After violently attacking a fellow officer Lt. Edward Garnett, cavalry Captain Kern Shafter is court martialled. Later, he rejoins the army with Custer's regiment at Fort Lincoln, Dakota, be... Read allAfter violently attacking a fellow officer Lt. Edward Garnett, cavalry Captain Kern Shafter is court martialled. Later, he rejoins the army with Custer's regiment at Fort Lincoln, Dakota, becoming a sergeant, where he runs into his old foe.After violently attacking a fellow officer Lt. Edward Garnett, cavalry Captain Kern Shafter is court martialled. Later, he rejoins the army with Custer's regiment at Fort Lincoln, Dakota, becoming a sergeant, where he runs into his old foe.
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There is lots of action, great location photography and numerous enjoyable western scenes of men on horseback fighting Indians and rescuing townsmen and such. Unfortunately the film is badly miscast. Ray Milland is too laidback for a role that required someone a bit younger, tougher and more embittered, like John Payne (who excelled in this kind of role in films like CAPTAIN CHINA, CROSSWINDS and PASSAGE WEST) or a bit more ramrod straight like Randolph Scott, who was making plenty of westerns for the same studio (Warner Bros.) at the time. While she's absolutely gorgeous, Helena Carter has such polished diction and precise finishing school manners that she never appears believable as a settler in this hardscrabble western territory. She never shows emotion and scolds her two would-be lovers with carefully measured words rather than letting loose a little honest fury at them for their ridiculous behavior. Hugh Marlowe excelled at playing smarmy, officious types, but he wasn't much of a tough guy and never poses a sufficiently convincing threat to the hero. Worse, there are three great actors in the supporting cast who excelled at playing heavies-Forrest Tucker, Barton MacLane, and James Millican-yet they all play nice guys here. What a waste! Tucker, in particular, seems to be auditioning for a part in a John Ford western by imitating both Ward Bond and Victor McLaglen.
Luckily, the Sioux and Cheyenne are on hand to menace the cavalry. In one of the best scenes, early in the film, Milland rides alone into a band of armed, hostile Sioux to identify and apprehend two braves wanted for murdering a trio of prospectors. Marlowe hopes the Sioux will kill him, but Milland gets his suspects and rides out unharmed. The Sioux are led by Chief Red Owl, played by Indian actor John War Eagle. The other Sioux are all played by real Indians as well. Later in the film, Sheb Wooley is seen briefly as Custer. George (Superman) Reeves has a small part as one of the cavalry officers. The film was produced by William Cagney (James's brother), directed by Roy Rowland, and written by veteran screenwriters Geoffrey Homes and Harry Brown from a novel by famed western author Ernest Haycox.
I blinked a little at Kern Shafter's appearance on arriving to enlist at Fort Abraham Lincoln; he looked extremely smart, even for the gambler he had become. I assume his motivation in rejoining the colours was nostalgia for army life,though this wasn't completely evident.
The well-known participants in the battle - Custer, Reno, Benteen - don't get much screen time, and the General himself has only a few lines. At least he looks the part, with the short hair he favoured for a hot campaign rather than his trademark long locks. Purists may raise their eyebrows at the cavalry using repeating rifles, when in fact they carried single-shot carbines, and pack-animals rather than the wagons shown supplied the troops in the general battlefield area.
But all in all, it's a reasonable cavalry Western, but not in the same league as those of John Wayne and John Ford.
But the quirky framing employed in the prologue to this good-looking, action-packed Technicolor potboiler co.scripted by Geoffrey Homes (best known for his film noirs), which includes a bargain-basement reenactment of Little Big Horn, hints at the fanciful visuals of director Roy Rowland's very next film, 'The 5,000 Fingers of Dr. T'.
And it's always nice to see Barton MacLane play a good guy for a change.
In the next scene, years have passed and Shafter is heading west on a stage coach. He is going to re-enlist in the Cavalry under an assumed name...and wouldn't you know it that the guy he attacked years ago (Hugh Marlow) is there and looking to get revenge on Shafter. All this, by the way, is set during the period in which Crazy Horse is on the rampage and heading to a showdown at the Little Big Horn.
This is a very standard western and Milland is just fine. There is nothing particularly bad nor good about this one...a decent time passer with a satisfying finale.
Did you know
- TriviaWhen Ray Milland's character views the aftermath of Custer's battle at the Little Big Horn through binoculars, footage from La Charge fantastique (1941)--also a Warner Bros. film--is used.
- GoofsThe big tree is seen being felled but the shots of the wood being loaded in he wagons is obviously not from the tree as it's no where near thick enough.
- Quotes
Stage Passenger: I don't for the life of me see how he does it.
Josephine Russell: He sat up all night.
Stage Passenger: Well, so did i... with a sick deck of cards. But i still can't sleep. Only wish i could. Then i wouldn't have to look at this miserable country. If i have my way about it, i'd give it back to the Indians.
Man: If we don't start looking sharp, we won't have to give it back... They'll take it.
- ConnectionsEdited from La Charge fantastique (1941)
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Details
- Runtime
- 1h 25m(85 min)
- Aspect ratio
- 1.37 : 1