À l'abordage

"Against All Flags" is every bit the classic swashbuckler. It has all the elements the adventure fan could hope for and more for in this one, the damsel in distress is, well, not really in distress. As Spitfire Stevens, Maureen O'Hara is at her athletic best, running her foes through in defiance of the social norms of the period. Anthony Quinn rounds out the top three billed actors as the ruthless Captain Roc Brasiliano and proves to be a wily and capable nemesis for Brian Hawke (Flynn). For the classic adventure fan, "Against All Flags" is a must-see. While it may not be in quite the same league as some of Errol Flynn's earlier work (Captain Blood and The Sea Hawk, for instance), it is still a greatly entertaining romp.

Against All flags is directed by George Sherman and written by Joseph Hoffman and Aeneas MacKenzie. It stars Errol Flynn, Maureen O'Hara, Anthony Quinn, Alice Kelley and Mildred Natwick. A Technicolor production out of Universal with cinematography by Russell Metty and music scored by Hans J. Salter.

In 1700 A.D. the Pirate Rebublic of Libertatia on the Island of Madagascar was in constant menace to the rich trade routes to India. Several days sail from this pirate fortress is the British merchant ship, Monsoon...

Plot, in simple terms, sees Flynn as a British officer who goes under cover to smash the pirate ring operating on the coast of Madagascar. Swooning, jealousy, heroics, moustache twirling villainy and big hoorays do follow. It's a lesser Flynn swashbuckler that came at a time when he was fighting some personal issues as well as the onset of age. Filmed mostly on the Universal stages in California, with a small amount of location work shot at Palos Verdes, picture is far better than it probably had right to be.

Duel with landing pikes!

OK! This is hardly a rip snorter akin to Flynn's triumphs of the past, nor is it a particularly potent story, but it's a picture full of lovely optical delights whilst the lead performers have an ebullience that's utterly beguiling. Colour photography and costuming lead the way, both of which off set some of the cheapo corner cutting by producer Howard Christie. Direction is steady, with the actors comfortable with the jovial material to hand, and the finale doesn't lack in the crash, bang, wallop & hooray department. Flynn oozes laid back charisma, his unassuming kisses stealing the ladies hearts, Quinn enjoys being the dandy dastardo, O'Hara wields a good blade and broods a sexuality to knock the boys off of their feet, while Mildred Natwick is as always worthy of observation since her visual acting is most enjoyable.

The flaws are evident from the off, making it an easy film to kick and dismiss if in a particularly demanding mood. Therefore, as pirate adventures go, or as Flynn swashers go in fact, it's very much a minor work. But that doesn't mean it isn't colourful or fun, for it happens to be both. Universal's Region 1 Pirates of the Golden Age release of Against All Flags comes in full frame and is a rather good transfer to disc. 7/10

In his one and only film done for Universal Studios Errol Flynn plays a king's spy, an officer in the British navy sent to infiltrate the pirate lair on Madagascar and put their harbor guns out of commission. The head pirate Anthony Quinn doesn't trust him as far as he can throw a yardarm. But he does interest lady pirate Maureen O'Hara who is letting her hormones get control of her judgment.

This was probably a script that was meant for Jeff Chandler and possibly Rock Hudson or Tony Curtis, but they were all probably occupied so Flynn got the nod, loaned out from Warner Brothers by Jack Warner.

The story of Against All Flags has Flynn and two other crewman pretending to be deserters from a merchant ship and eager to join Quinn and fight as he put it Against All Flags, save the Jolly Roger. On one of the pirate raids the daughter of the Mogul of India played by Alice Kelley and her Scottish nursemaid Mildred Natwick. Only Flynn realizes who she is and that knowledge adds to his mission as he tries to keep her from harm's way. Kelley is a bit of a dim bulb and her failure to forget she's a princess puts the whole enterprise in danger.

No one will ever mistake this pirate film for Flynn's screen triumphs in Captain Blood or my favorite Errol Flynn film, The Sea Hawk. No great production values went into this film, you can really recognize the phoniness of the sets to easily.

As this was done tongue in cheek it gave the players a chance to indulge in a bit scenery chewing. Especially Anthony Quinn who digests a whole dining room set. Flynn gets by on his usual charm and O'Hara looks like a dominatrix in those skin tight thigh high boots she had to wear.

Still Against All Flags is entertaining and the fans of the principal players will enjoy it.

This is a very good pirate movie! It has all the typically good elements that a good pirate movie needs. An engaging tale of intrigue, a fiery lady pirate -- aptly named "Spitfire" Stevens, and ably played by the great Maureen O'Hara. Of course she is attracted to Errol Flynn's character, Mr. Hawke. But Hawke is on a top secret mission of his own. These two actors are great together! But my favourite is Anthony Quinn as the villain. He is fantastic in this movie. The performances are the main reason I like the film. The plot itself is nothing special, so I give it 7 out of 10. The visuals are often just okay but sometimes fantastic.

A featherweight plot and dubious characterizations don't make any difference when a movie is as fun to watch as this one is. Lively action and spectacular stunts - for their day - give this movie some real zip. And there's some actual comedy from the ripping chemistry between the two leads. Quinn makes a good villain also, although his role is completely overshadowed.

But don't be fooled by Maureen O'Hara's tough broad role, this is as sexist as any Hollywood movie of this era. You might be able to forgive that because of the time in which it was made, but it's still hard to get past. For all the heroism and gruesomely adult off-screen situations, this is still little more than an adolescent good time.