Hellgate

One of the best films to come out of the Poverty Row Lippert Pictures Studio was this hard nosed and brutal western drama Hellgate. The title is named after a prison on the New Mexico desert where Sterling Hayden is sentenced to some hard time.

A number of reviewers have already commented that the plot is taken straight from the story of Dr. Samuel Mudd. Hayden is a former Confederate soldier who has settled in a Union area of the west and just wants to forget the war. Hayden and wife Joan Leslie give some assistance to an injured man, Hayden is a veterinarian and therefore has some medical training. The man turns out to be a former Quantrill guerrilla and the locals are quick to believe Hayden has to be one also. He gets sentenced to Hellgate where he comes under the tender care of commander Ward Bond and Sergeant Major Robert J. Wilkie.

Though the plot may come from The Prisoner Of Shark Island, the jail is like the one Sessue Hayakawa ran in The Bridge On The River Kwai. It's set in a desert canyon with no water, it has to be transported in every month. The jails are underground carved right in the rock crevices. Like Hayakawa, Bond has no guards the desert does discourage most escapes. He does however have Pima Indians who can track escapees and get more for bringing them dead than alive.

If you know the story of Samuel Mudd from The Prisoner Of Shark Island you know what happens here in Hellgate. Sterling Hayden really dominates this film, especially when he vies for supremacy in his particular cell with James Arness, a pretty hard case himself. This is one of Hayden's best acted roles and ought to command some of the same attention given to The Asphalt Jungle and The Killing.

Don't miss this one if it is broadcast, especially for fans of Sterling Hayden.

Veterinarian Sterling Hayden is wrongfully accused and found guilty of being a member of the confederacy raiders during the Civil War. He is sent to a prison in the desert under the command of Lieutenant Ward Bond.

It's a variation on Ford's THE PRISONER OF SHARK ISLAND that spends most of its length on the prisoners' attempts to escape. Hayden is peripheral to most of the actual story, as is second-billed Joan Leslie as his wife. There's a lot of focus on Bond, who is excellent in his sadistic role; I kept wondering how close to reality it was, given his real-world involvement in the Blacklist.

Sterling Hayden, along with Macho-Man Robert Mitchum, were Contemporaries that had a Certain Charm of "Biting-the-Hand"...

Because They were Both so Good at the Craft of Acting, the Method Style of Non Acting, that They Could Send Caution to the Wind and Present Their "True-Feelings" Without Blow-Back.

Hayden, Performed to Get Money to Sail Away from it All, and Mitchum Because He Felt the Acting Profession was a Thing that Real-Men Didn't Do.

This Movie, It is Often Pointed Out, is a Remake of "The Prisoner of Shark Island" (1936).

But, that Only Makes it an Anomaly, a Remake that is as Good as the Original.

Made in the Early 50's Before the "Western" Genre Sunk-In and Became Entrenched, along with Science-Fiction...to Dominate the Decade.

Because of that, there was a Plethora of Pictures that were so Mainstream and Inoffensive that the Dust and Dirt and the Hard-Edged Life in the "Wild-West" were Removed for Mass-Appeal.

A Lot of What Passed was Anything but Realistic or Reflective of the "True-West".

Not so Here. Everything is somewhat Authentic from Frame-One, and Continued Throughout this Minimalist Treatment of a Man Sent to a "Hell-Hole" of a Desert Prison for Something He Did Not Do.

A Fine Cast, with Ward Bond as a Brutal Warden and James Arness as a Cell-Mate more than Make Their Mark in this Remarkable "Western" that is Worthy of More Attention and Praise.

A Must-See for "Western" Fans...For All Others it's...

Worth a Watch.

Summary: An ex-confederate soldier, now a veterinarian, who has come to accept the ways of the North that have been imposed on the land, unwittingly helps a wanted criminal. Despite Hanley's efforts to accept the Yankees and their brand of modernity the local law enforcement, running on high emotion, exploit the tenuous link between the confederate and their wanted man by arresting him and sending him to a terrible place: Ward Bond's prison - and Bond has an extreme prejudice for men of the innocent man's sort.

This is an excellent film that resolves itself beautifully. Sterling Hayden, a wonderful actor who epitomises his era, turned in a great performance as the alienated and wrongly imprisoned man.

Hellgate is directed by Charles Marquis Warren who also co-writes the screenplay with John C. Champion, the latter of which also produces. Andrew V. McLaglen is the assistant director. It stars Sterling Hayden, Ward Bond, Joan Leslie, James Arness, Peter Coe, John Pickard and Robert Wilkie. Music is scored by Paul Dunlap and cinematography by Ernest W. Miller.

"It is not for us to decide at this date that the man, Gilman Hanley, was the victim of a nations unintentional injustice. Rather, it is our duty to see that the fate that befell him can never again befall any man". Oliver Wendell Holmes, Justice, U.S, Supreme Court.

Lets cut to the chase, there was no Hellgate Prison, no Romara Desert and no Gilman Hanley. The film is set in New Mexico but filmed in California. And, as the few reviews about it will attest to, this is ultimately The Prisoner of Shark Island remade as a Western. But what a treat for Western fans it is.

Doorway of the Damned! The Curse of Convicts! The Shame of America!

Sweaty, moody and full of testosterone, Hellgate is also compact and firmly dealing in the innocent good guy suffering at the hands of a pathetic justice system. Hayden is our good doctor Hanley, well veterinarian actually, who administers basic first aid to a Guerilla outlaw and gets sent to America's Devil's Island. The prison is out in the desert, surrounded by a rock formation and the cells are underground lock ups in the caves. Punishment for misbehaving is slow whipping or a stint in the baking oven! Even if the convicts get out of the rock valley, there's Pima Indians waiting to hunt them down and secure a bounty for their heads.

Hanley is in trouble, sadistic Lt. Tod Voorhees (Bond of course) doesn't much care for him, as he tells him, "You'll find I have a special regard for Guerillas", not only that but he is in a shared cell with some right characters, including Redfield (Arness), one tough mother who doesn't much care for another guy taking up the monthly water ration. What will follow is machismo moments, fights, torture, battle of wills, death and escape attempts, while anyone who has seen Prisoner of Shark Island will know that disease enters the fray and gives us a finale of punch the air satisfaction.

Not all the acting is first grade stuff, though Hayden is perfect for this role, and the abruptness of the key Typhus infection turnaround for the finale kind of feels like a cheat after having endured some quality claustrophobia for the previous 75 minutes. But this is still a tight and taut production, an unquenchable thirst of moody black and white 50s cinema. Which for anyone else like me who loves Westerns and anything prison based, is manna from heaven. 8/10