IMDb RATING
5.2/10
162
YOUR RATING
Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.Shy farmboy loves his next-door neighbor, but she dreams of going to the big city. Then she gets mixed up with big-city gangsters.
- Director
- Writers
- Stars
Dorothy Abbott
- Showgirl
- (uncredited)
Fred Aldrich
- Victoria Driver
- (uncredited)
Leon Alton
- College Inn Patron
- (uncredited)
Ginger Anderson
- Townswoman
- (uncredited)
Brooks Benedict
- College Inn Patron
- (uncredited)
Frank W. Bering
- Hotel Clerk
- (uncredited)
Barbara Carroll
- Showgirl
- (uncredited)
Dick Cherney
- Waiter
- (uncredited)
Ken Christy
- Police Sergeant
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a wonderful show with an outstanding cast. The movie is based on the play Aaron Slick From Punkin Crick, a delightful play. When I was in Jr. High School we put this play on in our church and I played the part of Aaron Slick. So.i was quite naturally drawn to this title on Netflix.
This was the time period when musicals were popular but somehow this movie missed the mainstream even with such a power house lineup that included Robert Merrill, Dinah Shore and Edy Williams. One cannot go wrong by spending time with this movie. It is a great family movie! So grab the kids pop some corn and snuggle up and enjoy some fine entertainment. I had a blast as a kid participating in the play as Aaron Slick.
This was the time period when musicals were popular but somehow this movie missed the mainstream even with such a power house lineup that included Robert Merrill, Dinah Shore and Edy Williams. One cannot go wrong by spending time with this movie. It is a great family movie! So grab the kids pop some corn and snuggle up and enjoy some fine entertainment. I had a blast as a kid participating in the play as Aaron Slick.
It's not that ALAN YOUNG and DINAH SHORE don't try to bring some life to a lifeless, uninspired script co-authored by Claude Binyon, who directed this mess. Considering what they have to work with, they sometimes rise to the occasion and produce a few chuckles. And as the villains of the piece, ROBERT MERRILL and ADELE JERGENS contribute somewhat to what few laughs there are.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
Shore is a country bumpkin lass who longs for the big city and is taken in by on-the-lam gangsters (Merrill and Jergens) who are really after the $20,000 worth of savings. Young is the equally country hick neighbor enamored by Shore and willing to go to the extreme to extricate her from the clutches of the villains.
It has a L'IL ABNER flavor to the sets and costumes but the score is rather commonplace and no help in bringing any entertainment value to the ponderous farce.
It's films like this that probably put a hex on DINAH SHORE's stab at a film career. Wisely, she was content to enjoy her TV stardom.
At best, this old fashioned, country mouse versus city slickers story is amusing and disarmingly cute. At worst, it occasionally becomes dull. There are several things that make the movie possibly worth watching.
First, there's Alan Young. He's kind of a low rent Danny Kay with a gentle boyish style of acting reminiscent of Harry Langdon. He became a big star with the talking horse comedy series "Mr. Ed" in the early 60's. This movie shows that Young is talented and entertaining even without a talking horse. As far as I can tell, this was his only starring movie. Its too bad. He has a lovely and unique quality that should have led to a much bigger career. He makes every scene he's in amusing and interesting to watch.
Second, there's Robert Merrill. He became famous as a great Metropolitan Opera singer. This was his only straight starring acting role. He is actually quite natural and funny. Again we have an actor who shows a lot of screen presence. Unfortunately, the Hollywood studios didn't agree. He went back to the opera stage permanently after this film failed at the box office.
Third, we have Dinah Shore. She was famous as a singer and successful as a television talk show host later in the 1960's and 70's. This seems to be her only real staring movie role. She comes off as a low rent Doris Day. Unlike Merrill or Young, its hard to see her really being a movie star, she has a dull but pleasantly folksy personality, perhaps best suited to second banana roles. She probably made a good decision to stick with the singing.
This is a sweet movie which I think kids 8-12 would really enjoy. It should probably be seen in conjunction with the 1940 and 1959 versions of "Li'l Abner." Some of the humor matches up.
I won't argue that it is a lost masterpiece, but it is a generally pleasant little musical 75% of the time. If you want to be put into a mild and nostalgic mood, give it a try.
First, there's Alan Young. He's kind of a low rent Danny Kay with a gentle boyish style of acting reminiscent of Harry Langdon. He became a big star with the talking horse comedy series "Mr. Ed" in the early 60's. This movie shows that Young is talented and entertaining even without a talking horse. As far as I can tell, this was his only starring movie. Its too bad. He has a lovely and unique quality that should have led to a much bigger career. He makes every scene he's in amusing and interesting to watch.
Second, there's Robert Merrill. He became famous as a great Metropolitan Opera singer. This was his only straight starring acting role. He is actually quite natural and funny. Again we have an actor who shows a lot of screen presence. Unfortunately, the Hollywood studios didn't agree. He went back to the opera stage permanently after this film failed at the box office.
Third, we have Dinah Shore. She was famous as a singer and successful as a television talk show host later in the 1960's and 70's. This seems to be her only real staring movie role. She comes off as a low rent Doris Day. Unlike Merrill or Young, its hard to see her really being a movie star, she has a dull but pleasantly folksy personality, perhaps best suited to second banana roles. She probably made a good decision to stick with the singing.
This is a sweet movie which I think kids 8-12 would really enjoy. It should probably be seen in conjunction with the 1940 and 1959 versions of "Li'l Abner." Some of the humor matches up.
I won't argue that it is a lost masterpiece, but it is a generally pleasant little musical 75% of the time. If you want to be put into a mild and nostalgic mood, give it a try.
May not be one of the greats...but I would have thought it well-known enough that some over-45 IMDb contributor would have compiled a review by now.
Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.
Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.
Alan Young makes a pleasant enough Aaron Slick, a likeable hayseed you would expect to see in GREEN ACRES. After Josie (a young Dinah Shore) is tricked into selling her farm she gets herself mixed up with the Mob until homespun Crick comes to her rescue. Very much a product of 50's American provincial theater.
Few laughs, a few songs..nothing much to remember five minutes after its finished. Hasn't stood the test of time either and is dated as all hell now.
The hillbilly Aaron Slick has been unsuccessfully wooing the young widow Josie Berry for many years. Josie is eager to take a trip in the big city. Bill Merridew and his "kissing cousin" Gladys hide in the trunk of a $20,000 obtained from an improper transaction. Relatively speaking, they held a touring tent show on Josie's farm. Merridew actually went into hiding, thinking that there was oil on the farm. Aaron knew that was not the case and tricked him into buying the farm for a large sum of money. Josie ran to Chicago with the money, and Meridou realized that he had been cheated and pursued him. Aaron arrived in time to prevent Josie from letting Meridou "invest" her money.
Did you know
- TriviaRobert Merrill broke his contract with the Metropolitan Opera in order to make this film.
- Quotes
Bill Merridew: It's not my fault that we gotta lay low. I didn't know those lots we sold were at the bottom of Lake Michigan.
Gladys: [scornfully] You go into partnership with a man named "Sleeve-Card Harry" and you don't suspect anything's crooked?
- ConnectionsReferenced in The Dinah Shore Show: Episode #1.11 (1952)
- SoundtracksChores
Written by Jay Livingston and Ray Evans
Details
- Release date
- Country of origin
- Language
- Also known as
- Aaron Slick from Punkin Crick
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 1.37 : 1
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