Au mépris des lois

The Battle At Apache Pass is dependent on its verisimilitude for the notion that most Americans are ignorant of the fine points of the true story of the various American Indian wars. Broken Arrow took place in the early 1870s and it's where Tom Jeffords and Cochise formed a peace pact that included all the Apaches except those followers of Geronimo.

In this prequel the Civil War has come and a lot of soldiers are ordered back to fight in the east. Some ambitious people on both sides like Geronimo for the Apaches and Bruce Cowling a political hack Indian agent with ambitions to be territorial governor try to break an informal peace established by the friendship of Major John Lund and Cochise as played by Jeff Chandler who returns as Cochise. Jay Silverheels as Geronimo is the only returnee from Broken Arrow.

The Battle At Apache Pass is not in the same league of greatness as Broken Arrow, but it still is a pretty good western. If the film has a moral it is blessed are the peacemakers because they have their work cut out for them. It doesn't take much to start a war, but a lot of work and sacrifice is needed to end one. There are enough examples in real life right down to today to affirm that notion.

Through it all Lund and Chandler retain a mutual respect for each other and both are afforded the opportunity to save the women that each other loves, Beverly Tyler for Lund and Susan Cabot for Chandler.

Besides those I've already mentioned, standing out in the supporting cast is Jack Elam at his squinty eyed evil best as a scout working for Cowling and Richard Egan as a tough, but compassionate sergeant. His scenes with Susan Cabot where he shows her a world of respect as due the first lady of a nation have a lot of depth to them.

Not as good as Broken Arrow, but still a fine western The Battle At Apache Pass holds up very well for today's audience.

And also a BROKEN ARROW sequel; in other terms one of those westerns for which the Indians were not the villains all the time. Splendid settings for the Universal Studios movie. It brings nothing new compared to other westerns of this kind, with more or less the same message. It is very well made, by a real professional George Sherman, a western specialist who began his career in the late thirties for Republic Pictures, in B westerns, as so many other B directors ( but in the early fifties), such as RG Springsteen, Harry Keller, Thomas Carr, whilst other directors like William Witney, in the early fifties too, proceeded their career, working for Republic Studios, still for the same kind of B westerns, after his highlight serial period, between the late thirties and forties. Awesome battle sequences, breathtaking moments for the audiences.

George Sherman was an old hand at B westerns due to his long stint at Republic, where he specialized in them. His experience shows in this tight little Universal B western. John Lund and Jeff Chandler are stalwart as, respectively, a cavalry officer trying to avert an Indian war and Apache leader Cochise. The cast is filled with veteran character actors, which is always an asset, and the action scenes are extremely well handled. Altogether a tight, enjoyable little western. Recommended.

This is a good cavalry Western, with a respectable cast and well photographed. John Lund may have got top billing, but Jeff Chandler has the better screen presence, and possibly Richard Egan too.

It contains a couple of common minor flaws of Westerns of the 1950s: the uniforms and carbines relate more to the 1870s than the early Civil War period, and Susan Cabot is yet another white American actor/actress who doesn't convince as a native American, especially compared with the "real Indian" women who briefly appear. Chandler is more convincing as Cochise,and complements well the Canadian Indian actor Jay Silverheels, best known as Tonto in the Lone Ranger series, where he always struck me as being a bit wooden; here he gets some dialogue and a couple of good fights (which he loses)) as Geronimo.

There's a suggestion of an instant romance between Lund and Beverly Tyler as the wagon-train survivor, but this is so feeble it might as well have been omitted.

The action scenes are well handled, especially the climatic battle in Apache Pass.

This colorful western is a rousing yarn that is one of the best of the 1950s. The picture is based on two historical events, the shameful Bascom affair, and the fight in Apache Pass in which two mountain howitzers foiled a well-planned ambush by the Indians. Cochise's Chiricahuas and the U.S. cavalry do all they can to keep peace in the southwest but renegade Mogollons and greedy, scheming whites are just as determined to cause trouble between the Apaches and the soldiers. Jeff Chandler reprises his role as Cochise in the landmark western, "Broken Arrow", as does Jay Silverheels as the warlike Geronimo. John Lund is the major who is sympathetic to the Indians and values his friendship with Cochise. Bruce Cowling and Jack Elam are the white men who have other ideas about how to deal with the Indians. Richard Egan and Hugh O'Brian are also good as army lieutenants. Tech credits are great, especially the camera work by Charles Boyle and the music score by Hans Salter.