Le mystère du château noir

All Boris Karloff fans will love this classic film, where Karloff is the castle physician and gives his patients excellent attention. Sir Ronald Burton,(Richard Greene), an eighteenth-century English adventurer, believes his two friends have been murdered by Count Von Bruno,(Stephen McNally) on his Black Forest estate. Arriving at Von Bruno's castle to accumulate evidence, Burton learns Von Bruno's unhappy wife Elga (Paula Corday),. and Dr. Meissen(Boris Karloff), the castle physician, are virtual prisoners. Suspecting Burton's motives, Von Bruno and Gargon (Lon Chaney Jr., ) a giant, mute scarred henchman, discover the Englishman was responsible for their being captured and tortured. You will definitely have to view this great Classic Karloff Film to enjoy the ending.

When I saw Lon Chaney, Jr. and Boris Karloff in the cast, I was expecting to find a typically "schlocky" 1950's style horror movie. The opening scene (a graveyard with a wolf howling in the background) seemed to confirm this. Once I began watching it, though, what I discovered was a nifty little mystery about an Englishman (Richard Green) seeking to discover what had happened to two of his friends who had disappeared in the Black Forest and, if necessary, to take revenge against the evil Count (Stephen McNally) who ruled the territory. Chaney, as the voiceless Gargon, had a rather limited role (one which reminded me of the Hunchback of Notre Dame, actually) while Karloff had a somewhat more substantial role as Dr. Meissen. In fact, Meissen was one of the more interesting characters in the movie, and it was difficult to know until the very end whether he would be established to be a good guy or a bad guy! The castle set was magnificent, and even the limited depiction of the Black Forest was real enough. It certainly didn't come across as low-budget, compared to other movies I've seen anyway. The only disappointment, I thought, was Rita Corday's performance as the Countess. She seemed somewhat dry and didn't seem to put much passion into the role.

That aside, I found that this movie held my attention throughout, and there was enough suspense about how this was all going to turn out to make it well worth the watching. Definitely recommended, with a 7/10 rating.

The writer drew on famous sources :Edgar Poe ("buried alive") and Shakespeare ("Romeo and Juliet").The beginning is quite scary and the interest is sustained till the end.The screenplay is certainly smarter than the average horror flick.Boris Karloff is the stand-out ,even if he is not really the scariest thing of the movie.The castle in question is full of traps,dark dungeons and crocodiles pit (which makes sense ,for the story really begins in Africa).The countess and the hero make a good romantic couple inside the gloomy walls of her husband's desirable mansion.The leopard hunting is also a very exciting moment.Very entertaining and a must for Gothic horror buffs.

1952's "The Black Castle" was a followup to the prior season's "The Strange Door," Universal Gothics preceding the studio's switch to science fiction with 1953's "It Came from Outer Space." The opening credits roll in front of the miniature castle seen in "The Ghost of Frankenstein," with familiar musical cues from "The Wolf Man," "Frankenstein Meets the Wolf Man," "House of Frankenstein," even "Son of Frankenstein." Charles Laughton enjoyed a field day in "The Strange Door," which focused on the villains, while this slightly lesser feature (both scripted by Jerry Sackheim) centers on the heroic Englishman Sir Ronald Burton (Richard Greene), who journeys to The Black Forest and the domain of Count Karl Von Bruno (Stephen McNally), a former adversary in Africa, who had set himself up as a god with the local natives, only to be driven out after encountering Sir Ronald's forces, losing his right eye in the process. Burton is certain that two trusted allies were victims of the sadistic Von Bruno, whose lovely Countess (Paula Corday, "The Body Snatcher") takes a shine to the newcomer (soon to play Robin Hood on British television), who demonstrates his swordsmanship in a brief encounter with Michael Pate and John Hoyt, as henchmen of the Count. This castle comes with a dungeon, a black leopard, a pit full of alligators, and a coffin containing the skeleton of the wicked Count's first wife. Lon Chaney gets a stirring entrance but little screen time as Gargon, the Count's hulking mute caretaker, whose tongue was ripped out by the angry natives, while Boris Karloff also gets shortchanged in the small role of Dr. Meissen, physician to the Count but devoted to the Countess. He at least sets up the climax, the lovers taking a page out of Shakespeare by swallowing a potion that simulates death, delighting the villains who congratulate the doctor for allowing such a fitting demise for their enemies (buried alive). Together for the second time (after 1944's "House of Frankenstein"), Karloff and Chaney would be reunited once more, in the ROUTE 66 episode "Lizard's Leg and Owlet's Wing." Stephen McNally has fewer opportunities to shine than Charles Laughton, but rises to the occasion once faced with Burton's true identity. Michael Pate enjoys more screen time than he had in "The Strange Door," and would work with John Hoyt again in 1959's "Curse of the Undead." Like most of Universal's popular 50s catalog, this film aired on Pittsburgh's Chiller Theater four times- Dec 8 1973 (following 1960's "Psycho"), December 21 1974 (preceding 1956's "The Mole People"), June 21 1975 (preceding 1955's "Tarantula"), and March 12 1977 (following 1958's "Monster on the Campus").

Richard Greene plays British nobleman Sir Ronald Burton, a man intent on proving that an evil Austrian count, Karl von Bruno (Stephen McNally), was the person responsible for murdering two of his friends. So he travels to the Counts' domain, the Black Castle of the title, under an alias, enjoying the Counts' hospitality, as well as participating in a leopard hunt. Along the way he falls in love with von Brunos' beautiful young wife, Elga (Rita Corday).

Greene is an effective hero, and Corday is absolutely lovely. There are lots of impressive supporting performances here, by John Hoyt and Michael Pate as two associates of our villainous Count, Tudor Owen as Burtons' travelling companion Romley, and especially Henry Corden as Fender the servant. Greene, as handsome and stoic as he is, still can't compete with the entertaining theatrics of one eyed McNally, who's fun to watch. Lon Chaney Jr. is kind of wasted in a thankless role as a nearly mute thug. Boris Karloff does his usual delightful work as a distraught doctor who joins the heroes' cause, although his fans should be aware that this isn't really a Boris vehicle. His role, too, is a supporting one.

There's a fair bit to enjoy here, in particular that leopard hunt, which is very atmospheric and is the best part of the movie. Nathan Juran directs, with his typical efficiency. The story, concocted by Jerry Sackheim, is a rather straightforward one and also an agreeable one. You gotta love von Bruno for having a castle with such standard features as booby traps and an alligator pit.

All in all, this isn't a great Universal-International production, but it is a good one.

Seven out of 10.