La Treizième heure

Love murder/detective mysteries, particularly ones in period settings (Agatha Christie springs to mind), loved the idea for the story and while not usually a fan of Peter Lawford the intriguing cast (have always liked Michael Hordern) promised a lot. 'The Hour of 13' was one of those films that seemed like it would be right up my alley.

'The Hour of 13' turned out to be enjoyable, diverting and well done, was hoping that would be the case and it was. It will never be one of my favourites and it doesn't blow the mind, but there is a lot to enjoy and fans of the genre won't be too disappointed. Also liked that 'The Hour of 13' didn't try to do too much, knew what it wanted to be and didn't try to be more than it needed to be.

Sure, there could have been more suspense and dread and parts are a little too heavy on the seriousness making one feel that the lightness seen in other parts was more consistent and that one could invest emotionally a bit more.

Occasionally, the pace could have been tighter.

However, 'The Hour of 13' is a handsome-looking film, with atmospheric and handsomely crafted period detail, an appropriate moodiness in the photography and lighting and editing that is never sluggish or frenzied. The music is suitably haunting and while the direction is not especially distinctive it still keeps things interesting.

Much of the time, the script is thoughtful and doesn't get limp or confused. The story may not be much new but has a nice atmosphere and it avoids over-simplicity and convolution, more often than not engaging. The villain does carry off the right amount of menace. The characters carry the film well as do the cast. Lawford's performance is one of his better ones, and classy Dawn Addams and authoritative Michael Hordern are standouts of the accomplished supporting cast.

Concluding, enjoyable fun and works nicely as a film of its genre. Just don't expect anything exceptional. 7/10 Bethany Cox

This film features quick, effective editing of sometimes rapid-fire scenes that were obviously well thought out and sequenced with care. The black and white cinematography is good and I believe the whole production is finely crafted. The potential for any real emotional depth of feeling is somewhat stifled overall by the recurring criminal murder subject matter, which is persistently heavy and serious throughout the movie. However, the related jewel thief angle is lighter in tone and is done in an intricate cat-and-mouse manner that I really enjoyed.

After the early pretty-boy stage of his career delivering Technicolor "first kisses" to teenage actresses and such, and before his post- 1960 period of boozy hipster parts culminating in his final downward spiral into drug abuse and drunkenness, Peter Lawford did a lot of TV and made some films on both sides of the Atlantic including this one. In "The Hour of 13" (a title of significance to the story, to be explained late in the film) Lawford portrays a charming jewel thief. He does a workmanlike job, is very charming and handsome as always, and is fine as long as you don't stop to ponder how superbly Rex Harrison would have played the part.

Dawn Addams is perfectly cast as the intelligent, classy daughter of Michael Hordern's Scotland Yard inspector. Other first rate British actors contribute solid performances.

The Victorian London streets, fog and ambiance are well done. The era is depicted as a real time and place, not a nostalgia trip, and is devoid of any mimicry or denigration of Victorian stereotypes.

The general viewer will probably enjoy this film as I did if they can appreciate older, very British movies and are interested in seeing Peter Lawford at this stage of his career.

Peter Lawford stars as Nicholas Revel, a jewel thief who is mistaken for a serial killer of London police officers. To clear himself, Revel has to catch the real killer. An improbably plotted, cliche-ridden, mildly entertaining mystery with Lawford as his usual handsome, debonair, bland self. Not much action except for an effective fight between Revel and the murderer at the film's climax. The cast wanders through a foggy, gaslit studio set that looks like it was left over from a Sherlock Holmes film. This sort of story has been done worse, but it has been done better, too. Mostly it has been done too often.

The Hour of 13 is directed by Harold French and adapted to screenplay by Leon Gordon and Howard Emmett Rogers from the novel "Mystery of the Dead Police" written by Philip MacDonald. It stars Peter Lawford, Dan Addams, Roland Culver, Derek Bond, Leslie Dwyer and Michael Hordern. Music is by John Addison and cinematography by Guy Green.

1890, London, and a serial killer known as The Terror is murdering policemen. When gentleman thief Nicholas Revel unwittingly becomes the chief suspect, he must use his guile and wits to prove he's not the killer; whilst also not getting caught for a jewel robbery he has just committed.

A dandy thief and a serial killer on a collision course.

Philip MacDonald's novel had already been adapted to screen for the 1934 film, The Mystery of Mr. X, making this a remake. The Hour of 13 is a little cracker of a movie, a genre splicer of some worth, it's part murder mystery, part police procedural, part romance, part robbery and also funny as well. These all make the picture narratively strong, the threads running concurrently but never once threatening to be complex or cloy the picture.

The backdrop is Victorian London, resplendent with glistening cobbled streets, bulbous street lamps and drizzly mist, where horse drawn taxis thunder down the roads. The protagonists are dandy gents, chirpy workers or beautiful ladies. The antagonist is a Jack the Ripper type, stealthily moving about the murky streets on a mission to kill policemen. We are in a time when wearing a policeman's helmet can land you one day in prison, where the British Bobby patrols the streets to make the locals feel safe, but they themselves are now not safe.

There's splendid performances across the board, with a chance to view the gorgeous Dawn Addams in one of her very first roles, a potent score from Addison and the work of French and Green is atmospherically tight to the plotting. Delightful film that deserves to be better known. 8/10

In 1890 London, an 8th policeman is murdered by a serial killer. High class jewel thief Nicholas Revel (Peter Lawford) gets pulled in as the police tries to connect the murders with a stolen emerald.

It has a bit of the Sherlockian vibe. By no means am I saying that the character is Sherlock. It's the Victorian London murder mystery aspect. It does meander around with the trial and after it. Honestly, I'm not following some of this. It does end with thrilling action. All in all, I like tone and the style of this.