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5.6/10
373
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An evil arthritic rancher and his murderous daughter are having settlers killed to prevent them from selling their land to the railroad.An evil arthritic rancher and his murderous daughter are having settlers killed to prevent them from selling their land to the railroad.An evil arthritic rancher and his murderous daughter are having settlers killed to prevent them from selling their land to the railroad.
Lon Chaney Jr.
- Artemus Taylor
- (as Lon Chaney)
William Holmes
- 'Ding' Bell
- (as Bill Holmes)
Ward Wood
- Second Henchman
- (as Bob Wood)
Gordon Wynn
- John Quigley
- (as Gordon Wynne)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
9bux
At times this seems like two separate movies:the first half is a mature study of a disgruntled war vet-the second half degenerates into a routine shoot 'em up. Ireland is great as the brooding war vet, Tierney(as in "Resevoir Dogs")the sullen villain. Chaney is reminiscent of Barrymore as the wheel-chair bound cattle baron. Highlight of the film is Chaney's damning accusation "You lose, soldier. You lose again!" Once the fireworks begin,all is predictable. Morris shows flashes of real talent as the corrupt town sheriff; Dell is good as the vixen. This one almost seems to be a pimer for the Ireland directed "Hannah Lee" that was released the following year. Worth staying up for, or at least setting the VCR.
"The Bushwhackers" is one of the rare movies in which John Ireland had the male lead. Ireland was just an okay actor who did well in many of the supporting and smaller roles he got in films. But, he wasn't a top-drawer actor, and without the more handsome looks he was relegated to being a supporting actor and frequent cast member.
Ireland does well in this film. It's a different type of Western. The film opens with some gritty scenes of the Civil War and the war's end. Ireland's Jefferson Waring has had his fill of killing and guns, and he heads for the West to start life anew - without any firearms. When he reaches Independence, Missouri, he finds himself embroiled in a feud in which a land baron is trying to run off settlers. That was a worn-out plot of many Westerns in the 1950s.
The story has some nice twists, with Waring getting the short end of a couple of encounters and winding up in the hoosegow. And, naturally, there's a girl who eventually helps Waring change his mind about moving on.
Other characters include Marshal John Harding, played by Wayne Morris, and Cathy Sharpe, played by Dorothy Malone. A standard bad guy in Westerns is Jack Elam, here playing Cree. The big extra in this film, and reason to see it, is Lon Chaney Jr. He plays Artemus Taylor. I don't think Chaney was ever in another Western.
Ireland does well in this film. It's a different type of Western. The film opens with some gritty scenes of the Civil War and the war's end. Ireland's Jefferson Waring has had his fill of killing and guns, and he heads for the West to start life anew - without any firearms. When he reaches Independence, Missouri, he finds himself embroiled in a feud in which a land baron is trying to run off settlers. That was a worn-out plot of many Westerns in the 1950s.
The story has some nice twists, with Waring getting the short end of a couple of encounters and winding up in the hoosegow. And, naturally, there's a girl who eventually helps Waring change his mind about moving on.
Other characters include Marshal John Harding, played by Wayne Morris, and Cathy Sharpe, played by Dorothy Malone. A standard bad guy in Westerns is Jack Elam, here playing Cree. The big extra in this film, and reason to see it, is Lon Chaney Jr. He plays Artemus Taylor. I don't think Chaney was ever in another Western.
A Confederate veteran Jeff Waring (John Ireland) arrives in Independence, Missouri shortly after the Civil War, still with intention of never using a gun again. He finds that rancher Artemus Taylor, an arthritic despot, and his henchies, Sam Tobin and Cree, are forcing out the settlers in order to claim their land for the incoming railroad.
The Bushwhackers is a well-acted western, with some interesting characters such Taylor's independent daughter who has a mean streak mile wide and even pips her father to that post on that score. The enchanting Dorothy Malone plays a daughter of a newspaperman who she berates for not revealing who is behind the attacks on other settlers. John Ireland is quite good as the pacifist, but you know he won't stay pacifist for long. Lon Chaney Jr. Steals the scene as the barmy rancher.
