful color, lavish sets and Max Steiner's brooding music score.