Les joyeux pirates

Bud and Lou only made two color films--this and "Jack and the Beanstalk"--and for some reason the color on both of them is terrible, with this the worst of the two. For some unfathomable reason it was shot in shoddy Cinecolor, which was a cheap alternative to Technicolor developed mostly so low-budget producers could afford to make color films (Technicolor was too expensive for those smaller outfits). However, since this film was made by Warner Bros. you have to wonder why the studio didn't shoot it in Technicolor instead of cheap, muddy Cinecolor; it's not like Warners couldn't afford it! Anyway, the lousy photography detracts from what could have been, with a few improvements, a much more enjoyable film. It's good to see Hillary Brooke in color; the miserable quality of the photography can't hide the fact that she's a stunningly beautiful woman, with an icy, regal sexiness reminiscent of Grace Kelly or Eva Marie Saint. However, the romantic subplot between her and the terminally bland Bill Shirley is a complete bust, as the two have no chemistry whatsoever and you find yourself wondering what a babe like Hillary is doing with a slug like him. In addition, everything comes to a screeching halt so they can throw in some interminable, and third-rate, musical numbers. The picture would have been better off with fewer of them. In fact, it would have been better off with NONE of them.

That being said, however, this is still an enjoyable film, although far from prime A&C. The boys are starting to show their age, and their timing is a little off in spots, but they still know how to wring laughs out of a script as lame as this one. Besides, Charles Laughton is really fun to watch. It's said that he agreed to do this film because he thought Lou Costello was one of the industry's best physical comics; he had always wanted to do slapstick, and figured if you're gonna do it, learn from the best. He acquits himself quite well, too, even though every so often you can see where he tries a bit too hard; some of his bits look like they were precisely rehearsed, which they no doubt were, but good comedy isn't supposed to look like it was rehearsed. Still, he seems to be having a whale of a good time, and considering that he had never done anything like this before, does a very impressive job.

As I said, this is hardly Bud & Lou's best, but it's not among their worst ("Dance With Me Henry" holds that honor) or even their not particularly good ("A&C Go to Mars"). The two best things about it, besides Bud & Lou, are Laughton and Hillary Brooke; she's truly gorgeous, and it's easy to see why Costello used her as his love interest in the team's TV series. If you haven't seen this film before, it's worth checking out.

Considering that Abbott and Costello had done "Meet The Invisible Man" the previous year, this film was a big comedown for them. But then again, considering that around the same period they also did "Comin' Round The Mountain" and "Lost In Alaska", maybe "Meet Captain Kidd" was par for the course. The saddest part here (apart maybe from all the singing that at times makes you feel as if you're watching a second-rate musical) is to observe how few verbal elements have remained in A&C's comedy; instead, their humor has been reduced to the lowbrow, unsophisticated slapstick of mugging, dumb misunderstandings, and people falling down or getting hit with shovels. But sometimes A&C's talent still comes through and the film can make you laugh in spite of yourself. Charles Laughton is loud, bombastic and takes a lot of bumps, to generally unfunny effect; Hillary Brooke is downright sexy as a female captain, and is without a doubt the brightest spot of this movie. (**)

An underwhelming later entry for the comedy team, this is of interest only because it's a color film which provides a chance to see Charles Laughton yucking it up as the title baddie. But there's very little meat to chew on while watching Bud and Lou act as hapless waiters sailing aboard the ship of the mean old Captain Kidd (Laughton). Of course there are many recycled older gags ... two of them include: Lou accidentally dropping a bar of soap into Kidd's soup and producing bubbles from everyone's mouthes (just how exhausted was that routine by this time?), and also Lou having a chance to rough Kidd up a bit while the pirate's hands are chained behind his back. (This latter bit was so much better performed when it was William Bendix as the recipient back in 1943's WHO DONE IT?). Hillary Brooke is on hand as a tough-acting blonde, easier on the eyes than a crew full of obnoxious men. ** out of ****

I am an admirer of Charles Laughton,who I regard as the finest ever British screen actor.This is often viewed as the nadir of his movie career but it did seem to me he entered into the spirit of proceedings admirably,mugging energetically and taking pratfalls with the best of them Bud and Lou will satisfy their fans but win no new devotees in a movie slowed down by stultifyingly bad musical interludes and the colour is garish and ugly

Laughton,seemingly relishing the chance to play a variant on the pantomime villains he doubtless enjoyed watching in the theatre as a child,is the main reason to give this the time of day

This curiosity bears a title liable to raise eyebrows when discerning viewers notice it among Charles Laughton's credits and are too squeamish to investigate any further; the knowledge that Laughton made it simply so that he could afford to purchase a painting increasing their trepidation. But if you are rash enough to actually watch it Laughton seems to be actively enjoying himself.

Although every expense has plainly been spared, it was the top grosser of 1953, benefits from being photographed in colour by veteran cameraman Stanley Cortez; while Laughton is well matched by Hillary Brooke giving a lusty, thigh-slapping portrayal of Anne Bonney in tight britches and principal boy boots.