The plot is quite strong with some twist and turns and some grittiness is executed quite well. A little disjointed in places as scenes jump from one scene to another without flowing naturally, but it's a decent western with an arresting plot and fine characters. It's a little violent for its time - such as Jack Elam killing settlers and burning down the house with delight on his face - and has some noir flavour.
The Bushwhackers is a well-acted western, with some interesting characters such Taylor's independent daughter who has a mean streak mile wide and even pips her father to that post on that score. The enchanting Dorothy Malone plays a daughter of a newspaperman who she berates for not revealing who is behind the attacks on other settlers. John Ireland is quite good as the pacifist, but you know he won't stay pacifist for long. Lon Chaney Jr. Steals the scene as the barmy rancher.
The plot is quite strong with some twist and turns and some grittiness is executed quite well. A little disjointed in places as scenes jump from one scene to another without flowing naturally, but it's a decent western with an arresting plot and fine characters. It's a little violent for its time - such as Jack Elam killing settlers and burning down the house with delight on his face - and has some noir flavour.
With the Civil War over, ex-Rebel John Ireland vws never to kill a man again, and heads west. He gets caught up short in Missouri, where paralyzed Lon Chaney Jr. Is burning out land grant recipients because the railroad is going to come through, and make the land worth a fortune. He's assembled a team of baddies, including Laurence Tierney, Jack Elam, and daughter Myrna Dell; the good people, like newspaper editor Frank Marlowe and his daughter, Dorothy Malone, are scared to oppose him. The only thing standing in his way is a shortage of sociopaths. Some of Chaney's hirelings have scruples.
Rod Amateau's first movie as director has an overtly stated political theme, which is carried out in a heavy-handed fashion by a highly competent crew and interesting cast.. Yet while you can see the roots of ultra-violent spaghetti westerns here, it isn't well carried off.
Rod Amateau's first movie as director has an overtly stated political theme, which is carried out in a heavy-handed fashion by a highly competent crew and interesting cast.. Yet while you can see the roots of ultra-violent spaghetti westerns here, it isn't well carried off.
(1951) The Bushwhackers
WESTERN
Co-written and directed by Rod Amateau starting the movie with the end of the civil war, and former confederate soldier, Jefferson Waring (John Ireland) vowed never to lift another gun ever again, only then as soon as he resides to a different town, he comes across a land baron, Artemus Taylor (Lon Chaney Jr.) and his hired gunmen/ outlaws of Sam Tobin (Lawrence Tierney) and Cree (Jack Elam) terrorizing against farm owners to build a railway across.
The film feels very rushed making it very forgettable and such little action despite some of the drama moments being well done.
Co-written and directed by Rod Amateau starting the movie with the end of the civil war, and former confederate soldier, Jefferson Waring (John Ireland) vowed never to lift another gun ever again, only then as soon as he resides to a different town, he comes across a land baron, Artemus Taylor (Lon Chaney Jr.) and his hired gunmen/ outlaws of Sam Tobin (Lawrence Tierney) and Cree (Jack Elam) terrorizing against farm owners to build a railway across.
The film feels very rushed making it very forgettable and such little action despite some of the drama moments being well done.
Did you know
- TriviaDirectorial debut of Rod Amateau.
- GoofsThe opening battle scene breaches one of the conventions of film-making. The opening shot shows Union cavalry charging from the left of screen to the right. This is followed by shots of Confederate Infantry on the right of the screen firing to the left. There follow some other shots, some showing troops charging directly at the camera, others showing Union cavalry coming from the left of screen. The final shots of the battle show the Confederate infantry retreating to the left of screen pursued by Union infantry coming from the right. The convention would dictate that the Union troops should always come from the left, and that the Confederate troops should have retreated to the right of screen.
- Quotes
Jefferson Waring: I can't feel a thing for ya, Taylor. You're a beaten old man and I'm not sorry. You've ruined so many lives yours isn't even a down payment.
- ConnectionsReferenced in Madelynn Kopple on Kid Monk Baroni (and Other Jack Broder Movies) (2007)
- SoundtracksThe Battle Hymn of the Republic
(uncredited)
Written by Julia Ward Howe
Chorus heard as a theme after the initial battle scenes
Details
- Runtime1 hour 10 minutes
- Color
- Aspect ratio
- 1.37 : 1
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