The Holly and the Ivy

This movie is a little gem for the most part. And a welcome change from the usual Christmas fare. The only fault is with the ending which appears rushed and we are left to grieve the characters a little. Rather like a dessert that gets whisked away before one is quite finished. Unsatisfied. It tells the story of a widowed parson and the family members who come home for the holidays to a quaint old village. Father, played wonderfully by Ralph Richardson, has always been shielded from the facts of life by his three - now adult - children. For the era in which it was made (1952)the secrets one of the three carries is quite a shocker. A flaw is that Celia Johnson, an actress I enjoy, is far too old in this to play a thirty one year old. Margaret Leighton's brittle charm is never more appealing than here. However, the two aunts steal every scene in which they appear, two wonderful stage actresses, Margaret Halstan and Maureen Delaney. A great script, a little stagey, and ending far too swiftly, I gave it a 7 out of 10.

For a while there, in Canada - in the eighties and nineties, when the television landscape was forever expanding - I could be guaranteed of seeing this movie; there was always some new station looking for filler, particularly during the Christmas season. What a treat!

This movie is not just a great film about the real meaning of Christmas, it is also a relic of a period that is not so long ago in terms of years, but is eons away in terms of social convention, manners, etc.

Even better, although the film was made in a gentler, more genteel time, serious issues (illegitimacy, alcoholism, reckless self-sacrifice) are explored with depth. If this had been a lesser movie, it would have come off as something to be shown in a religion class, but the extremely talented cast runs with the story and helps create a film that is magical and meaningful.

I have a tape of this somewhere, and am always on the lookout for a DVD version. I only hope The Holly and the Ivy makes it to digital transfer soon, and is rediscovered as the Christmas classic that it is.

Beware, this film may creep up on you, it can be so easily dismissed but any viewer infused with the passion of humanity and what makes us tick will be enthralled.

Some reviewers missed the point (or simply didn't want to see it!) The insightful will relish the final outcome. Writer Wynyard Brown brings to mind the intensity of Eugene O'Neal, but somehow makes it easier to take.

Brown's collaboration with Producer/Writer Anatold De Grunwald offers the discerning viewer a true gem. Pity writers and Producers of this quality were given over to the bleak grittiness of the 'kitchen sink' movement (who managed to leave us a somewhat limited legacy)

Performances are quite remarkable, especially the principal characters (Richadson is a standout) The stories search for faith in life over self pity is solid.

Sure, it was written as a play (as was O'Neill) but unlike some others, I felt the coupling of an astute Director, and Cinematographer, has fashioned many subtle, but smart cinematic moments.

D.O.P Ted (Edward) Scaife an amazing all rounder, often associated with outdoor action spectaculars (Outcast of the Islands, Dirty Dozen, Tazan's Greatest Adventure/The Magnificent, Night of the Demon, to name just a few) gives this mostly indoor film a unique look and feel, allowing the personalities of the characters to speak directly to us.

If you enjoy a film to think about and feel, this could be for you. Malcolm Arnolds well arranged Music score adds greatly. I would like to buy it on DVD but don't know if the original 83min vers has been transfered or only the inferior 74min (sadly the one usually run on TV) is all thats on offer. The full running time is moderate anyway, but in this case, the longer is the better. Its rare, so find either and enjoy....

Just in time for Christmas comes a DVD available from the UK, of one of the really great Christmas film gems 'The Holly and the Ivy'. Set in a Norfolk rectory its evocation of a post-war Christmas is brought to life by the playing of Ralph Richardson and Celia Johnson as the daughter. It holds no cinematic tricks and as such is just a faithful filming of a stage success. It's strength lies in the wonderful interplay between the divergent characters all coming together to spend Christmas in the Norfolk rectory. The two aunts played by Margaret Halstan and Maureen Delany are quite delightful and almost steal the show.A young Denholm Elliott is to be seen in an early role and Margaret Leighton gives a very moving performance. Just to hear the English language spoken so well by a first class cast is a joy. I love this film and will keep this one to play over the Christams period.

Until recently I had never heard of this little gem of British holiday sentiment. I heard someone call it the "Christmas movie for people who don't like Christmas movies" and the quest to find it was on.

This is the story of a Christmas in which the emotionally wounded family of a Church of England clergyman come home and attempt to have a happy holiday. What happens is not your typical happy tearjerker, nor is it a Christmas nightmare. Its a reasonably realistic, as much as films of the time could be in 75 minutes, look at a family of emotional cripples as they all try to put their lives back on track. The ending while hopeful is far from certain, so much so that I cursed the fact that it didn't go on another five or six hours, my sole complaint about the film.

A word of warning, don't abandon the film until you get to the end. I wasn't enraptured of the film for almost two thirds of its running time. I was interested in what was happening but I didn't know if I liked it, and then suddenly all of the pieces were in place and it became this charming atypical jewel of a movie.

Forget Its a Wonderful Life, watch this instead, its so much more real.